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One thing that is always satisfying is being able to come up with new processing details for rare films. I did some extensive testing with Eastman 5363 back when the Film Photography Project began to release it for general photographic use. But now I have a new challenge from the group, Derev. Of course, there has already been some testing of the film by the Alpha team over at FPP HQ in New Jersey which gave me a baseline, so I went and checked over my extensive list of films looking for similar film speeds, film feel, and developing times to see if other developmentRead More →

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The idea of a monobath is not a new one. If you’ve followed my online work you’ll know I’ve made my own based on a formula first put forward by Donald Qualls back in 2004 based on the HC-110 developer (a favourite of mine). When Michael Raso (of the Film Photography Project) started talking about their own Monobath I didn’t give it a second look (to be honest). While I enjoyed the ease of a single step that will develop, stop, and fix a roll of film a welcome break from the amount of work that goes into developing a roll of film, it feltRead More →

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Found in a mysterious factory in Rochester, New York, the Debonair, or the FPP Plastic Filmstastic 120 Debonair is one of the strangest cameras I’ve reviewed for this blog series. But also one of the more fun ones to use. This funky toy camera is one of many Holga/Diana clones that started to pop up in the late 20th century. It uses 120 roll film in a 6×4.5 format but portrait orientation, light weight and produces actually really fun results with the nice soft plasic “Super” lens. And to make this review extra special the images shot were done on World Toy Camera Days theRead More →

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“Are you going for the game?” The US Border services agent’s question jostled the brain slightly more awake. The coffee a couple of hours had helped but waking up at 4 am was certainly something I haven’t done in a while. Thankfully that wouldn’t hit me until the way home. I proceeded to explain that I was going to Ann Arbor for a photo walk; at least I didn’t say “What game?” (What shoo?). I then had to explain what a photo walk was. The day started at the local camera shop, Camera Mall who were wonderful hosts for not only opening early but providingRead More →

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I was always iffy about shooting 620 cameras, since when I first got into film photography finding 620 film was difficult, but the cameras were everywhere and many found their way into my collection. And to make matters worse the take up spool was missing. But let’s back up a bit and discuss, exactly what is 620 film? It was a film that was first introduced by Kodak in 1932 and continued being produced until 1995. But here’s a secret, it’s the exact same film stock as 120, same size and same backing paper, but it was the spool that was different. So if youRead More →

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You see them all over universities, little memorials, gifts, and the such. The University of Findlay in lovely Findlay, Ohio, is no different, and this week’s subject is one such memorial. This is the restored bell that once sat in the tower of the Old Main building. It was given as a gift to the university, fully restored and mounted on a new tower from the classes of 1953 and 2003. I thankfully met up with the FPP gang at Findlay to catch the final day of Walking Workshop after a couple of rough nights of attempting to camp, but Sunday dawned bright, sunny andRead More →

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How does one review a film they have only used once? Easy, when the film is something special. Eastman SO-331 High Contrast Intermediate Panchromatic Film is one of those rare cult films that have been floating around for a while. The SO in the name indicates that it is a special order emulsion. And it has developed a rather unique following among the film photography community. Back in October when I was in New York City for the PhotoPlus Expo I was handed a roll of the film by Michael Raso of the Film Photography Podcast (who got a large amount of the stock fromRead More →

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Back in April, at the FPP Walking Workshop I had the chance to work with some studio lights. One of the things to come out of the first round with the studio light was the Polaroid Portraits that I was very proud of. But on Sunday, before the Large Format workshop kicked off, I again hooked up one of my cameras to the same light and, with the help of Professor Jeff, got all the settings landed and began to pull people in attendance into my studio for a quick shot. Loaded into my camera was a single roll of Kodak Portra 160NC (one ofRead More →

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This past weekend at the Film Photography Project’s Walking Workshop in lovely downtown Findlay, Ohio, at the Polaroid Party at the University, they had a couple of stations set up for portrait work. I had used by trusty Auto 250 (Polaroid Model 250 Automatic Land Camera) at Milton’s Help-Portrait event a couple of years back now, which was a hit, but I never thought to hook it up to a studio light. The camera is equipped with a PC socket which allows you to hook up an electronic flash mounted on a bracket, or a radio trigger. Mat’s massive Sinar P2 8×10 camera took theRead More →

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I was bitten by the toy camera bug a while back after getting a Holga, which has served me well, but recently on the Film Photography Podcast they were pushing this odd “new” camera that Michael Raso had discovered on “The Bay” named The Debonair, it looked like a cross between a Diana and a Holga. He had managed to stumble upon a lot of 2000 of these cameras sitting in a warehouse in Rochester, New York. I didn’t need another toy camera, but after seeing some of the shots out of the camera I needed to get one, and at twenty bucks, it wasn’tRead More →