How do Developers Work? Before you can get into the actual developers, we should recap how developers and black & white film photography works anyways. We’re going to put on our lab coats and try to explain this process as simple as possible. Black & White film is made up of individual crystals, the crystals are known as silver halide (2Ag+Br–) is made up of a positive silver ion and a negative bromide ion. These crystals while theoretically would be perfect, in reality, there are small imperfections in each crystal. The crystals are naturally light sensitive, however, when they are bombarded by photons (light) theRead More →

In the category of gone too soon is New55 and their amazing film stock, Atomic-X. Now, this isn’t the first time I’ve spoken on Atomic-X when they first started releasing just their negative material for their revival attempt at the iconic Polaroid Type 55, I grabbed a box of one-shot envelopes to try out. The Atomic-X negative was in reality based around their goal of a Postive/Negative material, however, when I tried the New55 PN I got no usable results, the envelopes fell apart on me or the chemicals failed to spread it just became a disaster. But when they offered up 25-sheet boxes ofRead More →

The idea of a monobath is not a new one. If you’ve followed my online work you’ll know I’ve made my own based on a formula first put forward by Donald Qualls back in 2004 based on the HC-110 developer (a favourite of mine). When Michael Raso (of the Film Photography Project) started talking about their own Monobath I didn’t give it a second look (to be honest). While I enjoyed the ease of a single step that will develop, stop, and fix a roll of film a welcome break from the amount of work that goes into developing a roll of film, it feltRead More →

A few weekends back I had a chance to visit the lovely village of Elora, Ontario with my beautiful wife who I am grateful loves such adventures on free weekends. The small village is located just northwest of Guelph and offers a little taste of Europe in Ontario. I’ve had the chance to visit Elora twice in the past, once for my 52-Roll project in 2013 and again to go camping with a group of friends in 2015. But I had always planned to go back yet it never seemed to fit into plans. While the Elora gorge is one of the towns biggest draw,Read More →

With my film photography, I have had limited experience with the Fomapan products. I’ve shot Fomapan 200 with okay results and the surveillance variant of Fomapan 200 available through the Film Photography Project with much better results. I’ve tried Fomapan 400 in sheet film and got no results. But after seeing some amazing work with Fomapan 100, I decided to pick up four rolls in 120 from Argentix.ca to give it a try. I certainly found the film pleasing to work with, a classic response with the four different developers I worked with over the course of shooting the film in several different situations. ProductRead More →

The final film in the RPX line is their fast film, RPX 400. RPX 400 is not my favourite film of the trio; I’m not saying it’s a bad film, it’s just not my favourite. As the name says this is an ASA-400 film but has a substantial exposure latitude going down to 100 and up to 3200 but I would recommend that you stick to the 200 to 800 range for the best performance. Product Highlights Type: Panchromatic B&W Negative Film Base: Triacetate Film Speed: ASA-400, with a Latitude between ASA-100 and ASA-3200 Formats Available: 35mm/120 Hasselblad 500c – Carl Zeiss Distagon 50mm 1:4Read More →

When I first learned about the RPX line of film I was pretty excited, these days we often get news of discontinuation of films more than the addition of a new film stock. I was also excited when I learned that these would be the modern reincarnation of the legendary Agfa APX films and what a return to the photographic stage. Now these films are produced by Agfa but marketed under the Rollei Name. So with my on going 52-Roll project just past the halfway mark I figured now would be a time to give them a bit of a review! So to kick itRead More →

Along with their wonderful line up of RPX films, the folks over at Rollei have also got some developers specifically for their film. Similar to Kodak’s TMax Developer for their TMax line of films. So as part of my ongoing 52-Roll project I’ve been using the RPX line of films exclusively. So when I saw the RPX-D developer I figured to give it a shot to see if it gives something more to this film that I wasn’t seeing with my usual chemistry. Before I start I was a little disappointed with the developer, specifically because it seems to be a two trick horse, onlyRead More →

Another new developer for me and when I find a new developer I’m usually excited to see how different films react to it. And to make it even sweeter the Kodak equivalent, DK-50, is a developer I had never even heard of until now! According to the Ilford Product page this is a fine grain developer designed for push processing faster films. So for slow and medium speed films I chose to shoot at box speed, while faster films I went and did some pushing. With Ilford FP4+ In all honesty you really can’t go wrong with FP4, this is one of those films thatRead More →

After the lack luster across the board performance of Ilford DD-X (Which I have since tried with Delta 3200 which DD-X was designed for, and my good friend Julie Douglas saying it works well with Kodak films) I decided to give another Ilford developer a try, Perceptol. According to the Ilford site the developer is a very fine grain developer with excellent image quality. While designed for the slower films in the Ilford line up it would produce noticeably finer grain with faster films. This is Ilford’s version of the classic Microdol-X from Kodak, a developer that actually grew on me the more I usedRead More →