We’ve discussed large format on several occasions on CCR in the past, however, we’ve never done a basics episode for those wanting to get into large format. Well never fear, that is exactly what Alex and James are going to discuss today, so grab your notebook and ready to go big! Camera Types You can put all large format cameras into a single category of ‘large format’ or simply ‘view camera’ because you are mostly using a piece of ground glass to look directly through the lens so it’s almost what you see is what you get. However, there are differences between these view camerasRead More →

We’re back on a large format kick just in time for spring to arrive here in Southern Ontario! So today, Large Format Strikes Back! Linhof Master Technika V When it comes to precision in large format you don’t get any better than a monorail camera, but what if you could get that same level in a more compact form. Enter the Linhof Technika line of cameras. These are a hybrid of the power of movement you get with a monorail camera in a package similar to a Press Camera. You get every movement in both your front and rear standards and not just any movement,Read More →

As much as I would love to get my hands on enough APX 25 to run a classic film review of that legendary stock, sadly they are few and far between, and when they are sold, often it’s at a premium. In the meantime, how about its faster cousin, APX 100. But the two films are wildly different, APX 100 is a silver rich film that produces amazing sharpness, detail, and contrast. For this review, I got lucky and found 50-sheets of APX 100 in 4×5 which made shooting the film all the more enjoyable. Film Specs Type: Panchromatic B&W Film Base: Acetate Film Speed:Read More →

In the category of gone too soon is New55 and their amazing film stock, Atomic-X. Now, this isn’t the first time I’ve spoken on Atomic-X when they first started releasing just their negative material for their revival attempt at the iconic Polaroid Type 55, I grabbed a box of one-shot envelopes to try out. The Atomic-X negative was in reality based around their goal of a Postive/Negative material, however, when I tried the New55 PN I got no usable results, the envelopes fell apart on me or the chemicals failed to spread it just became a disaster. But when they offered up 25-sheet boxes ofRead More →

Well, looks who’s back! It’s the FP4Party! This time around I have no outstanding projects so unlike in the final FP4Party I can actually work hard on this one, unlike the last time I gave a rather lack-lustre performance. I sat down early and planned out my week, collecting five ideas of where to shoot and what I wanted to shoot with. The film, of course, a favourite of mine, Ilford FP4+. I came up with one roll of 35mm, three rolls of 120 and a box of 4×5. Now in the past, I’ve usually stuck to one day of shooting for these parties. ButRead More →

The fine folks behind the film photography promotion website Emulsive have done it again! In the footsteps of last year’s FP4Party, they have started to run a couple of different monthly participation events for film photographers around the globe through the use of Twitter. Sadly I didn’t participate much in the FP4Party mostly because of time conflicts; I decided to make a point to join in on this year’s film parties. Being free of most projects it freed my hand to keep up this time around. This year’s first party is a celebration of Kodak TMax. Tmax a modern film emulsion that was released inRead More →

At the very beginning of these review blogs I had laid out some rules, and now I’m going to break one of them and review a large format, sheet film camera. The Crown Graphic is my 4×5 camera of choice these days; it’s reliable camera that can take a hit and keep on taking photos. I mean that is what it’s designed to do, it’s a press camera. And when it comes to large format, I’m glad that my first experiences with the format were on a press camera rather than a field or monorail because I don’t think I would have taken to theRead More →

When I first learned about the RPX line of film I was pretty excited, these days we often get news of discontinuation of films more than the addition of a new film stock. I was also excited when I learned that these would be the modern reincarnation of the legendary Agfa APX films and what a return to the photographic stage. Now these films are produced by Agfa but marketed under the Rollei Name. So with my on going 52-Roll project just past the halfway mark I figured now would be a time to give them a bit of a review! So to kick itRead More →

This year it was a real shame that Polaroid Week just snuck up on me. It serves me right for not watching social media a little more closely. But I still managed to get out on the last day to get some Instant film shooting in. This year I was sort of limited. My wonderful Automatic Land Camera Model 250 has a dead battery and I didn’t have time to fix it up with the AAA battery fix. Also I didn’t get in any order from Impossible to run my Spectra (the only Integral Polaroid I have working), and didn’t get a couple packs ofRead More →

  < In this special bonus episode, an interview with Tim Gilbert of the SP-445 Kickstarter project. In this project, Tim and his team have come up with a new kind of 4×5 development tank that can develop up to 4 sheets at once, with an economical use of chemistry. This Kickstarter project closes on January 18th,  2016 so you still have time! Check it out! Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario, if you’re on the West Coast (BritishRead More →