There’s too much confusion; I can get no relief… When it comes to photography, there is a lot of information out there, cameras, formats, film types, developer types, processes. There’s a lot, and it’s all rather complicated because some of the information dates back over 100 years. So today I’m going to do a little bit of a breakdown and hopefully clear up some of the confusion I’ve seen online as of late. Plates Before flexible films, there were plates. We’re talking Glass here that is sensitised and used to capture images. These plates did not conform to the standard sizes we’re used to today.Read More →

The strange part about the arrival of democracy or somewhat responsible government in Canada is that it was not something won by force of arms or through negotiation; instead this first step towards self-government and limited autonomy is one that was granted to the provinces of the Empire in a change of public opinion. By 1848, it no longer made sense to hold onto the empire in the manner that still dated to the 18th Century, even though the Colonial Office and Parliament had tried hard for many years. You have to remember the 1840 Act of Union still found it’s foundation in the 1791Read More →

When I initially beta tested the Derev Pan films the one film that was missing from the test pack with the middle child, Derev Pan 200, so this is a brand new film for me. There aren’t many mid-range speed films on the market today, especially in black & white films. You have Rollei Superpan 200, Derev Pan 200, Svema Foto 200 plus Eastman Double-X. So I had no real understanding of what to expect. Grainery than most films in the Derev line, it presents a generally low to a mid-contrast classic look. The trade-off for the grain is that the film is sharp inRead More →

Fast films, it’s something we in Canada need to work with a lot because of our long dark cold winters. But what is a fast film? Well, that depends on your historical context. The first version of Ilford HP released in 1935 was only rated at ISO-160, by the second iteration in 1939 it was boosted to ASA-200. It wasn’t until 1960 with the release of HP3 that it reached the speed of ASA-400. And today the list of fast films is lengthy and we could spend hours talking on every film we’ve shot, so we’re going to drop it down to only eight stocks.Read More →

And now for something completely different. Out of all the cameras I’ve reviewed, I can say that this is the first time I’ve reviewed a custom hand-built camera. I mean this camera doesn’t even have a name, so I have for the sake of my record keeping, named it the Francuz Cherry 66. As it is for sale and built by eBay user Francuz01, Cherry for being made from cherry wood and 66 for the fact it shoots 6×6 exposures. Now pinhole and I have a strange relationship, I initially had no desire or time or it and when I did shoot it I dislikedRead More →

Originally designed for aerial surveillance in Eastern Europe, the Derev line of films is new to the North American market thanks to the Film Photography Project. I had the honour of beta testing the film for the FPP and found that Derev Pan 100 is an excellent film for outdoor shooting on bright sunny days. Sharp with a decent touch of grain and an amazing tonality you can clearly see why this film was selected for surveillance. And while on my initial test I only worked with HC-110, I looked forward to trying the film out in various developers! Film Specs Type: Panchromatic B&W FilmRead More →

When it comes to cameras there are many that hold a place in photographic history and in the case of Twin Lens Cameras, there are many that stand out as a fixed point in development history. And in the case of the twin-lens reflex camera market than Franke & Heidecke. Paul Franke and Reinhold Heidecke established the company in 1920 as an optical instrument manufacture, but they moved quickly into cameras and began to develop what would become the industry standard for TLR cameras. Now the TLR is not a new concept the first one being produced in 1880, but the two Germans were aboutRead More →

From 1846 to 1848, the Reform Association had to take a pause; an external threat seemed to dampen the cause of reform. Robert Baldwin and Louis La Fontaine continued to work hard in the Assembly, taking every chance they could to speak on the purpose of reform. With Metcalfe still in England with his illness worsening, the Reformers had a free hand to continue the work, and it seemed even Draper’s Conservatives were willing to work with them. In Metcalfe’s place, a military governor came in much as Sir Isaac Brock had during the War of 1812 primarily to handle military means and act asRead More →

At the beginning of August, I had the chance to attend my first 1812 Grand Tactical, far from my first Grand Tactical having to attend a couple but for the Napoleonic Wars. But what made this one different is that I was back as a photographer which is how I first started in the hobby back in 2008. But now, ten years later, I had far more experience both as a photographer and as a reenactor. In honour of that, I’ll be presenting this post in a somewhat of a different way, as a newspaper report of a frictional engagement that was used as aRead More →

As you well know, I’m a huge fan of Kodak Panatomic-X and by far it is the one film I would like to see come back in some modern form. And while I can give TMax 100 a similar look, what if I could find that look I’m fond of in a modern new film? Well, I feel I can find that in CatLABS X Film 80 and sure it’s not an ASA-32 film, but what if I pulled it? I mean I got stable images out of TMax 100 at nearly a two-stop full, in this case, it’s only about a stop and aRead More →