When it comes to assistance with long processing times or the need for constant agitation, there aren’t that many options out there today. Sure there is the original Jobo system, but these are completely closed systems that often carry a high startup cost. And on the opposite end of the spectrum are the Besler and Unicolor Cibachrome bases and tanks. But what about something new, using modern solutions. Last year I had the chance to try out one such system, the AuRA film processor, and it certainly made an impression on me and my processing. Sadly these aren’t yet for sale, and given the technologyRead More →

You can never have too many D-76/ID-11 clones. And while there are tonnes already on the market, plus the capacity to mix one up yourself at home. I want to introduce the latest clone on the market, Flic Film Classic MQ. Flic Film is a new Canadian film lab based in Alberta, Canada. While they focus on re-rolling motion picture film stock, they have a healthy film chemistry group. In addition to their brilliant Black/White & Green, among their offerings is a D-76 clone, Classic MQ (Metol/Hydroquinone). But it is available in the smaller 1L volume rather than mixing up a whole gallon of stockRead More →

It’s not often that something new hits the market, especially something that comes out of Canada. If you haven’t heard of Flic Film, that’s okay; I only recently discovered this Canadian film lab out of Alberta late in 2021. They mainly focus on selling rebranded motion picture films, the Eastman Vision3 series and Eastman Double-X; they have a chemistry production side. But there’s a twist with their chemistry; they’re working on making it more environmentally safe. And that should come as no surprise given they are based out of Alberta with many rural properties and reliance on septic systems. And that is where Black/White &Read More →

The year was 2005; I was in my last semester of college and starting to explore my photography seriously. My grandfather, on a lengthy trip, had asked me to housesit for him in Guelph. Having nothing much to do, I would often take long walks in the city’s downtown. And looming giant next to the central train station is a rusting hulk of a steam locomotive. While I paid little attention to the engine, CN 6167 was among the luckiest and most photographed locomotives in Canada. Locomotives are classified under many different means, name, class, motive power, and most common wheel configuration. The wheel configurationRead More →

The interesting thing about the Guelph Central Station is that I have walked past it many times but have never been drawn to the structure. I’m more likely to walk past it to get a better angle on the armoury or move past towards the old city hall turned courthouse. But Central Station is one of only a few surviving propaganda stations built to instil confidence in the railway operator in the second decade of the new century. Guelph and the railroad share an interesting relationship since the first Grand Trunk Railway line rolled through 1855. Having acquired the Toronto & Guelph Railway, Grand TrunkRead More →

If there’s one thing that is always uncertain these days is the availability and quality of photochemistry. At the same time, some companies have had no issues with maintaining their normal level of quality. As manufacturers of the materials and chemistries shift away from the originals, things get a little grey. Thankfully some are willing to take a chance and help keep things going, and one such company is Adox. While most of their chemical offerings are based on formulas from other firms, Rodinal, FX-39, and Atomal spring to mind. Adox XT-3 is a new offering, backwards engineers from Kodak Xtol a well-loved Ascorbic AcidRead More →

I remember not being overly excited about Rollei Paul & Reinhold when it was first announced in September of 2020. I mean, yes, it is great to see a special edition film released to celebrate the 100th Anniversary of a premier and historic camera maker (Franke & Heidecke later Rollei). There was little data on the film at the time, and there are still many gaps. Given that the actual film stock is unknown, it’s either a limited edition run (made in Italy, not Belgium) or a found stock that has been rebranded. Either way, Rollei has been tight-lipped about the film’s source. Given thatRead More →

And now for something completely different. I know I’m better known for my reviews of film-based cameras, but I have reviewed a digital camera here before, back when I got the camera that this one replaced. In fact, the Nikon D750 marks two, not three things. First, it marks a return to an SLR as my digital camera; second, it marks the return to the Nikon Digital system. And finally, a digital camera that I like using a lot. It’s not to say the a6000 was an unenjoyable camera to operate; the only complaint was that the system continued to be limited. Yes, I couldRead More →

It has been far too long since I got together with this amazing group of people in-person since all of this started in March 2020. And while I was unable to make it out to the first meetup since our last meetup in February 2020 (at least it was the largest meetup to date). And through early 2021 there were some attempts at virtual meetups, the fact of the matter is that the TFS group is best served with in-person meetings. Thankfully with things looking far better real meetups kicked off in October with a second meetup taking place at the beginning of the month.Read More →

Being in North America and raised on Kodak and Ilford developers, I did not even know that Atomal existed, other than seeing it listed on the Massive Dev chart and just passing it by as another European developer. But when I was hunting for more Rollei developers at Freestyle, I came across Atomal 49 as an ‘other people purchased’ listing. I was excited to give this a shot, and after mixing it up, I posted in a Film Photography Chat group on Facebook and asked if anyone else had used the stuff. The response was overwhelming how many people used the stuff. However, the bestRead More →