It’s been just under a year since the gang visited the Riverdale/Leslieville areas of Toronto. And again I found myself as a participant in the walk rather than the organiser. For that, I left it up to Bill Smith who knows the area like the back of his hand, though this time around we took a much different route. There’s something about getting started early as we gathered at the Rooster Coffee House for our start, after an Atomic Rooster Brew and some discussion. And of course, snapping photos with our cups of coffee and our cameras we started off. The day had promised toRead More →

Oh Emulsive, I think through your little contests you’re going to keep film alive ensuring that everyone goes out and buys the stuff to join in these fun little games. After joining in on the Summer Film Parties, the next step is the Delta Def Jam. Wait What? Like the TMax Party, Delta Def Jam celebrates Ilford’s tabular grained film, known as Delta. Also of note, the Delta series of film comes in 100, 400, and 3200. Now when it comes to the Delta series I really only like one of the film stocks, Delta 100, although I may play with Delta 400 see ifRead More →

If you’ve used any of the modern Bronica cameras, you’ve mostly used them all. And that is the beauty of them because of they all act, behave and feel the same in both operation and general, cosmetic details. The only difference is the size of the negative. And while I’ve reviewed the smaller of the three, the ETRS earlier this year, I now switch up to the largest of the three the GS-1. As I’ve mentioned before, I’m not a fan of Bronica cameras, but I like the GS-1 and would easily rate it higher than the Mamiya as it stands up easier on fieldRead More →

Ah the dog days of summer, and yet there’s still the draw to get out, no matter the weather, and just enjoy shooting. This summer meeting saw me visit two areas of the city for some shooting. The first part of the meet was in a part of the city that I don’t often explore, the Riverside neighbourhood on the eastern side of the Don Valley. Fellow film shooter, Bill Smith, did the heavy lifting in planning out the meet. The day started with coffee at the lovely Rooster Coffee Shop. The whole area is a hidden gem in the city with lots to seeRead More →

There’s always a sense of wonder when working with cameras as old as the Jiffy Kodak. Despite the bellows, it is little more than a fancy dressed up box camera. And yet there is a strange draw to shooting with it; you can just shoot from the hip and hope it works out, and yet there are a few things in this dressed up box that creates a unique shooting experience. But first, I have to speak on how cool this camera is, despite lacking the art deco faceplate that gives the Jiffy Kodak an iconic look for the 1930s, like the Beau Brownie, theRead More →

While I have shot only a handful of Canon products during my reviews, they’ve all given positive results in my books. The Canon FTb is not bucking this trend as a solid match needle, mechanical SLR it is certainly a top pick for me as a student camera. Simple in its operation, and yet provides a good solid introduction to 35mm film photography. Special thanks to Bill Smith for loaning out this black beauty! The Dirt Make: Canon Model: FTb Type: Single Lens Reflex Format: 135 (35mm), 36×24 Len: Interchangeable, Canon FD Mount Year of Manufacture: 1971 The Good The number one thing I loveRead More →

There are plenty of developers out there that I have yet to try, some because they just aren’t made anymore and others because I just cannot get them in Canada. Plus I can be a creature of habit and stick to what I know and can get the results I want. So when a fellow photographer and CCR co-host Mike Bitaxi, started talking about this new developer he was working with my interest oddly enough grabbed especially after seeing the results. The developer in question is SPUR HRX. SPUR, or Speed Photography, Ultra Resolution, is a company out of Germany that I had never heardRead More →

When it comes to the 1970s, the market was flooded with some very similar, yet different 35mm SLRs. The decade saw the rise of names like Minolta, Olympus, and Pentax to counter the big two of Canon and Nikon. The second review I wrote for this series was on the Pentax K1000, a fantastic camera, but now let me introduce to you to the OM-1. The camera that the K1000 should have been (sort of). The Dirt Make: Olympus Model: OM-1 Type: Single Lens Reflex Format: 135, 35×24 Lens: Interchangeable, OM Mount Year of Manufacture: 1972 The Good I like the OM-1, I do. It’sRead More →

When Pentax developed their K-Mount, they decided that this, like the M42 they had used before would become the standard for bayonet mount SLRs. And while the K-Mount remains to this day pretty much untouched it did not become the standard with Nikon and Canon developing their own lens mounts. However this didn’t stop other companies from latching onto the K-Mount band wagon and several clones soon popped up. One such camera was the XR7 by Ricoh (oddly enough it was Ricoh that ended up buying up Pentax). And what a camera the XR7 is, this is a small light weight semi-automatic SLR that canRead More →

Probably one of my more interesting cameras in my tool kit, but one that I really like but don’t take out often enough. I guess that’s the biggest problem with having a lot of working cameras. This Lomography camera is a copy of the Zenit Horzion 202, a panoramic camera designed for use in the Soviet Space program during the height of the cold war. This odd camera certainly caught my eye so when I netted a good discount with Lomography I went and picked it up. While not one work with every day, it’s still a really fun camera for a different look. TheRead More →