There’s something strangely satisfying about a Nikkormat. These are beefy, mechanical cameras, that screams 1960s camera technology. While these are older machines they are close to bulletproof and are among one of the more popular SLRs released by Nikon at the time, maybe even more popular than the Nikon F. These were Nikon’s answer to the growing hobbyist market that at the time was dominated by the likes of Canon, Minolta, and Pentax. The FTn is not my first experience with the Nikkormat, that would be my lacklustre experience with the FT3. But I didn’t let that sour my view of the Nikkormat line, andRead More →

If there’s one thing that is certain in the day of interconnectivity and social media, film photographers tend to find each other and today Bill sits down with one of those connections, Aly from the Blog and YouTube Channel, Aly’s Vintage Camera Alley. Bill and Aly talk on the subject of camera collecting, film photography, and more! Website: alysvintagecameraalley.com YouTube: Aly’s Vintage Camera Alley Instagram: www.instagram.com/alysvintagecameraalley Facebook: www.facebook.com/alysvintagecameraalley Want a subscription to SilverGrain Classics and are a fan of Classic Camera Revival? Visit their shop online and buy a magazine or a subscription? Looking for a good spot to get your gear and material fixRead More →

When it comes to reviewing film cameras when I first started back in 2015 I thought was among the first to be doing so, as it turns out I probably was based on the times that a few fellow alliance members have been around reviewing film cameras. Throughout the previous 120 camera reviews, I can count on one hand the number of times I’ve considered a hand-built camera, that number is one. Reviewing a homemade camera is difficult mostly because there’s a strong chance no one else has reviewed it or in the case of today’s camera even shot it outside the person who builtRead More →

The idea of a small light meter is nothing new, ever since the concept of an exposure meter that clip onto the camera through an accessory shoe (or hot shoe). When I was shooting a Barnack Leica, I used one such meter, the Voigtlander VCII. A fantastic meter, easy to use, a little restrictive at times, but never missed a beat. I don’t recall what happened to mine. It either stopped working or got lost on an adventure on in my one move. When my good friend and regular of the Toronto Film Shooters Meetup, Matt Bechberger, let me know he aimed to release hisRead More →

When it comes to Olympus cameras, especially the OM-System, I sadly lack in my experience. Thankfully I’ve had the chance to run with both the original OM-1 and the advanced OM-4. Meaning there are only a couple of these amazing cameras that I have yet to have any experience with. In a reoccurrence of GAS, I happened upon a trade where I swapped a Pentax for a beautiful OM-2n. And after hearing all the good things about these cameras from two friends, Bill and Leslie, I knew I had a winning SLR. And while the OM-2n isn’t a primary camera in my daily use, IRead More →

Bill, Alex, and Alex dig into Rollei’s other iconic camera, the small form factor Rollei 35, a small 35mm full-frame before they were popular. The trio discusses the camera’s history, the good, the bad and everything in between. When it comes to cameras produced by Franke & Heidecke, the first format that comes to almost everyone’s mind is the Twin Lens Reflex. But these aren’t the only iconic camera produced by one of the big names in the German camera business. The story of the company’s other iconic camera doesn’t begin with them; it instead starts in a living room. The living room belonged toRead More →

Way make in the early days of my film photography journey and having a lot of influence from the Film Photography Podcast I dove deep into the wonderful world of Polaroid photography. Now it wasn’t that I didn’t know about Polaroid, I had shot the format before but only the Type-600 integral stock. But through the FPP I learned about pack film, which if you know the song is where the phrase ‘shake it like a polaroid picture’ has its origins. After making a donation to the FPP I ended up receiving a Polaroid ColorPack II camera right from Michael Raso’s personal collection. The ColorPackRead More →

If you’ve ever seen the TV show Madmen, you’ll probably have your 21st Century, post MeToo era sensibilities challenged with the sheer amount of sexism that was and is still rampant today. Now if you’re a little confused, let me introduce you to the Nikon EM. Designed to fill in the entry-level gap in the Nikon SLR line, the EM was primarily marketed towards women. The reason is that as a camera, it is basic, set for semi-automatic aperture priority, and that is the only mode available. It also is small, compact, and lightweight. But don’t let that stop you, the EM is an excellentRead More →

When it comes to some cameras on the market, you have to wonder what the company or the designers were thinking when they decided that such a camera would be a good idea. One such camera is the Nikkorex line, well at least the fixed lens versions. Nikon had a good reputation among camera manufacturers; they had their successful rangefinders. They hit it big time with the Nikon F. But then decided to try and enter the consumer market. And like many camera companies at the time they decided to do this by producing a fixed lens SLR with a leaf shutter. To be honest,Read More →

Next to the Minolta HiMatic 7s which got me first into photography, the Nikon F80 is the one that brought me back into the wonderful world of film and introduced me to the magic of Nikon AF lenses and Nikkor glass in general. I received this camera as a gift and immediately found myself very much attached to the system. You might say that the F80 is the camera that caused me to invest in the Nikon SLR system and switch from Minolta. From the F80 I got the D70s, D300 and my current main SLR the Nikon F5. And while many of the lensesRead More →