If there’s one thing that is always uncertain these days is the availability and quality of photochemistry. At the same time, some companies have had no issues with maintaining their normal level of quality. As manufacturers of the materials and chemistries shift away from the originals, things get a little grey. Thankfully some are willing to take a chance and help keep things going, and one such company is Adox. While most of their chemical offerings are based on formulas from other firms, Rodinal, FX-39, and Atomal spring to mind. Adox XT-3 is a new offering, backwards engineers from Kodak Xtol a well-loved Ascorbic AcidRead More →

It has been far too long since I got together with this amazing group of people in-person since all of this started in March 2020. And while I was unable to make it out to the first meetup since our last meetup in February 2020 (at least it was the largest meetup to date). And through early 2021 there were some attempts at virtual meetups, the fact of the matter is that the TFS group is best served with in-person meetings. Thankfully with things looking far better real meetups kicked off in October with a second meetup taking place at the beginning of the month.Read More →

It’s been a long hot summer, and Alex sits down for a rare CCR Solo show to talk about his experiences with Adox. If you haven’t heard of Adox, then prepare to have your introduction made to the oldest name in film photography chemistry and supplies! While the original 1860s Adox is long gone their name and experience live on with the modern form of the company started by Fotoimpex as a way to preserve not only the intellectual properties of Adox but also Agfa! You can order Adox products and other film photography projects through Fotoimpex. Also, make sure to follow them on FacebookRead More →

The year was 2012; I had been shooting film in a far more serious way for three years at that point. I learned of a speciality film store called Freestyle Photographic from an episode of the Film Photography Project. They had all sorts of weird films from Europe that I had never heard of nor seen at my local camera store (which at that time was either Henry’s or Burlington Camera). With companies like Efke and Adox, strange, exotic for my North American sensibilities. I purchased a pile of Efke and Adox CHS Art films, both in 35mm and 120, 50 and 100-speed offerings. WhileRead More →