Tag: Fotokemika

One More Time – Efke Film

One More Time – Efke Film

If you’ve been doing the film photography thing for some time now, you’ll have heard about a classic film emulsion, that is Efke. Efke, a brand name of the film from the Croatian firm, Fotokemika, is a silver rich panchromatic film that gives any images a classic look. This classic look is because the film using a traditional grain structure has a high silver content, and only uses a single emulsion layer. Sadly, when Fotokemika closed their doors due to the age of their equipment and the cost of continuing to maintain the machines, it not only killed the Efke line of films but Adox as well. And while Adox bounced back and still supports a decent number of film stocks such as CHS 100 II and CMS 20 II, Efke has remained buried. And while you can’t buy new stock Efke, a gentleman in Croatia happened across a warehouse worth of Efke 100 film in 35mm and began selling it on eBay. I jumped on this and bought a brick. Of course, I’m not one to horde film or save it for a rainy day.

Product Highlights

  • Type: Panchromatic B&W Film
  • Base: Polyester
  • Film Speed: ASA-100
  • Formats Avaliable: 35mm/127/120/Sheet

This ain't no Baywatch
Nikon FA – AI-S Nikkor 50mm 1:1.4 (Yellow-15) – Efke KB 100 @ ASA-100
Pyrocat-HD (2+2+100) 8:00 @ 20C

When you could buy Efke films at your usual photographic supply stores, I tended to stay away from the 100-speed stock, going instead with the 50 and 25-speed films. In fact, I shot my final rolls of Efke 50 through 2015 to 2016; I even got a chance to shoot Efke 25 in 4×5 format having secured a short box from Burlington Camera’s Film Fridge. Now looking back through my Flickr search, Efke was a mainstay of my film fridge for a good seven years.

CCR Review 64 - Kodak Pony 135 Model C
Kodak Pony 135 Model C – Kodak Anaston Lens 44mm ƒ/3.5 – Efke KB 100 @ ASA-100
Kodak HC-110 Dil. B 5:30 @ 20C

When I had shot that final roll in March of 2016, I figured that was it! Fotokemika had shut down, Adox had begun to produce their film stock. Then, at the Winter 2017 Toronto Film Shooters Meetup, James Lee mentioned he had come across an eBay auction, the auction I referred to in my first paragraph. The game was afoot! Several folks around the table immediately upon returning home put in their orders. And sure enough, a couple of weeks later this well-wrapped package of film arrived from Croatia.

Let Fly!
Nikon F5 – AF-S Nikkor 70-200mm 1:2.8G VR – Efke KB100 @ ASA-100
Blazinal (1+50) 10:00 @ 20C

There is still enough information out there to develop the film, with most people going for Rodinal or HC-110 as their soup of choice. And yes Efke looks excellent in both those options, but I wanted to try something different. The one thing I was a little surprised that nowhere did I find a developing time for my favourite Kodak developer next to HC-110 that is D-23. There are D-76 times, so I had that at least as a base. A quick search online landed me back on the APUG site and found a thread with the exact question I was asking. After much consideration, I landed on seven minutes, forty-five seconds. It worked, and I was fairly pleased with the results.

Oh that Swirl
Nikon F5 – Lomography Achromat 64mm/2.9 (Orange-22) – Efke KB100 @ ASA-100
Kodak D-23 (Stock) 7:45 @ 20C

There is still more to go through; I gave Pyrocat-HD a try being my favourite developer period. PMK Pyro worked magic on Efke 25 and Efke 50, I wasn’t too much a fan of Ekfe 100 in Pyrocat-HD. If you are planning on giving Efke a try or happened across a brick of the stock, this isn’t a film for someone who is used to modern film. You will get more grain on this film that you would on Ilford FP4+.

Clean Lines
Nikon FA – AI-S Nikkor 35mm 1:2.8 (Yellow-12) – Efke KB 100 @ ASA-100
Blazinal (1+25) 6:00 @ 20C

If you do happen to enjoy this look, I know I do in certain situations like re-enactments or gritty street photography work; then you don’t have to fret too much. While Efke is gone, there’s still plenty of film stocks out there that can provide you with a similar look. There’s Adox CHS 100 II, I’ve shot this film only in 4×5 sheets and think it’s a beautiful film stock, and being 4×5 and while I haven’t picked up any 35mm stock I just may have to. But probably your best bet is to look at Fomapan 100, this film is a recent addition to my tool kit and provides a beautiful classic look especially souped in Rodinal and D-23.

Classic Camera Revival – Episode 31 – Mystery Camera Challenge II

Classic Camera Revival – Episode 31 – Mystery Camera Challenge II

ccr-logo-leaf

The Mystery Camera Challenge, a fun little game we played in Season 2 where we all bring a single camera to the table, then draw names and take a stab at using the camera that the person’s who’s name we drew. Unlike last seasons, this time around we are rocking 35mm film.

Cameras Featured on Today’s Episode

Zeiss Ikon Contaflex Super BC – Zeiss Ikon seemed to have a good thing going with their Contaflex line, but the Super BC is a decent addition with a shutter priority meter that is battery powered. The camera also is unique in that it takes interchangeable optics with the aperture and shutter (leaf) remaining on the camera body itself. The Super BC belongs to Mike and was shot by Bill.

Classic Camera Revival - Episode 31

  • Make: Zeiss Ikon
  • Model: Contaflex Super BC
  • Type: Single Lens Reflex
  • Format: 135 (35mm), 36x24mm
  • Lens: Interchangeable Front Element Cluster, Breach lock
  • Year of Manufacture: 1965-1968

Corner House II

Old Acton House

What the Dickens

Kyocera Contax G2 – One of the world’s two auto-focus rangefinders, the other being the Contax G1. A solid performer, but not a true rangefinder as if you turn off the AF function it becomes little better than a zone-focus or guesstimates focus camera with little feedback in the viewfinder. But don’t let that stop you, quality Zeiss Licenced optics on the front. But even used these cameras carry a bit of a price tag. The G2 belongs to Alex and was shot by Mike.

Classic Camera Revival - Episode 31

  • Make: Kyocera
  • Model: Contax G2
  • Type: AF Rangefinder
  • Format: 135 (35mm), 36x24mm
  • Lens: Interchangeable, Contax G-Mount
  • Year of Manufacture: 1996

Classic Camera Revival - Trio

No Smoking

Classic Camera Revival Mystery Camera

Cosina Voigtländer Bessa R2M – The R2M gives the user a quality rangefinder experience that is pretty accessible to any photographer that knows their way around a camera. Combine that with the versatile Leica M-Mount, a solid meter with good exposure feedback. A bright viewfinder with solid parallax correction guides and easy film loading. Just watch out if you wear glasses, no built-in diopter can make it a slight pain to operate. The R2M belongs to John and was shot by Donna.

Classic Camera Revival - Episode 31

  • Make: Cosina
  • Model: Voigtländer Bessa R2M
  • Type: Rangefinder
  • Format: 135 (35mm), 36x24mm
  • Lens: Interchangeable, Leica M-Mount
  • Year of Manufacture: 2006

Voigtlander Bessa R2M Heliar 50mm ƒ/2 Fomapan 200

Voigtlander Bessa R2M Heliar 50mm ƒ/2 Fomapan 200

Voigtlander Bessa R2M Heliar 50mm ƒ/2 Fomapan 200

Asahi Pentax H3 – Ashai had a long line of SLRs before the Spotmatic came on the scene and the H3 is one of them. But if you’ve shot a Spotmatic, you can shoot the H3, familiar handling, solid Takumar optics, and all manual functionality makes the camera a good performer and great handling. Just watch out, age may not has been kind to these cameras. The Pentax H3 belongs to Bill and was shot by Alex.

Classic Camera Revival - Episode 31

  • Make: Ashai
  • Model: Pentax H3
  • Type: Single Lens Reflex
  • Format: 135 (35mm) 36x24mm
  • Lens: Interchangeable, M42 Mount
  • Year of Manufacture: 1960

Classic Camera Revival - Mystery Camera Challenge II

Classic Camera Revival - Mystery Camera Challenge II

Classic Camera Revival - Mystery Camera Challenge II

Ricoh XR-P – When it came to Pentax clones Ricoh seemed to have it made. Which is funny, because they currently own Pentax. But the XR-P is your typical plastic camera but is solid to use, has a great meter, and has a K-Mount which opens up so many lens options, but even their own line of glass is solid performers. Combine that with an inexpensive price tag, and a slim motor drive and you got a throw-around camera. Just watch out, we are talking 1980s electronics when they go, they go. The XR-P belongs to Donna and was shot by John.

Classic Camera Revival - Episode 31

  • Make: Ricoh
  • Model: XR-P
  • Type: Single Lens Reflex
  • Format: 135 (35mm), 24x36mm
  • Lens: Interchangeable, Pentax K-Mount
  • Year of Manufacture: 1984

Ricoh and FPP 200

Ricoh and FPP 200

Ricoh and FPP 200

One Last Chance – Efke Films
While we all mourn the loss of Efke film, recently a gentleman has been selling new-old-stock out of Croatia on Ebay for actually decent prices. For those who don’t know, Efke films were produced by Fotokemika, the company founded in 1947 produced several black & white films and papers. While they produced their own films for several decades, they would begin to produce Adox films in the 1970s. Of course, we’ve all shot their usually panchromatic films ranging from ASA-25 to ASA-100, but they also produced two different Infrared films, IR820 and IR820 Aura. Even as film technology advanced, they continued to produce classic, silver rich films into the 2000s. But age would begin to take its toll and malfunctions and inability to repair their machines would force the company to shut its doors in 2012. Thankfully the timely Ebay seller gave everyone a chance for a victory lap. But this isn’t the film of today you need to be careful, the film responds well to most developers, but you’ll want to stick to a water only stop bath and a fixer with a hardener in it.

101st Airborne
Pacemaker Crown Graphic – Fuji Fujinon W 1:5.6/125 – Efke PL25 @ ASA-25
PMK Pyro (1+2+100) 7:30 @ 21C

Oh that Swirl
Nikon F5 – Lomography Daguerreotype Achromat 2.9/64 (Orange-22) – Efke KB100
Kodak D-23 (Stock) 7:45 @ 20C

EFKE 820 Aura036
Rolleiflex E3 – Schneider-Kruzenak Xenotar 75mm 1:3.5 (R72) – Efke IR820 Aura
Rodinal (1+25) 9:00 @ 20C

EFKE 820 Aura at the Beaches
Pentax Spotmatic SP1000 – Makinon Auto 1:2.8 f=28mm (R72) – Efke IR820 Aura
Rodinal (1+25) 9:00 @ 20C

IR Humber Glow
Calumet CC400 – Carl Zeiss Tessar 105mm ƒ/4.7 (R72) – Efke IR820
Kodak HC-110 Dil. B 7:00 @ 20C

Rundown
Calumet CC400 – Kodak Ektar 127mm ƒ/4.7 (Red-25a) – Efke IR820
Rodinal (1+25) 9:00 @ 20C

Lakeshore Road Looking East
Nikon F2 – Auto Nikkor-S 50mm 1:1.4 – Efke KB100
Kodak HC-110 Dil. B 5:30 @ 20C

Oakville Harbour
Nikon F2 – Auto Nikkor-Q 135mm 1:2.8 – Efke KB100
Kodak HC-110 Dil. B 5:30 @ 20C

Of course, while we won’t see Efke again, Adox has returned to film production and currently is producing Adox CHS 100 II similar to Adox CHS 100/Efke KB100 in 35mm, 120, and large format up to 20×24.

The Capitol
Graflex Pacemaker Crown Graphic – Fuji Fujinon-W 1:5.6/125 (Orange-22) – Adox CHS100II @ ASA-100 – Blazinal (1+25) 5:00 @ 20C

Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). Out West there’s The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival