When it comes to cult cameras, I don’t think any company can compete with Olympus for the sheer number of models that have gained cult status before the current wave of point-and-shoot madness. You have the Mju (ยต) aka Stylus, Stylus Epic, the entire XA line, and then there’s this camera, the Trip 35. When it comes to sleek and stylish cameras not to mention easy to operate and compact the Trip 35 has all of that in spades. And it probably helped catapult the camera to fame with the support of David Bailey. My own journey into the Trip 35 started with the FilmRead More →

Back in December I was approached by Michael Raso of the Film Photography Project if I wanted to help test a new (to the FPP) film stock. Just before Christmas the film arrived with a little note saying “ASA-6, we think” there was no real indication online how to develop this film in traditional B&W chemistry or it’s exact sensitivity. Google yielded a document by Eastman Kodak on this film stock, Eastman 5363 Positive Film II was a high contrast motion picture film designed for the creation of both positive and negative titles for films. And to develop using Kodak’s D-97 chemistry. Last time IRead More →

Ontario is beautiful, there’s no changing that, but sometimes you leave and go someplace else and only find that the same beauty you so like in the north can be found elsewhere, that’s exactly how I felt when I drove through Northern Michigan. I feel the state gets a bad rap because of places like Detroit and Flint (New Jersey is the same way), but there is incredable beauty to be found in the northern part of the state. You will be treated to miles of wooded areas, quant villages, friendly people, and sunsets…well sunsets. The beach and port at Cross Village. A quick stop,Read More →

A couple weeks back I recieved a package from Michael Raso of the Film Photography Project, in addition to the flash bracket I had ordered for my Polaroid Auto 250 there were a couple rolls of film, 2 120 format Kodak Ektachrome E100G and E100GX, some E100G in 35mm and a roll of ProPhoto XL. The E100G series I was well aware of and now sadly Kodak has ended it’s entire line of E-6 films, but the ProPhoto XL was one I had not seen before. With good reason, some searches on the Internet revealed that the film was aimed at International markets and wasRead More →