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While the Mark 1 Intrepid is long obsolete, it was a fantastic camera for the era in which it was produced. It became the foundation of a resurgence in modern large-format camera creation, not only from the folks at Intrepid. And while this camera is long gone, it certainly left an impression on me and my photography. This camera was designed to make large format affordable and modern construction. And it certainly made that dream a reality. Was the camera perfect? Far from it, I had many problems with this camera, but for what it was and what it cost, it made a large format,Read More →

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While developing a colour-negative film is not as exciting as slide film, it is still satisfying. And while some might be hesitant these days to risk processing colour film in a home environment due to the increasing price and lower availability of colour-negative stocks, it is a way to help reduce the cost. And if you are a bit wary of the process, don’t worry. I was also when I first started, and while I did mess up the first set of four sheets of Ektar (yes, 4×5 Ektar), I soon figured out where I made my mistakes. Colour Negative processing uses those processes ifRead More →

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When I was starting to shoot film seriously, I stuck mainly to negative colour stock but started experimenting with black & white, but slide film was something that I avoided. Slide film was for professional photographers or travel photographers who wanted to share their trips on a slide projector. My first experience with slide film was Fuji Sensia and I was hooked. So I decided to jump right into the iconic Fuji slide film, Velvia. The original Kodachrome killer, and yet I only started shooting the stock after it got discontinued, the first roll running through my camera in 2009. Film Specs Type: Colour ReversalRead More →