I have a long and strange history with Eastman High Contrast Positive Film II, AKA Eastman 5363. When the Film Photography Project began to hand-roll and resell the strange and specialised motion picture films I started working extensively with it and if you’re a long-time reader of the blog you’ll recognise the film stock from previous entries. I have probably done enough with the film to write a full out film review on the stock, but that would be old news. So, having one more roll in my possession, thanks to Alex Smith, I decided to give it the one-roll treatment, one final time. FilmRead More →

The history of Svema film or the entire photographic history from the former Soviet Bloc is a topic for a blog post all on its own. In the case of Svema, they had been producing black & white film for many years before the Second World War. However, they did not have a colour film. When the war happened, and Russia rolled through Eastern Germany, they captured many camera and film manufacturers, including Agfa. From the Agfa plant, they got their hands on colour films and produced Svema Color 125. The film has a colour palette all of its own and something that you don’tRead More →

The film that started the whole Svema craze with the Film Photography Project, Svema Foto 200. Свема is a film stock that is relatively unknown here in North America unless you are of course fans of the Film Photography Podcast. The name comes from the combination of two Russian words, Светочувствительные Материалы, translated means Photosensitive Materials. Now I did try a roll or two of Foto 200 when it first dropped in the FPP store and never could get the hang of it but like my earlier experiences with the 100 and 400 flavours, I figured I was not developing it correctly. So what betterRead More →

When it comes to slow, special use, motion picture films I’m not one to shy away from pushing them to their limit and see what I can do with regular developers. So when Michael Bartosek wanted some examples of his latest ultra-low find in Pyrocat-HD, I heard about it through a fellow film podcaster and threw my hat in to test the film. Not only did Michael send me two rolls of 2238 he threw in a couple of Fuji rolls of the similar type of film. But the real question is what exactly is Eastman 2238 Panchromatic Separation film? It turns out the filmRead More →

No strangers on this bridge, Lomography Potsdam 100 is the second film released in their Kino series of films. Potsdam 100 is ORWO UN54 a film that I have shot a lot with for the past several years. Compared to N74, UN54 is super sharp, fine-grained and has a fantastic tonality and one I have only developed in a limited number of developers, so I’m looking forward to trying it out in different developers. Designed as Eastern Europe version of Kodak Plus-X and it certainly shows. What struck me is that the film is marked as Lomography Potsdam in the rebate area, which means thatRead More →

Among those who have shot the Derev Pan line of films the favourite is Derev Pan 400, and I do agree with that. When I ran the beta tests for the film, it was Pan 400, that was my favourite. Being a 400-Speed film, I thought there would be more grain than I expected, images were super sharp, incredible tones and contrast. You can run this film through any situation and developer and get some incredible results! Film Specs Type: Panchromatic B&W Film Base: Polyester Film Speed: ASA-400, Latitude: Suspected +/- 2 Stops. Formats Avaliable: 135 (35mm) Roll 01 – Kodak D-76 I have toRead More →

When I initially beta tested the Derev Pan films the one film that was missing from the test pack with the middle child, Derev Pan 200, so this is a brand new film for me. There aren’t many mid-range speed films on the market today, especially in black & white films. You have Rollei Superpan 200, Derev Pan 200, Svema Foto 200 plus Eastman Double-X. So I had no real understanding of what to expect. Grainery than most films in the Derev line, it presents a generally low to a mid-contrast classic look. The trade-off for the grain is that the film is sharp inRead More →

Originally designed for aerial surveillance in Eastern Europe, the Derev line of films is new to the North American market thanks to the Film Photography Project. I had the honour of beta testing the film for the FPP and found that Derev Pan 100 is an excellent film for outdoor shooting on bright sunny days. Sharp with a decent touch of grain and an amazing tonality you can clearly see why this film was selected for surveillance. And while on my initial test I only worked with HC-110, I looked forward to trying the film out in various developers! Film Specs Type: Panchromatic B&W FilmRead More →

It’s not every day that a new film jumps into the market without some pre-release hype, but leave it to CatLABS to slip under the radar with new film stock. In their description of the film, they state that it is in the spirit of Panatomic-X so who am I to skip over the film, I wanted to shoot it now! The film is rated at ASA-80 so a couple stops faster than the classic Kodak emulsion but something I could work with and even pull if needed. I think the film comes from the New55 Atomic-X which is also has a little bit ofRead More →

According to the Kodak Datasheets on Eastman Fine Grain Duplicating Positive Film, which I will refer to from now on as Eastman 2366, is a low-speed duplicating film intended for making master positives from black-and-white camera negatives. Eastman 2366 is a blue-sensitive black-and-white film has very high resolution and provides very high acutance. In other words, this is not a film for regular photographic use. But what’s the fun in that? I first came across Eastman 2366 among other specialised Motion Picture Film from the Film Photography Project but to develop these as negatives using standard chemistry, while possible it’s hard to find times toRead More →