Category: Classic Camera Revival – Podcast

Show Notes for the Classic Camera Revival Podcast

Classic Camera Revival – Episode 35 – Seeing Red

Classic Camera Revival – Episode 35 – Seeing Red

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While we mostly focus on cameras on our podcast, with the weather reports speaking to a classic Canadian winter it might be time for the whole gang to settle into some solid printing time in the darkroom. So to get us and you ready the gang speaks on everything darkroom that’ll have you seeing red (under your safelight). Enlargers, chemicals, papers and more. Sorry, no detailed episode notes for this show. But here are some of the items discussed.

Durst M601 – A solid enlarger that has a built-in film carrier with adjustable masks that work great for 35mm up to 6×6.

Leitz V35AF – One of the hardest things with making prints is focusing! Well, you don’t have to worry about it with this enlarger, but you’ll be stuck with 35mm only.

For paper and chemistry, the gang has printed on almost everything out there. For the most part, we do stick to the most common and readily available from Ilford, their Multigrade papers are a great place to start. But other papers we’ve used include Adox, Kentmere, Kodak, and even Foma with beautiful results. As for chemistry, most of us stick to Kodak Dektol and usual tone with Selenium.

Griffin's Battery - Print Griffen Battery at Ghettysburg – Printed on Ilford MGIV RC Satin – Kodak Dektol (1+2) 1:00, Toned with Selenium (1+4) 2:30

Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). Out West there’s The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 34 – Authorised for Field Use

Classic Camera Revival – Episode 34 – Authorised for Field Use

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Some cameras are best left in the studio, yet we still give ourselves back problems by carrying them out into the field with us! The gang takes on the entire chiropractic industry by flaunting our massive cameras that are best left inside, yet we’ve authorised these beasts for field use.

Cameras Featured on this Show

Mamyia RZ67 -Have you ever wondered what sort of quality photos a cinderblock with a lens would take? Well, that is pretty much what the RZ67 is, a cinderblock that takes stunning images! Surprisingly there’s even strap mounting lugs on this beast! The electronic version of the all mechanical RB67 and just as big. The best part is that if you have a selection of RB67 lenses you can easily use them on an RZ as well.

Classic Camera Revival - Episode 34 - Authorised for Field Use

Camera Specs

  • Make: Mamyia
  • Model: RZ67
  • Type: Single Lens Reflex
  • Format: Medium Format (120/220), 6×7
  • Lens: Interchangeable,
  • Year of Manufacture: 1982

Red filter plus Polarizer

Fence Detail

CCR Review 40 - Mamyia RB67

Fuji GX680iii – When you put the RZ67 next to the Fuji GX680iii, you can see that the 680 is certainly the heavyweight champ. Shooting the slightly larger 6×8 negative, this beast is basically a large format camera, bellows focus, twin rails (that can be extended), beautiful Fujinon glass that can stop down to f/45, some movements and interchangeable bellows. James warns however that while you can get a kit cheap, just make sure to get the GX680iii, easier to find batteries.

Classic Camera Revival - Episode 34 - Authorised for Field Use

Camera Specs

  • Make: Fujifilm
  • Model: GX680iii
  • Type: Single Lens Reflex
  • Format: Medium Format (120/220), 6×8
  • Lens: Interchangeable
  • Year of Manufacture: 1997-2010

CCR - Review 7 - Fuji GX680iii

Halton Region Museum

Halton Region Museum

Monorail LF in the Field
When it comes to Large Format shooting in the field there are some cameras that are designed to do this, 4×5 Field Cameras or Press Cameras can be easily folded up and transported around without too much effort. That being said, once you get into 8×10 unless you drop the cash on an 8×10 field camera you’re stuck with a monorail. Now, there’s nothing wrong with a monorail camera it’s just they’re more aimed at studio shooting. However, Mike & Donna have gone just that little bit extra to ensure that the Cambo Legend is easier taken out than most, by using a little red collapsible wagon.

Another Big One

SPUR of the Moment
For those who have never heard of SPUR HRX, don’t worry too much, it wasn’t until Mike let us in on this great developer out of Germany that the gang took to try it out. According to the information on the SPUR website, the developer is primarily optimized in view of achieving the highest possible fineness of grain. SPUR HRX delivers high sharpness and outstanding detail contrast. Another advantage of HRX is its superbly sophisticated tonality due to the ideal, linear gradation curve gradient preventing dull or flat results.

Classic Camera Revival - Episode 34 - Authorised for Field Use

Some examples that the crew has shot and developed with SPUR HRX!
CCR Review 68 - Bronica GS-1

TFSM - Winter '17

Solitaire

Embrace The Imperfections

Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). Out West there’s The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 33 – That Awkward Moment

Classic Camera Revival – Episode 33 – That Awkward Moment

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We are not fanboys of any camera system and half the fun of running a podcast about classic cameras is being able to both praise the cameras we like and point out the more difficult aspects of others. Now don’t get us wrong, all these cameras are actually decent machines on their image quality but sometimes you just have to ask, what were the designers thinking when they started to make these cameras.

Cameras Featured on Today’s Show
Olympus XA – The smallest ‘full frame’ rangefinder out there, with solid optics, and a cult following. But you have to contend with a hair trigger, that would just as soon shoot every other frame without you wanting it to do so.

CCR Review 26 - Olympus XA

  • Make: Olympus
  • Model: XA
  • Type: Rangefinder
  • Format: 135 (35mm), 36x24mm
  • Lens: Fixed, Olympus F.Zuiko 1:2.8 f=35mm
  • Year of Manufacture: 1979

Sarah Silver
Olympus XA – Olympus F.Zuiko 1:2.8 f=35mm – Ilford Delta 400

Fire Station #17
Olympus XA – Olympus F.Zuiko 1:2.8 f=35mm – Kodak Plus-X – Kodak Xtol (1+1) 7:15 @ 20C

CCR Review 26 - Olympus XA
Olympus XA – Olympus F.Zuiko 1:2.8 f=35mm – Ultrafine Extreme 400 – Kodak Xtol (1+1) 9:30 @ 20C

Mamiya Universal – An attempt to draw away press photographers from their large format rigs. This highly customizable roll film rangefinder takes all the humbling parts of a large format camera and slaps it onto a medium format camera without taking advantage of most things that would make a medium format rangefinder great.

CCR Review 47 - Mamyia Universal

  • Make: Mamiya
  • Model: Universal
  • Type: Rangefinder
  • Format: Medium (120/220), 6×7, 6×9 or Polaroid (Type 100)
  • Lens: Interchangeable, Mamiya Press Mount
  • Year of Manufacture: 1969

Mill Pond - Mamiya Universal Press
Mamyia Universal – Mamyia-Sekor 90mm 1:3.5 – Rollei RPX 100 @ ASA-100 – Kodak Xtol (Stock) 8:00 @ 20C

Justine In Colour 2
Mamiya Universal – Mamiya-Sekor 1:4.5 f=127mm – Fuji FP-100c

CCR Review 47 - Mamyia Universal
Mamiya Universal – Mamiya-Sekor 1:4.5 f=127mm – Fuji Acros 100 @ ASA-100 – FA-1027 (1+14) 9:30 @ 20C

Barnack Leicas – An iconic camera in any circle, the Leica III has remained true to the early design of Oskar Barnack as a compact camera designed at the time to accept motion picture film (35mm). While of high optical quality, these things can be a bit of pain, especially when it comes to loading your film.

CCR - Review 36 - Leica IIIc
An example of a Leica IIIc with a mounted Leitz Summitar f=5cm 1:2 lens

  • Make: Ernst Leitz GmbH
  • Model: Leica I through the Leica IIIg
  • Type: Rangefinder
  • Format: 135, 36x24mm
  • Lens: Interchangable, Leica Thread Mount/M39
  • Year of Manufacture: 1930-1960

Ghost House
Leica IIIf – Leitz Elmar f=5cm 1:3.5 – Kodak Tri-X 400 – Kodak Xtol (1+1) 9:00 @ 20C

Old Train Station
Leica IIIa – Voigtlander Helios 15mm/4.5 lens – Kodak Tri-X 400 – Pyrocat-HD 1+1+100 16:00 @ 20C

Project:1812 - Fort Erie
Leica IIIc – Leitz Summitar f=5cm 1:2 (Yellow Filter) – Fuji Neopan SS – HC-110 Dil. B 5:30 @ 20C

Exakta VX1000 – The camera made famous by Alfred Hitchcock’s film, Rear Window, is designed to throw any photographer into fits because it’s designed to be used left handed. Yes, everything is switched around with this camera from how you would normally operate an SLR. But don’t look past it yet, those lenses are Carl Zeiss.

CCR Review 61 - Exakta VX IIa

  • Make: Ihagee Dresden
  • Model: Exakta VX1000
  • Type: Single Lens Reflex
  • Format: 135, 36x24mm
  • Lens: Interchangeable, Exakta Bayonet
  • Year of Manufacture: 1967-1970

Scritching - B/W
Ihagee Dresden Exakta VXIIa – Steinheil Munchen Culminar 135mm ƒ/4.5 – Kodak Gold 200 – Jobo C-41 Press Kit

Bridge Home
Ihagee Dresden Exakta VXIIa – Carl Zeiss Jena Tessar 50mm ƒ/2.8 – Kodak Portra 160NC

CCR Review 61 - Exakta VX IIa
Exakta VX IIA – Carl Zeiss Jena Biotar 2/58 – Kodak TMax 100 @ ASA-100 – Kodak D-23 (Stock) 9:30 @ 20C

Cambo Legend 8×10 – Well it goes without saying that anything with 8×10 in the camera model is going to be awkward because when it comes to using a monorail camera in the field, you need a mule, or in Donna’s case a husband. But still, there’s nothing better in the standard camera sized better than an 8×10 negative.

Cambo SC 8x10

  • Make: Cambo
  • Model: Legend 8×10
  • Type: View Camera, Monorail
  • Format: Large Format, 8×10
  • Lens: Interchangeable, Cambo Lens Board
  • Year of Manufacture:

Black & White Slides
While the summer has gone, we still have the memory through beautiful slides. But wait, black & white? Yes, it is a thing! In the past there’s the legendary Agfa Scala 200x, today there are still two black & white reversal stocks on the market with Fomapan 100R and Adox Scala 160. However, there is a small lab that specializes in turning your black & white negative films into reversal slides, and that’s Dr5. Throughout the spring and summer the gang has been shooting, sending, and waiting. And Dr5 delivered some beautiful results!

For Alex, he selected to shoot Ilford HP5+ because it was a rainy dull sort of day. The Results speak for themselves in his view.
Dr5 Test Roll - Ilford HP5+

Dr5 Test Roll - Ilford HP5+

Dr5 Test Roll - Ilford HP5+

Bill decided to shoot some of the new dedicated black & white slide film from Adox, Adox Scala 160x. This film stock is based on the legendary Agfa Scala 200x.
The Grainery in March

Oakville Harbour March 2017

Downtown Oakville in March

John, like Alex, took a normally B&W Negative film, Ilford FP4+ and had it turned into a Positive. FP4+ is already a beautiful film but this made it all the better.

Of course, Dr5 is the only commercial lab out there doing B&W Slides, but that doesn’t mean you can’t-do them yourself at home as Mike has done.
Soft Bokeh

Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). Out West there’s The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 32 – Sloppy Seconds

Classic Camera Revival – Episode 32 – Sloppy Seconds

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One thing is for sure when it comes to film photography unless you have the big bucks, you’re buying used gear. But there’s so much out there, what is a good way to buy this gear, maintain it, or even sell it! The gang jumps into a lively discussion on what to and not to do when buying used gear. Including on how to spot a fake Leica. You can also find additional information at Johan Niel’s site. Talking about optics including the dreaded fungus. Also, we decode Ebay for purchasing your used gear, and how to spot a bad deal!

Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). Out West there’s The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 31 – Mystery Camera Challenge II

Classic Camera Revival – Episode 31 – Mystery Camera Challenge II

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The Mystery Camera Challenge, a fun little game we played in Season 2 where we all bring a single camera to the table, then draw names and take a stab at using the camera that the person’s who’s name we drew. Unlike last seasons, this time around we are rocking 35mm film.

Cameras Featured on Today’s Episode

Zeiss Ikon Contaflex Super BC – Zeiss Ikon seemed to have a good thing going with their Contaflex line, but the Super BC is a decent addition with a shutter priority meter that is battery powered. The camera also is unique in that it takes interchangeable optics with the aperture and shutter (leaf) remaining on the camera body itself. The Super BC belongs to Mike and was shot by Bill.

Classic Camera Revival - Episode 31

  • Make: Zeiss Ikon
  • Model: Contaflex Super BC
  • Type: Single Lens Reflex
  • Format: 135 (35mm), 36x24mm
  • Lens: Interchangeable Front Element Cluster, Breach lock
  • Year of Manufacture: 1965-1968

Corner House II

Old Acton House

What the Dickens

Kyocera Contax G2 – One of the world’s two auto-focus rangefinders, the other being the Contax G1. A solid performer, but not a true rangefinder as if you turn off the AF function it becomes little better than a zone-focus or guesstimates focus camera with little feedback in the viewfinder. But don’t let that stop you, quality Zeiss Licenced optics on the front. But even used these cameras carry a bit of a price tag. The G2 belongs to Alex and was shot by Mike.

Classic Camera Revival - Episode 31

  • Make: Kyocera
  • Model: Contax G2
  • Type: AF Rangefinder
  • Format: 135 (35mm), 36x24mm
  • Lens: Interchangeable, Contax G-Mount
  • Year of Manufacture: 1996

Classic Camera Revival - Trio

No Smoking

Classic Camera Revival Mystery Camera

Cosina Voigtländer Bessa R2M – The R2M gives the user a quality rangefinder experience that is pretty accessible to any photographer that knows their way around a camera. Combine that with the versatile Leica M-Mount, a solid meter with good exposure feedback. A bright viewfinder with solid parallax correction guides and easy film loading. Just watch out if you wear glasses, no built-in diopter can make it a slight pain to operate. The R2M belongs to John and was shot by Donna.

Classic Camera Revival - Episode 31

  • Make: Cosina
  • Model: Voigtländer Bessa R2M
  • Type: Rangefinder
  • Format: 135 (35mm), 36x24mm
  • Lens: Interchangeable, Leica M-Mount
  • Year of Manufacture: 2006

Voigtlander Bessa R2M Heliar 50mm ƒ/2 Fomapan 200

Voigtlander Bessa R2M Heliar 50mm ƒ/2 Fomapan 200

Voigtlander Bessa R2M Heliar 50mm ƒ/2 Fomapan 200

Asahi Pentax H3 – Ashai had a long line of SLRs before the Spotmatic came on the scene and the H3 is one of them. But if you’ve shot a Spotmatic, you can shoot the H3, familiar handling, solid Takumar optics, and all manual functionality makes the camera a good performer and great handling. Just watch out, age may not has been kind to these cameras. The Pentax H3 belongs to Bill and was shot by Alex.

Classic Camera Revival - Episode 31

  • Make: Ashai
  • Model: Pentax H3
  • Type: Single Lens Reflex
  • Format: 135 (35mm) 36x24mm
  • Lens: Interchangeable, M42 Mount
  • Year of Manufacture: 1960

Classic Camera Revival - Mystery Camera Challenge II

Classic Camera Revival - Mystery Camera Challenge II

Classic Camera Revival - Mystery Camera Challenge II

Ricoh XR-P – When it came to Pentax clones Ricoh seemed to have it made. Which is funny, because they currently own Pentax. But the XR-P is your typical plastic camera but is solid to use, has a great meter, and has a K-Mount which opens up so many lens options, but even their own line of glass is solid performers. Combine that with an inexpensive price tag, and a slim motor drive and you got a throw-around camera. Just watch out, we are talking 1980s electronics when they go, they go. The XR-P belongs to Donna and was shot by John.

Classic Camera Revival - Episode 31

  • Make: Ricoh
  • Model: XR-P
  • Type: Single Lens Reflex
  • Format: 135 (35mm), 24x36mm
  • Lens: Interchangeable, Pentax K-Mount
  • Year of Manufacture: 1984

Ricoh and FPP 200

Ricoh and FPP 200

Ricoh and FPP 200

One Last Chance – Efke Films
While we all mourn the loss of Efke film, recently a gentleman has been selling new-old-stock out of Croatia on Ebay for actually decent prices. For those who don’t know, Efke films were produced by Fotokemika, the company founded in 1947 produced several black & white films and papers. While they produced their own films for several decades, they would begin to produce Adox films in the 1970s. Of course, we’ve all shot their usually panchromatic films ranging from ASA-25 to ASA-100, but they also produced two different Infrared films, IR820 and IR820 Aura. Even as film technology advanced, they continued to produce classic, silver rich films into the 2000s. But age would begin to take its toll and malfunctions and inability to repair their machines would force the company to shut its doors in 2012. Thankfully the timely Ebay seller gave everyone a chance for a victory lap. But this isn’t the film of today you need to be careful, the film responds well to most developers, but you’ll want to stick to a water only stop bath and a fixer with a hardener in it.

101st Airborne
Pacemaker Crown Graphic – Fuji Fujinon W 1:5.6/125 – Efke PL25 @ ASA-25
PMK Pyro (1+2+100) 7:30 @ 21C

Oh that Swirl
Nikon F5 – Lomography Daguerreotype Achromat 2.9/64 (Orange-22) – Efke KB100
Kodak D-23 (Stock) 7:45 @ 20C

EFKE 820 Aura036
Rolleiflex E3 – Schneider-Kruzenak Xenotar 75mm 1:3.5 (R72) – Efke IR820 Aura
Rodinal (1+25) 9:00 @ 20C

EFKE 820 Aura at the Beaches
Pentax Spotmatic SP1000 – Makinon Auto 1:2.8 f=28mm (R72) – Efke IR820 Aura
Rodinal (1+25) 9:00 @ 20C

IR Humber Glow
Calumet CC400 – Carl Zeiss Tessar 105mm ƒ/4.7 (R72) – Efke IR820
Kodak HC-110 Dil. B 7:00 @ 20C

Rundown
Calumet CC400 – Kodak Ektar 127mm ƒ/4.7 (Red-25a) – Efke IR820
Rodinal (1+25) 9:00 @ 20C

Lakeshore Road Looking East
Nikon F2 – Auto Nikkor-S 50mm 1:1.4 – Efke KB100
Kodak HC-110 Dil. B 5:30 @ 20C

Oakville Harbour
Nikon F2 – Auto Nikkor-Q 135mm 1:2.8 – Efke KB100
Kodak HC-110 Dil. B 5:30 @ 20C

Of course, while we won’t see Efke again, Adox has returned to film production and currently is producing Adox CHS 100 II similar to Adox CHS 100/Efke KB100 in 35mm, 120, and large format up to 20×24.

The Capitol
Graflex Pacemaker Crown Graphic – Fuji Fujinon-W 1:5.6/125 (Orange-22) – Adox CHS100II @ ASA-100 – Blazinal (1+25) 5:00 @ 20C

Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). Out West there’s The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 30 – Twin Lens Love

Classic Camera Revival – Episode 30 – Twin Lens Love

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These fun cameras are the sort that will get you the age old question ‘you can still get film for that?’ A conversation starter for sure is the TLR or Twin Lens Reflex. The camera that of late made famous by previously unknown Vivian Maier.

Cameras Featured on Today’s Episode

Mamyia C220f – Mamyia took a totally different look at the TLR and thought it should be made more like a system SLR, the C-Series is the only TLR with a full line of interchangeable lenses. While the weight is an issue they are totally worth every ounce. And if you’re looking for one, get a blue-dot lens with it.

Classic Camera Revival - Episode 30 - Twin Lens Love

  • Make: Mamyia
  • Model: C220F
  • Type: Twin Lens Reflex
  • Format: Medium Format (120/220), 6×6
  • Lens: Interchangable
  • Year of Manufacture: 1986

000055090009
Mamiya C220f – Mamiya-Sekor 1:2.8 ƒ=80mm – Cinestill 800T

000055090006
Mamiya C220f – Mamiya-Sekor 1:2.8 ƒ=80mm – Cinestill 800T

Bru
Mamiya C220f – Mamiya-Sekor 1:2.8 ƒ=80mm – Cinestill 800T

Yashica-A – The Yashica-A is a no-nonsense bare-bones TLR. Part of Yashica’s early entries into the TLR market as a basic model, but don’t let that turn you away from the camera. A solid performer that often can be had for less money than some of the popular models from Japan.

Classic Camera Revival - Episode 30 - Twin Lens Love

  • Make: Yashica
  • Model: A
  • Type: Twin Lens Reflex
  • Format: Medium Format (120), 6×6
  • Lens: Fixed, Yashinon 1:3.5 f=80mm
  • Year of Manufacture: 1953

Untitled
Yashica-A – Yashinon 1:3.5 f=80mm – Kodak TMax 400

Untitled
Yashica-A – Yashinon 1:3.5 f=80mm – Kodak TMax 400

Untitled
Yashica-A – Yashinon 1:3.5 f=80mm – Kodak TMax 400

Kodak Reflex – The only North American camera on today’s episode. The Kodak Reflex was Rochester’s giant’s response to the popularity of the German Rolleiflex cameras. While you might think it’s a pseudo-TLR,  it’s a full TLR, complete with a geared focusing system.

Classic Camera Revival - Episode 30 - Twin Lens Love

  • Make: Kodak
  • Model: Reflex
  • Type: Twin Lens Reflex
  • Format: Medium Format (620), 6×6
  • Lens: Fixed, Kodak Anastigmat ƒ:3.5 80mm
  • Year of Manufacture: 1946

Leica Swirl
Kodak Reflex – Kodak Anastigmat ƒ:3.5 80mm – Ilford Delta 100 – Rodinal (1+100)

Gear Talk
Kodak Reflex – Kodak Anastigmat ƒ:3.5 80mm – Kodak Ektachrome E100G

Bridged Over
Kodak Reflex – Kodak Anastigmat ƒ:3.5 80mm – Ilford Delta 100 – Rodinal (1+100)

Franke & Heidecke Rolleiflex 3.5 E3 – It just goes to show that you don’t need to shell out the big bucks and get a Rolleiflex with a Carl Zeiss lens, John is a big supporter of going with a Schneider-Kreuznach equipped camera.

Classic Camera Revival - Episode 30 - Twin Lens Love

  • Make: Franke & Heidecke
  • Model: Rolleiflex 3.5 E3
  • Type: Twin Lens Reflex
  • Format: Medium Format (120), 6×6
  • Lens: Fixed, Schneider-Kreuznach Xenotar 1:3.5 f=75mm
  • Year of Manufacture: 1961-1965

Peace Bridge, Calgary.
Rolleiflex 3.5E3 – Schneider-Kreuznach Xenotar 1:3.5 f=75mm – Ilford HP5+

Montreal Lighthouse. Rolleiflex 3.5E3 (Xenotar lens). Fuji Provia 100 slide film
Rolleiflex 3.5E3 – Schneider-Kreuznach Xenotar 1:3.5 f=75mm – Fuji Provia 100F (RDPIII)

Banff
Rolleiflex 3.5E3 – Schneider-Kreuznach Xenotar 1:3.5 f=75mm – Ilford Pan F+

Franke & Heidecke Rolleiflex 2.8E – The classic Rolleiflex for the modern age, the trouble is that the camera while it does have a light meter it is uncoupled. The dial on the left those numbers correspond to the EV settings shown on the meter.

Classic Camera Revival - Episode 30 - Twin Lens Love

  • Make: Franke & Heidecke
  • Model: Rolleiflex 2.8E
  • Type: Twin Lens Reflex
  • Format: Medium Format (120), 6×6
  • Lens: Fixed, Carl Zeiss Planar 80mm 1:2.8
  • Year of Manufacture: 1956-1959

Franke & Heidecke Rolleiflex 2.8F – One of Alex’s jewels, this beautiful camera while looks at first glance similar to the 2.8E from James Lee, the biggest difference is that the meter is now coupled.

CCR - Review 3 - Rolleiflex 2.8F

  • Make: Franke & Heidecke
  • Model: Rolleiflex 2.8F
  • Type: Twin Lens Reflex
  • Format: Medium Format (120), 6×6
  • Lens: Fixed, Carl Zeiss Planar 80mm 1:2.8
  • Year of Manufacture: 1960-1981

Niagara-On-The-Lake - November 2016
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Fuji Pro 160 – Unicolor C-41 Kit

Creemore, Ontario
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Kodak TMax 100 – Kodak TMax Developer (1+4)

Taking Shelter
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Kodak Verichrome Pan – Kodak Xtol (1+2)

Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). Out West there’s The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 29 – Clan O’Canon

Classic Camera Revival – Episode 29 – Clan O’Canon

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So it seems that our hosts don’t shoot much in the way of Canon cameras, but we do have a decent selection not to mention the full lineup of the professional Canon F-1 cameras!

Cameras Featured on Today’s Episode

Canon F-1 – The F-1 was the direct answer to the Nikon F2. This professional system camera also introduced the famous Canon FD mount and remained fairly similar; there was a slight upgrade in 1976 with the Canon F-1n that made some minor changes both to the operation and cosmetics.

Classic Camera Revival - Episode 29 - Clan O'Canon

  • Make: Canon
  • Model: F-1
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Canon FD Mount
  • Year of Manufacture: 1970, 1976 (F-1n)

Cleveland - Downtown
Canon F-1 – Canon Lens FD 28mm 1:2.8 – Fuji Neopan SS @ ASA-100 – Kodak Xtol (1+1)

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Canon F-1n – Canon Lens FD 28mm 1:2.8 – Fuji Pro 400H

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Canon F-1n – Canon Lens FD 28mm 1:2.8 – Fuji Pro 400H

Canon F-1N – The Canon F-1N is a full upgrade to the classic F-1, with a new prism, and plenty of bells and whistles that kept the old pro camera running until the introduction of the Autofocus EOS system.

Classic Camera Revival - Episode 29 - Clan O'Canon

  • Make: Canon
  • Model: F-1N
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Canon FD Mount
  • Year of Manufacture: 1986

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Canon F-1N – Canon Lens FD 28mm 1:2.8 – Ilford HP5+ – Kodak HC-110 Dil. B

The Local Arriving
Canon F-1N – Canon Lens FD 28mm 1:2.8 – ORWO UN54+ – Kodak Xtol (1+1)

Davisville Yards I
Canon F-1N – Canon Lens FD 50mm 1:1.4 SSC – Ilford HP5+ – Kodak HC-110 Dil. B

Canon FTb – The FTb is a favourite around the table, a mechanical beauty with the amazing QL (Quick Load) system that the team is surprised never made it into other Canon Cameras, especially the professional F-1 series.

Classic Camera Revival - Episode 29 - Clan O'Canon

  • Make: Canon
  • Model: FTb
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Canon FD Mount
  • Year of Manufacture: 1971

Not Open yet.
Canon FTb – Canon FD Lens 50mm 1:1.4 – Fuji Pro 400H

CCR Review 59 - Canon FTb
Canon FTb – Canon FD Lens 50mm 1:1.8 – ORWO UN54 @ ASA-100 – Kodak HC-110 Dil. A 7:30 @ 20C

Snowbench
Canon FTb – Canon FD Lens 50mm 1:1.4 – Kodak ColorPlus 200 @ ASA-200

Canon EOS A-2 – The only EOS camera on the show the A-2 looks more like it was designed by Minolta then Canon. But don’t let that fool you, this is no entry level camera, the A-2 is a direct successor to the FD Mount A-1 series and aims more at the Advanced Amateur or Prosumer market.

Classic Camera Revival - Episode 29 - Clan O'Canon

  • Make: Canon
  • Model: EOS A-2
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Canon EF Mount
  • Year of Manufacture: 1992-2000

CCR - EOS A2
Canon EOS A2 – Canon EF 28-105mm 1:3.5-4.5 – Kodak TMAX 100 – SPUR HRX (1+19) 12:30

CCR - Canon Cast - EOSA2
Canon EOS A2 – Canon EF 28-105mm 1:3.5-4.5 – Kodak TMAX 100 – SPUR HRX (1+19) 12:30

CCR - Canon Cast - EOSA2
Canon EOS A2 – Canon EF 28-105mm 1:3.5-4.5 – Kodak TMAX 100 – SPUR HRX (1+19) 12:30

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 28 – The K-Team

Classic Camera Revival – Episode 28 – The K-Team

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Pentax, the name that is always linked with the student special K1000, however, Pentax had a broad range of fantastic cameras, and for this episode, the gang takes a look at their shelves to discover the hidden gems that they have from the Pentax line.

Cameras Featured on Today’s Episode

Pentax Spotmatic SP F – While not the original Pentax SLR, it certain is a big step forward with automatic lenses and TTL metering. A worthy camera for any manual shooter plue the Super-Takumar lenses have a fantastic repuation not to mention a plethora of M42 lenses will let this camera sing.

Classic Camera Revival - Episode 28 - The K-Team

  • Make: Pentax
  • Model: Spotmatic SP F
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, M42 Mount
  • Year of Manufacture: 1973

Classic Camera Revival Spotmatic F
Pentax Spotmatic F – SMC Takumar 50mm ƒ/1.4 – Tri-X400 @ ASA-1600 – HC-110 Dil. B – 11:00 @ 20C @ 20C

Classic Camera Revival Spotmatic F
Pentax Spotmatic F – SMC Takumar 50mm ƒ/1.4 – Tri-X400 @ ASA-1600 – HC-110 Dil. B – 11:00 @ 20C @ 20C

Classic Camera Revival Spotmatic F
Pentax Spotmatic F – SMC Takumar 50mm ƒ/1.4 – Tri-X400 @ ASA-1600 – HC-110 Dil. B – 11:00 @ 20C @ 20C

Pentax KX – While it doesn’t get the same level of press as the K1000, the KX is still a solid choice when it comes to K-Mount cameras and as Bill says it won’t let you down and won’t break the bank!

Classic Camera Revival - Episode 28 - The K-Team

  • Make: Pentax
  • Model: KX
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Pentax K-Mount
  • Year of Manufacture: 1975–1977

The Outside Glen Morris Ruins_
Pentax KX – SMC Pentax 28mm 1:3.5 – Rollei RPX 400 – Kodak HC-110 Dil. B 6:00 @ 20C

VW Van_
Pentax KX – SMC Pentax 28mm 1:3.5 – Rollei RPX 400 – Kodak HC-110 Dil. B 6:00 @ 20C

The Iron Metcalfe St. Bridge_
Pentax KX – SMC Pentax 28mm 1:3.5 – Rollei RPX 400 – Kodak HC-110 Dil. B 6:00 @ 20C

Pentax ME – Don’t let this camera’s small size fool you, a solid addition to the Pentax line of cameras if semi-automatic and fully automatic functionality is something you look for in a camera.

Classic Camera Revival - Episode 28 - The K-Team

  • Make: Pentax
  • Model: ME
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Pentax K-Mount
  • Year of Manufacture: 1977-1979


Pentax ME – SMC Pentax 50mm 1:1.7 – Kodak Tri-X 400 @ ASA-400 – Kodak TMax Developer (1+4) 6:00 @ 20C

Toronto Film Shooters Meet - October 2013
Pentax ME Super – SMC Pentax M 50mm 1:2 (Yellow Filter) – ORWO NP55 @ ASA-50 – HC-110 Dil. B 6:00 @ 20C

Toronto Film Shooters Meet - October 2013
Pentax ME Super – SMC Pentax M 50mm 1:2 (Yellow Filter) – ORWO NP55 @ ASA-50 – HC-110 Dil. B 6:00 @ 20C

Pentax 645 – A strong workhorse camera and the main medium format kit in Alex’s bag. It’s almost a point-and-shoot medium format camera and being an underdog doesn’t command as high a price point as its cousins from Mamyia and Contax do. If you do get one, go for the original and be sure to add the 35mm wide angle lens to your kit and watch out that you get the 120 insert.

CCR - Review 11 - Pentax 645

  • Make: Pentax
  • Model: 645
  • Type: Single Lens Reflex
  • Format: Medium Format, 120/220, 6×4.5cm
  • Lens: Interchangable, Pentax K645-Mount
  • Year of Manufacture: 1984-1997

City Methodist - Gary, IN
Pentax 645 – SMC Pentax 645 35mm 1:3.5 – Kodak Tri-X Pan (TXP) @ ASA-250 – PMK Pyro (1+2+100) 10:30 @ 24C

2013 Christmas Cards - Roll 3 Finalists
Pentax 645 – SMC Pentax 645 35mm 1:3.5 – Rollei Infrared @ ISO-25 – Blazinal 1+50 12:00 @ 20C

MCC - Classic Car Shoot
Pentax 645 – SMC Pentax A 645 75mm 1:2.8 – Kodak Tmax 100 (100TMX) – Kodak Tmax Developer (1+4) 7:30 @ 20C

Pentax 67II – This camera will pump you up! The Pentax 67II is the final entry in a long line of 6×7 medium format cameras from Pentax. For James it is better suited for studio work as you do feel it after a long day of shooting it in the field.

Classic Camera Revival - Episode 28 - The K-Team

  • Make: Pentax
  • Model: 67II
  • Type: Single Lens Reflex
  • Format: Medium Format, 120/220, 6x7cm
  • Lens: Interchangeable, Pentax K67-Mount
  • Year of Manufacture: 1998

Wagon Wheel 1
Pentax 67 – Super-Takumar 6×7 105mm 1:2.4 – Kodak TMax 400

By Lake Ontario
Pentax 67 – Super-Takumar 6×7 200mm 1:4 – Kodak Tri-X 400 – Kodak Xtol (1+1) 9:00 @ 20C

Guildwood in February
Pentax 67 – Super-Takumar 6×7 55mm 1:3.5 – Fuji Neopan Acros 100 @ ASA-80 – Rodinal (1+50) 13:30 @ 20C

New Film: Cinestill 800T in 120
Bill Smith recently had the chance to take a test run with the latest offering from Cinestill, their 800T film in 120. For those who don’t know Cinestill releases a line of film that is Kodak Vision3 motion picture film but during their rolling process removes the Remjet layer leaving a regular C-41 film. Now you can easily remove the Remjet layer in home processing or send it away to a couple of labs around the USA that do the ECN-2 process. You can even do a home ECN-2 process, but with Cinestill film, you don’t have to worry about all that.

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Mamiya C220F – Mamiya-Sekor 80mm 1:2.8 – Cinestill 800T Alpha

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Mamiya C220F – Mamiya-Sekor 80mm 1:2.8 – Cinestill 800T Alpha

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Mamiya C220F – Mamiya-Sekor 80mm 1:2.8 – Cinestill 800T Alpha

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 27 – Return of the Samurai

Classic Camera Revival – Episode 27 – Return of the Samurai

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The Nikkormat line was a series of SLRs released by Nikon through the 1960s to 70s that were aimed at the consumer market. While there were some electronic Nikkormat cameras the ones we have on the table today are the mechanical ones of the FT line. These are great cameras that you can have for a cheap price and still using all your Non-AI, AI, and AI-S lenses. AI and AI-S providing they still have the claw, unless you have the FT3.

Cameras Featured on Today’s Episode

Nikon Nikkormat FTn – An improved version of the original Nikkormat FT and the oldest one we have on the table. The meter coupling pin on the camera still had to be aligned with the meter coupling shoe on the lens, but the lens maximum aperture no longer had to be manually preset on the FTn. It also improved the lens mounting technique that you could rock the aperture back and forth so that the claw would catch on the pin.

Classic Camera Revival - Episode 27 - Return of the Samurai

  • Make: Nikon
  • Model: Nikkormat FTn
  • Type: Single Lens Reflex
  • Format: 35mm, 36x24mm
  • Lens: Interchangable, Nikon F
  • Year of Manufacture: 1967-1975

Dead Mill
Nikon Nikkormat FTn – Nikkor-H 50mm 1:2 – ORWO UN54+ @ ASA-100 – Kodak Xtol (1+1) 8:00 @ 20C

Scan-130425-0002
Nikon Nikkormat FTn – Nikkor-H 28mm 1:3.5 – ORWO UN54+ @ ASA-100 – Kodak Xtol (1+1) 8:00 @ 20C

Now Entering Leslieville.
Nikon Nikkormat FTn – Nikkor-O 35mm 1:2 – Kodak Tri-X 400 @ ASA-400 – Kodak HC-110 Dil. B 5:00 @ 20C

Nikon Nikkormat FT2 – Released as an answer to customer suggestions for improvement of the FTn. The FT2 would have a silver-oxide battery and a fixed hot shoe to mount and external flash. The FT2 also has a +/- in the match needle metering readout.

Classic Camera Revival - Episode 27 - Return of the Samurai

  • Make: Nikon
  • Model: Nikkormat FT2
  • Type: Single Lens Reflex
  • Format: 35mm, 36x24mm
  • Lens: Interchangable, Nikon F
  • Year of Manufacture: 1975-1977

Cherry Blossoms
Nikkormat FT2 – Tamrom 17mm ƒ/3,5 – Fujichrome Velvia 50

Caffenol-C 2 Bath Test
Nikkormat FT2 – Nikon Nikkor 50mm 1:1.8 – Polypan F @ ASA-50 – Caffenol-C 2 Bath 5+5

Firewood (Nikon Version)
Nikkormat FT2 – Nikon Nikkor 50mm 1:1.8 – Polypan F @ ASA-50 – Ilford ID-11 (1+1) 9:00 @ 20C

Nikon Nikkormat FT3 – Released as more of a stop-gap measure, the FT3 is a rare model of Nikkormat that can mount AI-S without needing the claw/pin interface. They were short lived as Nikon released the FM/FE line in 1977 a few months after the FT3 hit shelves.

CCR Review 46 - Nikon Nikkormat FT3

  • Make: Nikon
  • Model: Nikkormat FT3
  • Type: Single Lens Reflex
  • Format: 35mm, 36x24mm
  • Lens: Interchangable, Nikon F
  • Year of Manufacture: 1977

CCR Review 46 - Nikon Nikkormat FT3
Nikon Nikkormat FT3 – AI-S Nikkor 50mm 1:1.4 – Ilford FP4+ @ ASA-100 – Kodak D-23 (Stock) 6:00 @ 20C

CCR Review 46 - Nikon Nikkormat FT3
Nikon Nikkormat FT3 – AI-S Nikkor 50mm 1:1.4 – Ilford FP4+ @ ASA-100 – Kodak D-23 (Stock) 6:00 @ 20C

CCR Review 46 - Nikon Nikkormat FT3
Nikon Nikkormat FT3 – AI-S Nikkor 50mm 1:1.4 – Ilford FP4+ @ ASA-100 – Kodak D-23 (Stock) 6:00 @ 20C

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Classic Camera Revival – Episode 26 – Know When to Fold ‘Em

Classic Camera Revival – Episode 26 – Know When to Fold ‘Em

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Cameras Featured on Today’s Episode

Agfa Ventura Deluxe – The Agfa Ventura Deluxe is a camera by many names, and while the copy that Alex has produces images closer to that of a toy camera, that is mostly due to age, rather than design. But hey, you can probably get one for a lower price than a Holga these days.

CCR Review 52 - Agfa Ventura Deluxe

  • Make: Agfa Camera Works
  • Model: Ventura Deluxe. Also Known As: Ventura 66 or Isolette II
  • Type: Point & Shoot
  • Format: 120, 6×6
  • Lens: Fixed, Agfa Apotar 1:4,5 f=8,5cm
  • Year of Manufacture: 1952-1955

CCR Review 52 - Agfa Ventura Deluxe
Agfa Ventura Deluxe – Agfa Apotar 1:4,5 f=8,5cm – Kodak Tri-X 400 @ ASA-400 – Kodak D-23 (Stock) 7:30 @ 20C

CCR Review 52 - Agfa Ventura Deluxe
Agfa Ventura Deluxe – Agfa Apotar 1:4,5 f=8,5cm – Kodak Tri-X 400 @ ASA-400 – Kodak D-23 (Stock) 7:30 @ 20C

Ventura Test
Agfa Ventura Deluxe – Agfa Apotar 1:4,5 f=8,5cm – Rollei Superpan 200 @ ASA-200 – Blazinal (1+25) 8:00 @ 20C

Anniversary Speed Graphic (2.25×3.25) – This is Donna’s baby, a beautiful Speed Graphic. Originally designed to take the smaller 2.25 by 3.25 sheets, she usually runs the camera with a 6×9 roll film back, and while you get custom cut Xray film from the FPP, using roll film opens up a lot of possibilities.

Baby Speed Graphic

  • Make: Graflex
  • Model: Anniversary Speed Graphic (2.25×3.25)
  • Type: Press View Camera
  • Format: Multiple: Sheet (2 1/4 x 3 1/4), 120/220 (6×9)
  • Lens: Interchangeable, Anniversary Graphic Board
  • Year of Manufacture: 1940-1946

Great combo!
Baby Speed Graphic – Voigtlander Voigtar 1:6,3 f=10,5cm – Kodak Tri-X 400 @ ASA-800 – Diafine 3+3 @ 20C

Zeiss-Ikon Super-Ikonta 531/2 – Indiana Jones, style, class and a taste for adventure. The 1930s were a great time save the crippling economic depression and Nazis but who needs to worry about those when you have a slick looking camera that can turn heads and take find photos as well, meet the Super-Ikonta.

Classic Camera Revival - Episode 26 - Know When to Fold 'Em

  • Make: Zeiss-Ikon
  • Model: Super-Ikonta 531/2
  • Type: Rangefinder
  • Format: 120, 6×9
  • Lens: Fixed, Novar-Anastigmat 1:3,5 f=10,5cm
  • Year of Manufacture: 1938

CCR Review 42 - Zeiss Ikon Super-Ikonta 53 1/2
Zeiss Ikon Super-Ikonta 53 1/2 – Novar-Anastigmat 1:3,5 f=10,5cm – Kodak Technical Pan (TP) @ ASA-25 – Kodak HC-110 Dil. F 12:00 @ 20C

CCR Review 42 - Zeiss Ikon Super-Ikonta 53 1/2
Zeiss Ikon Super-Ikonta 53 1/2 – Novar-Anastigmat 1:3,5 f=10,5cm – Kodak Technical Pan (TP) @ ASA-25 – Kodak HC-110 Dil. F 12:00 @ 20C

CCR Review 42 - Zeiss Ikon Super-Ikonta 53 1/2
Zeiss Ikon Super-Ikonta 53 1/2 – Novar-Anastigmat 1:3,5 f=10,5cm – Kodak Technical Pan (TP) @ ASA-25 – Kodak HC-110 Dil. F 12:00 @ 20C

Voigtlander Avus – Sadly this camera doesn’t see much use, due to the fact it’s over one hundred years old and that it takes 9×12 plates. While you can adapt a roll film holder to the camera, it’s a costly modification, although the lens might work well on a 4×5.

Classic Camera Revival - Episode 26 - Know When to Fold 'Em

  • Make: Voigtlander
  • Model: Avus
  • Type: View Camera
  • Format: Plate, 9×12
  • Lens: Fixed, Voigtlander Anistigmat Skopar 1:4,5 f=13,5cm
  • Year of Manufacture: 1914-1936

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Voigtlander Avus – Voigtlander Anistigmat Skopar 1:4,5 f=13,5cm

Kodak Vigilant Junior Six-20 – This simple folding camera aimed at the consumer market with a simple one-element lens it was probably the vacation stalwart for many families post world war two.

Week #8 - The Kodak Vigilant Junior 620 & Ilford Delta 400

  • Make: Kodak
  • Model: Vigilant Junior Six-20
  • Type: Point & Shoot
  • Format: 620, 6×9
  • Lens: Fixed, Kodak Kodet 105mm ƒ/12.5
  • Year of Manufacture: 1940-1948

Fallen
Kodak Vigilant Junior Six-20 – Kodak Kodet 105mm ƒ/12.5 – Ilford Delta 400 @ ASA-400 – Rodinal (1+50) 20:00 @ 20C

Vigilant Table - Kodak Vigilant Jr. 620 - Ilford Delta 400
Kodak Vigilant Junior Six-20 – Kodak Kodet 105mm ƒ/12.5 – Ilford Delta 400 @ ASA-400 – Rodinal (1+50) 20:00 @ 20C

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival