The idea of a monobath is not a new one. If you’ve followed my online work you’ll know I’ve made my own based on a formula first put forward by Donald Qualls back in 2004 based on the HC-110 developer (a favourite of mine). When Michael Raso (of the Film Photography Project) started talking about their own Monobath I didn’t give it a second look (to be honest). While I enjoyed the ease of a single step that will develop, stop, and fix a roll of film a welcome break from the amount of work that goes into developing a roll of film, it feltRead More →

There’s always a sense of wonder when working with cameras as old as the Jiffy Kodak. Despite the bellows, it is little more than a fancy dressed up box camera. And yet there is a strange draw to shooting with it; you can just shoot from the hip and hope it works out, and yet there are a few things in this dressed up box that creates a unique shooting experience. But first, I have to speak on how cool this camera is, despite lacking the art deco faceplate that gives the Jiffy Kodak an iconic look for the 1930s, like the Beau Brownie, theRead More →

Don’t be scared Easier said than done when you’ve messed up four sheets of Ektar in 4×5 through a mistake. But like anything you just have to get up off your butt and figure out where you went wrong. And for me that was temperature control. See coming from a B&W developing stand point you can be a little more cavalier with the temperatures, not so much with colour. But I figured looking at the rolls of slide film sitting on my ‘waiting to be developed shelf’ that I really should give it another chance and instead of doing C-41 I’d go with E-6 thisRead More →

Found in a mysterious factory in Rochester, New York, the Debonair, or the FPP Plastic Filmstastic 120 Debonair is one of the strangest cameras I’ve reviewed for this blog series. But also one of the more fun ones to use. This funky toy camera is one of many Holga/Diana clones that started to pop up in the late 20th century. It uses 120 roll film in a 6×4.5 format but portrait orientation, light weight and produces actually really fun results with the nice soft plasic “Super” lens. And to make this review extra special the images shot were done on World Toy Camera Days theRead More →

Michael Raso and the Film Photography Project have always been on the hunt for fun oddball films that many people have never heard of or had a chance to use in their still cameras. In fact I’ve written several posts about some of these magical motion picture films in the past, such as Eastman Double-X 5222 and my favourite Eastman 5363! But now they’ve done it again this time unearthing from a deep military vault in the Nevada desert and not as radioactive as you might think two types of motion picture slide film that was used to record nuclear tests. And they have milesRead More →

“Are you going for the game?” The US Border services agent’s question jostled the brain slightly more awake. The coffee a couple of hours had helped but waking up at 4 am was certainly something I haven’t done in a while. Thankfully that wouldn’t hit me until the way home. I proceeded to explain that I was going to Ann Arbor for a photo walk; at least I didn’t say “What game?” (What shoo?). I then had to explain what a photo walk was. The day started at the local camera shop, Camera Mall who were wonderful hosts for not only opening early but providingRead More →

Film can be expensive and learning how to shoot film isn’t exactly the easiest on the pocket book, there’s plenty of ways to mess up. And that six dollar roll of Kodak Tri-X can turn into a clear piece of acetate by messing up several different ways. But thanks to my good friends over at the Film Photography Podcast you can now test/learn/play with film and not have to spend too much money. As they’re now releasing their EDU line of film! There are three different flavours available, in 100, 200, and 400 speed films. I recently had a chance to test out all threeRead More →

It’s been a long time coming, but I’ve finally had a chance to work through some backlogged film testing for the Film Photography Project. For the most part, this has been testing the Russian/Ukrainian film stocks from the Svema company. This is actually a really good film! First off a little background, Svema, or Свема, combines the first letters of two words: Светочувствительные Материалы, which translated means “Photosensitive Materials”. Svema was the Kodak of the USSR, founded in 1931 the company produced paper and black & white films, after World War Two, Svema gained Agfa’s colour technology when the Russians overran Germany and took theRead More →

I’m not talking about a camera here but rather an odd Kodak Film that seems to have created a little cult around it. That film is Kodak Hawkeye Traffic Surveillance Film 2486. Described on the Kodak site as being a 400 speed colour negative film that can be processed in C-41 chemistry. A T-Grain (similar to TMax films), 2 stops under, 3 stops over latitude and excellent push performance to ASA-800. Improved Colour Saturation with fine grain and high sharpness. Wait…this film sounds like a merger between Kodak Portra 400 and Kodak Ektar 100. Well it certainly performs like it! I got this roll ofRead More →

It wouldn’t be a 52-project from me without something from Findlay! Anyone who has attended an Film Photography Project meetup in lovely downtown Findlay, Ohio will immidiatly recognize this beautiful building. The Hancock County Courthouse was constructed between 1886 and 1888 to replace an older brick structure that once sat on the same site. This came about when Findlay was decided to be the seat of Hancock county. Constructed in three styles, Palladium, Victorian, and a favourite of mine, Richardson Romanesque, the building certainly strikes anyone who visits the downtown. If you get a chance or are driving past, stop by. The Irish pub isRead More →