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I will always have a soft spot for a fixed lens rangefinder, especially one that uses Zeiss Optics. And the Contessamat SE is no slouch, despite being placed as the middle child in the Contessamat family, it certainly performs like a firstborn. While you will find it slightly different from its Japanese cousins, it’s compact nature, excellent optics, and semi-automatic functions will let it stand alongside those cameras. Thanks to James Lee for loaning this hidden gem out for a review. Camera Specifications Make: Zeiss Ikon Model: Contessamat SE Type: Rangefinder Format: 135 (35mm), 36x24mm Lens: Fixed, Zeiss Ikon Color-Plantar 1:2,8/45 Year of Manufacture: 1963-1965Read More →

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I used to run with a 50mm f/1.8; I got one when I got my hands on my first Nikon autofocus camera, the F80. And you know that was a great lens if you want a cheap and fast lens go for the 50mm f/1.8. But if you need something a little speedier or want something with a large front element and don’t care too much about having that f/22 aperture, then go with the 50mm f/1.4. Now I got my first experience with the 50/1.4 with a manual focus version I got with my Nikon F3 and immediately thought this lens superior. It isn’tRead More →

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Of all the branches of the greater Eastman Kodak empire, their German subsidiary, Kodak AG was responsible for some of Kodak’s iconic designs and cult cameras. And despite existing before World War Two, they became one of the many camera manufacturers who were propped up by the allies to rebuild the shattered German economy in the post-war reconstruction. One of the best-known cameras out of Kodak AG is the Retina line of cameras. And while the Retina existed pre-war, it expanded into one of the more confusing lines of cameras in the companies history. And while the Retina is more associated with viewfinder and rangefinderRead More →

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One of the first things that struck me as odd when I was building my A-Mount lens collection was the 50mm, after getting the two zoom lenses (35-70 and 70-210) I went for a fast prime and what lens collection wouldn’t be complete with the fast fifty while companies like Nikon, Olympus, and Canon produced their 50mm at f/1.8. Minolta, well they’re different they went with the f/1.7. But let’s not quibble over that, I just happened always to like the fact Minolta was different. And back when I was first shooting SLRs with an SR-T 102 I had the 50mm lens; in fact, IRead More →

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If you’re thinking to yourself, haven’t you already reviewed the Canon F-1? Like back in the first year of writing camera reviews? The answer would be yes, I did review an original 1970 F-1. But when it comes to camera names, Canon wasn’t always that creative; this is the New F-1. Which if you dig deep into the camera’s functionality, is a whole other camera, thus needing a review of its own. The F-1N, like the F-1, is Canon’s answer to the rise in electronics in cameras that happened in the late 1970s and the introduction to the Nikon F3. And when it comes toRead More →

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When it comes to game-changing cameras there is nothing more iconic than the Olympus OM-1, it ushered in the small format for the SLR world, and not to be outdone by Olympus, Pentax released their versions of the small SLR, the first two being the MX and the ME. But the ME had a lot of limitations including the lack of a manual mode, enter the ME Super. I’ve had both a ME and ME Super come through my collection in the past, one went to a friend (not sure if she still uses or even has it) and the ME Super met its endRead More →

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There are small cameras, and then there are small cameras. And if you’re used to cameras like the Minolta TC-1 or Olympus XA series, the Rollei 35 T is not a tiny camera. About the size of a package of cigarettes, the Rollei 35 is a camera I once avoided for a couple of reasons. It’s small, and it’s a scale focus viewfinder camera. However, after seeing some fantastic results from my good friend Bill Smith who recently got a Rollei 35 S, I decided to bite the bullet. And I have to say I’m not disappointed, even though the camera is a Singapore madeRead More →

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When it comes to Canon cameras, you can count the number of times they’ve been featured on the one hand. I’ll admit that I am a Nikon guy, but I couldn’t say no when this beauty was offered up. The Canon EOS 650, while a fairly plain and no-nonsense camera, is a significant part of the history of photography. The EOS 650 is the first autofocus offering from Canon, and the lens mount it introduced changed the company’s direction. And while I was a little wary of the camera, it performed beautifully. It did take a bit of time to figure out some of theRead More →

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It seems these days the hottest craze among the hipsters and celebrities is using the premium compact 35mm cameras of the 1980s through early 2000s. And while some cameras carry a steep price-tag, others just don’t have the same street cred. What I mean by that is that you don’t see those cameras your childhood (if you’re of a particular vintage) being hoisted on the Instagram feeds of celebrities during their seemingly perfect lives. I’m not one to drop 500$ on a point-and-shoot, so when I was offered up a Pentax Espio 115M I figured what the heck! After speaking about these cheap and cheerfulRead More →

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When it comes to large format cameras, certain ones stand out as masters in their field. And while a camera is just a camera, and is only as good as the photographer who uses it. I’ll admit I had some trouble with the Technika; there is something to say about a fantastic tool. The Linhof Technika V is a beautiful precision piece of equipment. And while a Technical camera does not have the same freedom of movement as a monorail that is not physically possible, it comes pretty close. And while I certainly messed up in playing a bit too much with some movements, inRead More →