When it comes to lenses, some out there have become a key part of many photographers’ main kit. And for me, this lens marked my first major lens purchase and investment in the Nikon system. This lens marks the fifth iteration of the 70-200mm f/2.8 series of telephotos and the second Silent Wave Motor (AF-S) of this iconic lens. First released in 2003 alongside two other f/2.8 G-Type lenses, the 14-24mm and 24-70mm, which forms the Nikon Trinity. This lens quickly became a go-to lens for wedding, event, and reenactment photography originally paired with my Nikon D300 and later my F5 and D750. It’s heavy,Read More →

Ontario is blessed with a tonne of amazing rural communities that have stood the test of time. They never undertook vast urban renewal plans through the 20th Century and have stayed close to their roots in the mid to late 19th Century. And one such community is Elora, not only with natural wonders of the Gorge and the Falls but also with architectural splendour. Back on the Canada Day long weekend, I went into Elora to shoot some video work and to meet up with two fellow hosts of the Classic Camera Revival for a quick jaunt around the village. I went simple going withRead More →

If you know me and my photography, you know that I’m a sucker for a good ultra-wide angle lens. The problem is that these lenses can often cost a fair amount of money and often have several issues that go along with that wide focal length. Probably the best lens of this class (ultra-wide zoom) is the Nikkor 14-24mm f/2.8G which I reviewed last month. Sadly no other company has a similar lens to that beautiful Nikkor glass. However, while I was building up my Maxxum kit, I happened across this lens. While it is the odd duck in my Maxxum kit, all my lensesRead More →