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This is only the second time I’ve reached a significant milestone in my ongoing reviews, the magic number of one hundred. And to be clear, I’ve done one hundred film reviews, not reviewed one hundred separate film stocks. And that’s because I’ve reviewed some rebadged films; sometimes, I knew it was a rebadge and then made a point not to go after that film stock again, notability ORWO films. I reviewed the four motion picture-specific films from ORWO as their Lomography rebadge. But in the case of Fomapan 100, I reviewed that first as KosmoFoto Mono 100 and then again as Fomapan 100. Agfa AviFotoRead More →

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While developing a colour-negative film is not as exciting as slide film, it is still satisfying. And while some might be hesitant these days to risk processing colour film in a home environment due to the increasing price and lower availability of colour-negative stocks, it is a way to help reduce the cost. And if you are a bit wary of the process, don’t worry. I was also when I first started, and while I did mess up the first set of four sheets of Ektar (yes, 4×5 Ektar), I soon figured out where I made my mistakes. Colour Negative processing uses those processes ifRead More →

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When it comes to metering for precision, there is nothing better than a spot meter, but most spot meters these days are expensive, both new and on the used market. The first and only spot meter I’ve used is the Pentax Spotmeter V. This analogue 1° spot meter has become the accessory that always gets thrown in my bag when I’m out with my Crown Graphic Hasselblad or Mamiya for precision tripod-based work. The meter served me through almost my entire War of 1812 project, Canadian Confederation and most recently, the Railway project. A simple easy to use device that allowed me to execute aRead More →

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Being in North America and raised on Kodak and Ilford developers, I did not even know that Atomal existed, other than seeing it listed on the Massive Dev chart and just passing it by as another European developer. But when I was hunting for more Rollei developers at Freestyle, I came across Atomal 49 as an ‘other people purchased’ listing. I was excited to give this a shot, and after mixing it up, I posted in a Film Photography Chat group on Facebook and asked if anyone else had used the stuff. The response was overwhelming how many people used the stuff. However, the bestRead More →

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When it comes to slide film, it is not something that I like to shoot often, mostly because when it comes to processing, it’s time-consuming and costly; even purchasing the stock is costly. Plus, scanning some slide films stocks are difficult to nail down both exposure and colour balance. And then there’s Provia 100F; Provia is a solid performer and one that gives an excellent starting point in the world of shooting slide film. It reminds me of Sensia and Astia, both excellent slide films with a bit more forgiveness than the Velvia line and natural colour reproduction. It also scans easily without too muchRead More →

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When you read the datasheet for Adox Silvermax Developer, you almost can think that this is the secret cypher key to unlock the best possible results when using Adox Silvermax film as the developer is used to unlock a secret silver reserve in Silvermax films and use it to the best photographic potential. Now I’m no language expert, especially German, but I feel that something got lost in translation. (Checks translation), okay, dormant reserves. Either way, this developer is best used with Silvermax films, as it couples with the specialised sensitiser used in that film’s production. But don’t let that stop you as the developerRead More →

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I’m a big fan of Eastman Double-X; it’s a beautiful mid-speed film that offers up amazing latitude and forgiveness along with a lovely grain structure. But for the longest time, it has only been available in 135 (35mm) format because, well, that is generally what cinematographers shoot motion pictures in. Still, it has great potential in medium format. There had been an attempt to have the film produced in 120 format but never went anywhere. At least until earlier this summer, when Cinestill put out the word, they had their BwXX in 120. BwXX is Cinestill’s Eastman Double-X branding and is the same stuff you’veRead More →

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There’s been an awakening; have you felt it? Oh it feels good to have another FP4Party, an official one, unlike the one I happened to complete all by my lonesome last year. And since we’re still in the middle of a global pandemic, such events are perfect for a little bit of escapism and out to do something close to normal. But since I still actually had to work, I needed to figure out how to get maximum enjoyment out of this party. I ended up going with three rolls of medium format this time around, running each through my Hasselblad 500c and developing inRead More →

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Over the previous year, I worked hard to expand my knowledge of black & white film developers and find myself down a deep rabbit hole. Some good, some meh. Some I didn’t care for or I found them to be too specialised for average use. And while I have several up for review later this year and you can check those out later, here are seven that have stood out in my head as worthy of using again and of getting you out of the rut of using the more vanilla developers like D-76/ID-11, HC-110/Ilfotec HC, and Rodinal. 1 – Adox FX-39 II Based onRead More →

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Several years ago, when I was starting to branch out in my home film developing, I would try a lot of different, strange, and odd-ball developers. Sure I went with the basics, D-76, HC-110, Rodinal. But as I continued to listen to the Film Photography Podcast, I started to get my hands on stranger items, PMK Pyro being the first speciality developer and from there Pyrocat-HD which has become a fast favourite. But then I heard Matt talk about a developer call FA-1027. The next trip I made to New York City, I popped into B&H and got myself a bottle. Sadly I have onlyRead More →