The return of the 1990s classic trashcam that, despite being what it was, the Vivitar Ultra Wide & Slim became a cult classic in the rise of the toy camera movement. And while the original Vivitar run ended, and the Sproketheadz version had some serious troubles, in 2022, a new version came to the market. Produced by Hong Kong firm RETO, the RETO Ultra Wide & Slim rebirthed the classic and is probably one of the closest versions of the original. It’s all plastic, light, and has a particular flare for the strange. But if you missed the boat on the original, this camera mightRead More →

If you want a simple answer to the question, why the heck am I reviewing a camera that isn’t precisely designed for use above the water, that answer is, I’m crazy. And by crazy, I mean some lenses work both underwater and on dry land with the Nikonos III, and the lens that only lens I have available isn’t designed for dry land. But the Nikonos line holds a unique spot in photography’s history, specifically Nikon. There are two reasons for this. First, the Nikonos line was the camera that made underwater photography accessible, and two, it was the last camera to have a foundationRead More →

I seem to be developing a soft spot for cheap and cheerful SLRs from the 1990s and early 2000s. These may not be the best or most robust cameras out there, but they aren’t hard on the pocketbook, make use of existing lens systems and deliver decent images without too much fuss. Plus, they make great loaner kits for those who want to try film photography but don’t want to invest in something or worry about all the details, such as manual focus or exposure. Well, meet the EOS 3000; you could almost say that this was the entry-level SLR that perfected Canon’s entry-level SLRsRead More →

The first thing you’re going to think when you take a look at a C220f is that this is going to be a heavy camera, and then you’re going to pick it up and notice that it is relatively light for its size and form factor. I love a good system camera, but outside of the SLR world, there isn’t much in the way of system cameras in the medium format realm. At least until you look up Mamiya’s rather interesting C-Series of TLRs, they are proper TLRs in every way, but it’s also a complete system camera with interchangeable lenses, grips, and finders; theRead More →

I’ll be the first to admit that pinhole photography and I have not gotten along well in the past. It’s a bit hit or miss with me, and I don’t always associate photographic success with the gear I use. Sometimes having the right equipment will make you enjoy the format. Pinhole is one such format. My first attempts were bit misses, using a pinhole body cap adapter on my Pentax 645, and then again on various Nikon cameras. It wouldn’t be until I got my hands on a dedicated pinhole camera that I started to see results that I actually liked. So when I startedRead More →

This was truly Minolta’s last hurrah; the age of the film SLR was starting to come to a close. Rather than let it go out with a whimper, Minolta took things by the reigns and rode out into the sunset with a sixth and final generation of film cameras before merging with Konica and leaving 35mm behind. Meet the Maxxum 70, elsewhere known as the Dynax 60 or α-70. While much of the final era of cameras from Minolta were continuations of their original three market segments, the Maxxum 9 (Professionals), Maxxum 7 (Advanced Amatures), and Maxxum 5 (Consumers). But this final subset of camerasRead More →

If you’re a long time listener of the Film Photography Podcast, this camera would be one of the more familiar ones, especially the iconic sound bite by Dan Domme, “Agfa Clack.” The camera earns its name by the clack sound the shutter makes, compared to the Agfa Click, also named for its shutter sound. Despite having many amazing cameras that perform perfectly, I have a soft spot for box cameras, so I started looking for an Agfa Clack after getting the Click-II. I should also note that the Clack is known as the Agfa Weekender in US Markets. Camera Specifications Make: Agfa Model: Clack Alternatively:Read More →

I’m not one for point-and-shoot, automatic everything cameras. I’m not knocking such cameras; they’re excellent and have introduced many photographers to the world of film through their ease of use, pocketability and appeal in popular culture. Not to mention the Instagram and Celebrity crowd. Sadly this has also caused the price of certain premium and even primary point-and-shoot cameras to skyrocket in price. However, I do love a good unique camera, and the Minolta Weathermatic 35DL certainly fits that criteria. There are two reasons for this; the first and most apparent is that the camera is designed for underwater applications, fully watertight but can alsoRead More →

When it comes to the world of TLRs, I was hooked from the first time I picked one up; in my case, the LOMO Lubitel 2. But the Lubitel was primitive even for the age when it was produced as a simple camera aimed at budding photographers. And while there is a certain character to the images produced by that T-43 lens, I had hit the gear acquisition hard after listening to the Film Photograph Podcast. Thankfully in those days, the cost of cameras had not yet risen, and you could get excellent deals on almost anything. At a local camera show put on byRead More →

I remember the first time I learned about the Nikon FE2; it was one of the early episodes of the Film Photography Podcast, I can’t remember which episode it was initially, but I do remember talking to him about the camera when I met up with him at one of the FPP recording sessions back in 2011. The camera didn’t particularly interest me; I still had my Nikon F3. But the camera stuck in my head. And even though I have an FE, the FE2 is an excellent addition to the stable as it is a newer camera, has a faster shutter, and the viewfinderRead More →