The Beautiful Aftermath

So after Friday’s winter storm, Saturday dawned bright and clear, so I loaded up three cameras and went to Hamilton. I slowed down my shooting for these shots, one, maybe two, each place I stopped with the Rolleiflex. I carefully looked at each area and pre-visualized what I’d want the final print to look like. Using a Pentax Spotmeter V, I metered for shadows I wanted the most details in, then underexposed by a stop (Putting the shadows in Zone IV), focused, and shot. Then make notes on the exposure. It was like shooting large format (I saw a guy with a 4×5 out and about). I’m pretty pleased with the results.

Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Ilford Pan F+ @ ISO-50 – Blazinal 1+50 11:00 @ 20C
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Ilford Pan F+ @ ISO-50 – Blazinal 1+50 11:00 @ 20C
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Ilford Pan F+ @ ISO-50 – Blazinal 1+50 11:00 @ 20C
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Ilford Pan F+ @ ISO-50 – Blazinal 1+50 11:00 @ 20C
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Ilford Pan F+ @ ISO-50 – Blazinal 1+50 11:00 @ 20C

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