Tag: Hasselblad 500c

FP4Party – Redeux

FP4Party – Redeux

Finally, we have snow here in Southern Ontario which for me is wonderful! The cold weather is only made bearable by the presence of the white stuff. It also makes it more fun to go out tromping in the snow! But I shot most of my FP4 back in December, and with a deep freeze settled into the area after Christmas I really didn’t want to take any chances. But the arrival of the Secret Santa gift from the Emulsive gift exchange included a roll of FP4+ in 120 and with five sheets of 4×5 I was ready to go, on a much-reduced scale.

Group One – Erchless – I love shooting around downtown Oakville, and the pastoral setting around the home of the town’s founder William Chisholm was the backdrop of the sheets for this month’s FP4Party. Erchless is one local museum I have yet to visit but certainly will for my history project this year (Project:1867), as Chisholm played a bit part in the rocky road that led up to Confederation, from radical to tory, Chisholm’s effort to build an empire ultimately was his undoing as he died deep in debt and destitute. His family, however, continued to live at his grand home until 1910.

The HuntedThe AlphaKeep Pumping!Erchless

Technical Details:
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 & Schneider-Kreuznach Xenar 1:4,7/135 – Ilford FP4+ @ ASA-64
Pyrocat-HD (1+1+100) 8:00 @ 20C

Group Two – Niagara – Finally the cold weather broke on Sunday, the final day to shoot for the party. And having already planned to head down to the Niagara region I brought along the Hasselblad and the Minolta SR-T (shooting for review later this month). Niagara-On-The-Lake has been one of two towns that show up often in my photography. Destroyed in the Anglo-American War of 1812, and risen from the ashes. It was the first capital of Upper Canada, established by only by the need for space for Loyalist troops during the American Revolution and today is a tourist attraction, but in the recent cold weather, the streets were fairly empty which was nice for shooting.

Prince of WalesSanta Shaw?Drugs Galore!A Tower

Technical Details:
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Ilford FP4+ @ ASA-125
Kodak D-76 (Stock) 8:30 @ 20C

CCR:FRB – Review 02 – Japan Camera Hunter StreetPan 400

CCR:FRB – Review 02 – Japan Camera Hunter StreetPan 400

A modern re-imaging of an Agfa surveillance stock, StreetPan has been a favourite of mine for some time, and it is incredible in 35mm, but it sings in 120. Back when news of Streetpan first dropped, there were plenty of rumours floating around about the source of the film. Many naysayers said that the supply would be limited as it was just repackaged dead-stock. And while many still rail against the film, I for one enjoy shooting the film, and it’s great for street photography, architecture and landscape. Just don’t shoot it for long exposure, it loves the light and doesn’t handle long exposures.

CCR:FRB - Review 02 - JCH StreetPan 400
The Lowdown
Type: B&W Panchromatic
Film Base: Polyester
Film Speed: ASA-400, Latitude:
Formats Avaliable: 135 (35mm), 120

Roll One – Kodak HC-110
My first experience with shooting and developing Streetpan involved HC-110 and since that first point of pulling the roll of film out of the tank, I know that HC-110 is an ideal developer for the film stock. HC-110 give the contrasty punch the film needs to show off the wonderful contrast and fine grain of Streetpan. But don’t let the nature of HC-110 scare you, the developer brings out all the grey scale the film has to offer. While officially there’s only Dilution B listed on the Streetpan Developing chart, you can adjust the times and dilutions to suit your needs from B, E, even F and G can be done just do the right math to get the proper times.

CCR:FRB - Review 02 - JCH StreetPan 400CCR:FRB - Review 02 - JCH StreetPan 400CCR:FRB - Review 02 - JCH StreetPan 400CCR:FRB - Review 02 - JCH StreetPan 400

Technical Details:
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – JCH Streetpan 400 @ ASA-400
Kodak HC-110 Dil. E 7:30 @ 20C

Roll Two – Kodak TMax Developer
I first turned to using TMax Developer with Streetpan by fellow film photographer and friend Ori. While hesitant at this, I programmed the time into the Massive Dev Chart App. Sadly I never got around to using it. While some might question using a t-grain developer on a film based on a classic emulsion, I am rather impressed! While you don’t gain or lose anything by using the developer I can say having another option for a less than ten minute developing time for this film is a good thing. It knocks the contrast back a bit, but you don’t lose the sharp, fine grain attributes the film. Certainly a good option for developing Streetpan!

CCR:FRB - Review 02 - JCH StreetPan 400CCR:FRB - Review 02 - JCH StreetPan 400CCR:FRB - Review 02 - JCH StreetPan 400CCR:FRB - Review 02 - JCH StreetPan 400

Technical Details:
Mamiya m645 – Mamiya-Sekor C 35mm 1:3.5 N – JCH Streetpan 400 @ ASA-400
Kodak TMax Developer (1+4) 9:00 @ 20C

Roll Three – Kodak D-76
While initially unsure about this combination as the negatives were dark coming out of the tank. Of course, I soon realised that this is something that does happen with Streetpan, especially with the Dilution B times of HC-110. I would leave my final judgement until after the scan. While not my favourite developer with this film, D-76 doesn’t do a bad job, you still get the rich contrast the film is known for and gives a beautiful chrome look to it, yet the grain is a bit more noticeable. Still, it does a good job. However, I’d give an extra 30 seconds to help bring out the shadows a bit more. Or the meter on my Rolleiflex might finally be starting to die.

CCR:FRB - Review 02 - JCH StreetPan 400 - Roll 03 (Kodak D-76)CCR:FRB - Review 02 - JCH StreetPan 400 - Roll 03 (Kodak D-76)CCR:FRB - Review 02 - JCH StreetPan 400 - Roll 03 (Kodak D-76)CCR:FRB - Review 02 - JCH StreetPan 400 - Roll 03 (Kodak D-76)

Techincal Details:
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – JCH Streetpan 400 @ ASA-400
Kodak D-76 (1+1) 10:30 @ 20C

Roll Four – Rodinal
Rodinal is one developer that I have given up on in the past and returned to once again and this second time around I’ve found that there is a lot that it can do. And when it comes to Streetpan, it is equal in my books to HC-110 for souping this film. Despite being a 400-speed film, you don’t notice any real uptick in grain, and the contrast is spot on, if not slightly better than HC-110. It doesn’t matter if you use 1+25 or 1+50, there is little difference in the negative, save slightly less contrast with the lower dilution.

CCR:FRB - Review 02 - JCH StreetPan 400 - Roll 04 (Rodinal)CCR:FRB - Review 02 - JCH StreetPan 400 - Roll 04 (Rodinal)CCR:FRB - Review 02 - JCH StreetPan 400 - Roll 04 (Rodinal)CCR:FRB - Review 02 - JCH StreetPan 400 - Roll 04 (Rodinal)

Technical Details:
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – JCH Streetpan 400 @ ASA-400
Blazinal (1+25) 10:30 @ 20C

Final Thoughts
Streetpan is a black & white film for this hybrid era, the polyester base lies flat on your scanner, and the range of this film lets you pull out incredible detail in a digital editor. How well this film prints in a traditional darkroom I have yet to determine but I hope to let you know soon. Personally, my choice of developers are HC-110 (especially dilution F), Rodinal, and TMax Developer. While I haven’t tried the film in something like Pyrocat-HD or D-23, I feel the film would respond well to Pyro. Good thing I have two rolls left for experimentation. For outdoor shooting, this film is beautiful because it loves the light. I have tried it indoors with poor results. It might have something to do with the unknown reciprocity failure variable or the increased red sensitivity inherent in the film. But for photographers who do a lot of outdoor portrait work and street photography, Streetpan is something new and different.

Return of the FP4Party

Return of the FP4Party

Well, looks who’s back! It’s the FP4Party! This time around I have no outstanding projects so unlike in the final FP4Party I can actually work hard on this one, unlike the last time I gave a rather lack-lustre performance. I sat down early and planned out my week, collecting five ideas of where to shoot and what I wanted to shoot with. The film, of course, a favourite of mine, Ilford FP4+. I came up with one roll of 35mm, three rolls of 120 and a box of 4×5. Now in the past, I’ve usually stuck to one day of shooting for these parties. But after the third month of the Delta Def Jam, I realized it can be a lot more fun to get out there and shoot over the course of the whole week and really get into the event. I wasn’t going to let the weather stop me and managed to get a solid seven days of shooting! The final count is 20 sheets of 4×5, all three rolls of 120 and then a roll of 35mm. With a bit of planning, I had everything processed in three days and three days worth of scanning and post-processing.

Day One – White Christmas – Oakville
It might be the first week of December, but for me, the Christmas season is in full swing. So why not head down to lovely downtown of Oakville, Ontario. Beautiful old homes and 19th Century charm to go with the large Christmas tree in the middle of the downtown. It helps me dream a little bit of a White Christmas. Plus it gives me a chance to escape from work just a little bit.

AD 1877StarbucksClean Lines

Day Two – If It’s Love – McCraney Valley Park
When you work in IT and also have a love of Photography, and you have access to plenty of amazing spots to take photos. Including one that has appeared many times in my work, McCraney Valley Park, located just behind the Sheridan Trafalgar Campus. But unlike many other times I’ve photographed this little gem, I made a point to get in close, shooting nothing beyond f/16 just to show off the nice out-of-focus areas that my large format lenses can produce. If it’s love, why not shoot with it! I decided to stand-develop this film, while not my usual method its one that’s been coming back into my technique drawer.

Organic By NatureThe Claw!A Gently Running Stream

Day Three – Empty Streets – 4th Line/Omagh
If you look hard enough around the rural areas of Oakville and Milton you’ll discover that there are lots to explore. From the empty streets of the 4th line, now Glenorchy Conservation Area, to empty farmhouses in the village of Omagh. Not everything has been knocked down. While the 4th Line was shot at the noon hour, the abandoned buildings were better lent to the dying light of the day. Nothing like a seven-minute exposure in minus seven-degree celsius weather. But totally worth it!

The Old Road16 Miles The Robertson FarmThe 5th Line Farm

Day Four – Rather Be – Milton
For a few years, I did my hardest to escape my hometown. Of course this was all in vain, because I was never meant to leave when I wanted to, and today, by the Grace of God alone, my staying has been a blessing for me, as by staying I met my future wife, fell in love, got married and now there’s no place I’d rather be.

Brick and StoneStone CottageSt. Pauls

Day Five – River Constantine – Limehouse
While the river that once powered a mill and the lime kilns at Limehouse is no River Constantine, it still provides a quiet place to sit, walk, and enjoy the deepness of winter and nature. Not to mention it’s a rather a rather special place for me and my wife.

A Limehouse SaturdayA Limehouse SaturdayA Limehouse Saturday

Day Six – Beyond the Veil – Erin
The small town of Erin is another gem along an old provincial highway, now often missed because of freeways. But if you look Beyond the Veil of speed, and just want a lazy drive with a comfortable place to stop, walk, and enjoy then maybe take a scenic route.

Downtown ErinDowntown ErinDowntown Erin

Day Seven – Winter Wonderland – Belfountain
Well we’ve reached the end point of the party and if you’ve been tracking my locations on the map you’ll see I’ve moved from south to north and found myself in my favourite Winter Wonderland, that of Belfountain. I first learned of this little quiet area thanks to Bill Smith, and if I remember correctly I ran into him once in the quiet winter. Officially, the conservation area is closed in the winter, but you can still access it. Not to mention the beautiful little village that surrounds the area. Sadly by the start of December, it wasn’t much of a winter wonderland, but still a good spot!

AntiquesThe CascadeThe Village Church

Thank you for partying on with me as we journeyed through Ontario using one of my favourite film stocks that is still produced. Ilford FP4+, in a previous entry you’ll see that FP4+ is going to play a big roll in the new year as the film of choice for the Project:1867 – Acts of Confederation Project which kicks off in a couple weeks!

Technical Details:
Day One – Downtown Oakville, Ontario
Mamiya m645 – Mamiya-Sekor C 150mm 1:3.5 N – Ilford FP4+ @ ASA-125
Kodak HC-110 Dil. B 9:00 @ 20C

Day Two – McCraney Valley Park Park – Oakville, Ontario
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 – Ilford FP4+ @ ASA-125
Blazinal (1+100) 60:00 @ 20C

Day Three Pt.1 – Glenorchy Conservation Area, Formerly 4th Line, Oakville, ON
Pacemaker Crown Graphic – Fuji Fujinon-W 1:5.6/125 & Kodak Ektar f:7.7 203mm – Ilford FP4+ @ ASA-64
Pyrocat-HD (1+1+100) 8:00 @ 20C

Day Three Pt.2 – Omagh, Ontario
Pacemaker Crown Graphic – Fuji Fujinon-W 1:5.6/125 – Ilford FP4+ @ ASA-100
Kodak D-23 (Stock) 6:00 @ 20C

Day Four – Downtown Milton, Ontario
Nikon FA – AI Nikkor 28mm 1:3.5 – Ilford FP4+ @ ASA-100
SPUR HRX (1+20) 9:30 @ 20C

Day Five – Limehouse Conservation Area – Limehouse, Ontario
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Ilford FP4+ @ ASA-125
Blazinal (1+25) 9:00 @ 20C

Day Six – Downtown Erin, Ontario
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Ilford FP4+ @ ASA-100
Kodak D-23 (Stock) 6:00 @ 20C

Day Seven – Belfountain, Ontario
Pacemaker Crown Graphic – Fuji Fujinon-W 1:5.6/125 – Ilford FP4+ @ ASA-64
Pyrocat-HD (1+1+100) 8:00 @ 20C

Amy & Jeremy – Moving Right Along

Amy & Jeremy – Moving Right Along

It’s been a while since I’ve had a wedding to write about, and this wedding is one that has been in the works for some time now. And the longest I’ve ever been on retainer for a job. But in this case, it was well worth the wait. I am of course talking about the wedding between Amy and Jeremy.

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

The trouble with weddings is how do you go about photographing them? I say this because a wedding is a job that is many jobs. You’re a portrait photographer, event photographer, counsellor, valet, gopher, and many other jobs on top of everything else.

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

So this time around I made a point to approach this wedding how I do weddings best, as a photojournalist. Because, while a wedding is an event, it’s also a story, the story of the day. So when I arrived, I started to work to tell the story of Amy and Jeremy’s wedding.

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

And you know, I hit my groove, I just moved along taking things as they came. I also found out that I can be in two places at once especially during the ceremony. Having the small, lightweight a6000 and sticking to only three lenses for the camera allowed me to capture the ceremony (and edit out all the crying photos) along with my trusty F5 (first time shooting it at a wedding) with only the 50mm lens. An outdoor wedding gave me all the space I needed to move around and eliminated the need to have the heavy 70-200mm lens I had lugged along; the classic AI-S Nikkor 105mm f/2.5 gave me all the reach I needed.

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

For portraits, I wanted something a little bigger to work with so out came the Hasselblad, again the first time the Hassy has been used at a wedding along with the Gossen Lunasix F. It sang as well as we moved throughout the village. Having never been to the Kawartha Settler’s Village I had settled to scout the place using their website and Flickr to come up with the buildings I wanted to us. And what made the whole thing a fantastic job to shoot, is how smoothly I worked with the people and how well they responded.

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

Amy & Jeremy - 12th August 2017

As for the film stock, of course, I went with Kodak Tri-X 400. When you’re out shooting something important, you have to go with a film stock you know and trust and what better way to shooting a wedding as a photojournalist than with the go-to film for photojournalism. The only difference is that instead of using Pyrocat-HD for the portraits I decided to try something different and developed the medium format Tri-X in Blazinal (Rodinal) and the results they speak for themselves. I wish nothing but happiness for these two, it’s been a long time coming, and it was well worth the wait.

Technical Details:
Colour Digitals: Sony A6000 + Sony E PZ 16-50mm 1:3.5-5.6 OSS, AF Nikkor 35mm 1:2D, AI-S Nikkor 105mm 1:2.5, KMZ Helios 44M-2
B&W Film (Rectangular): Nikon F5 – AF Nikkor 50mm 1:1.4D – Kodak Tri-X 400 @ ASA-400
Kodak HC-110 Dil. B 6:00 @ 20C
B&W Film (Square): Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Kodak Tri-X 400 @ ASA-200
Blazinal (1+25) 7:00 @ 20C

Ottawa on Film

Ottawa on Film

One of my favourite cities in Ontario to photograph is Ottawa, Ontario, also the Capital City of Canada. While not as grandiose in planning as Washington DC, this city has plenty of offer the photographer. A recent week’s holiday there with my wife gave me a chance to exersize several cameras from my toolkit and having plenty of my pro gear having shot a weekend before hand I was loaded for bear both in gear and film stock.

Alexandra Bridge
Nikon F5 – AF Nikkor 35mm 1:2D – Eastman 5363 @ ASA-25
Kodak HC-110 Dil. F 5:00 @ 20C

End of Line
Nikon F5 – AF DC-Nikkor 105mm 1:2D – ORWO UN54 @ ASA-100
Kodak HC-110 Dil. H 7:30 @ 20C

Day One found us going to the newly renovated Museum of Canadian History in Gatineau then across the river for lunch. Having been blessed with a sunny week I decided to keep most of my film stocks on the slower side, most rating no more than ASA-100. It also saw a return of Eastman 5363 a favourite motion picture stock that I did extensive tests with the first time it came to the still photography market through the Film Photography Project.

Spike in Blue Sky
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Bergger Pancro 400 @ ASA-400
Kodak HC-110 Dil. B 9:00 @ 20C

More Old Hydro Systems
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Bergger Pancro 400 @ ASA-400
Kodak HC-110 Dil. B 9:00 @ 20C

Another film that I gave a try with, and only the second time shooting in 120 is Bergger Pancro 400, a new film stock out of France from a company better known for their traditional photo paper I was fairly pleased with the stock. This time around I shot it at the full speed of ASA-400 just so that shooting at waist level I could get some deep depth of field and fast shutter speeds. While a little more grainy than I was expecting from a 400-speed film in medium format I am fairly pleased with the results.

MosaïCanada 150
Nikon F2 Photomic – AI-S Nikkor 35mm 1:2.8 (Orange-22) – ORWO UN54 @ ASA-100
Kodak HC-110 Dil. H 7:30 @ 20C

MosaïCanada 150
Nikon F2 Photomic – AI-S Nikkor 35mm 1:2.8 (Orange-22) – ORWO UN54 @ ASA-100
Kodak HC-110 Dil. H 7:30 @ 20C

While if you’re a following of this blog, you’ve already seen some of the film shots from Day Four through my review of the Holga 120N. But after the National Gallery, which has a beautiful photography exhibit at the moment, I swung up my trusty Nikon F2 Photomic. With blue skies and white clouds, it was time to get some filtering on the camera. While the MosaïCanada 150 display was begging for some Infrared work, I was rather pleased with the results of the Orange-22 filter.

The Victoria Bell
Nikon F5 – AF-S Nikkor 14-24mm 1:2.8G – Fomapan 100 @ ASA-100
Blazinal (1+50) 9:00 @ 20C

The Bank of Canada
Nikon F5 – AF-S Nikkor 14-24mm 1:2.8G – Fomapan 100 @ ASA-100
Blazinal (1+50) 9:00 @ 20C

The final day saw us kicking around Parliament Hill. Sadly I had to check my bag and Nikon F5 for the tour of Parliament and the Changing of the guard, I made a point to head back with the ultra-wide lens and some Fomapan 100, a beautiful film that I had yet to shoot in 35mm, to capture the seat of power for Canada. When I’ve run a project I like to keep the film stocks fairly consistent. And while I did make sure to bring multiples of two (mostly), I use vacations as a time to play around with new/odd film stocks, sometimes it turned out great. Other times not so much.

Summer Film Party – Part II (July)

Summer Film Party – Part II (July)

One of the best parts of being a historical reenactor is that you often get a chance to visit and stay in some of Canada’s historic sites, and many find their home in some of the beautiful towns in the province. And while it can be hit and miss along the Niagara River, Fort George in the picturesque Niagara-On-The-Lake, Ontario is certainly one such site. Having an event there during the July edition of the Summer Film Party offered me a chance to shoot in the historic walls of Fort George, a site deep in military history.

Heavy Motar

The Small Block House

Both the fort and the town have a long history in Ontario. The town has its beginnings in 1781 as Butlersburg, named for the men of a loyalist irregular unit, Butler’s Rangers from the American War of Independence. And the Butler family would continue to live in the town well into the 19th-Century, their farm seeing a small action during the Anglo-American War of 1812. It would soon take on the name West Niagara. When General John Graves Simcoe assumed the role of Lieutenant-Governor of Upper Canada, he established West Niagara as the capital of the new colony in 1792, renaming the settlement to Newark. The small town would soon find itself home to the headquarters of the British Army of the Center at Fort George. The Upper Canada Parliament would meet at Newark until 1796 when Simcoe moved the capital to York (now Toronto, Ontario).

A Spring in his Step

Brock's First Resting Place

While my days at the fort filled with musketry, cleaning, drill, and lazing about as a good British soldier would do (when ordered to of course). It left the mornings to take out the Hasselblad and shoot, the soft morning light providing fantastic light to one of the largest 1812-era forts in Ontario. From the historic buildings (mostly rebuilt in the 1930s) to the original powder magazine that survived these 200 years, and of course, the flurry of morning activity as the reenactors cleaned up their brass and muskets from the night before, getting things ready for the pomp and battle for the day to come.

Getting the Polish On

Taking the Polish

The small town continued to grow and was the preferred town for Major General Isaac Brock during his time as the commander of the British Regular forces during the period leading up to the Anglo-American War of 1812 until his death in October 1812. Brock would even be buried at Fort George before his reinterment at Brock’s Monument on Queenston Heights. The town and fort would see capture in May 1813, and the American occupation lasted until December of that year and saw the destruction of the fort and the town. This would lead to the retaliatory capture of Fort Niagara and the destruction of many small villages and Buffalo before the new year arrived. When the town rebuilt, they shifted the location ever so slightly to ensure it was out of range of the American guns across the river.

1st (Royal Scots) Lights

Bass Drummer's Shako

The name, Niagara-On-The-Lake would be formally adopted in 1880, and would slowly become known as a popular tourist destination both for wine and theater aficionados. The surrounding wine country offers some familiar Ontario wineries and now has an active craft beer brewing industry. And the town has many theaters to perform plays during the Shaw Festival. If you ever find yourself in the town, be sure to visit the Angel Inn, a fantastic pub, a walking tour of downtown and be sure to visit both Fort George and Fort Mississauga on opposite ends of the downtown. That was July, but there’s still one more month to get on the Summer Film Party Bus! It’s going to take my lovely wife and I out to the National Capital area and the Ottawa River Valley and the small town of Almonte, Ontario and some of my favourite motion picture stocks, Eastman 5363!

All Photos Taken at Fort George National Historic Site
Niagara-On-The-Lake, Ontario, Canada
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Ilford Pan F+ @ ASA-50
Ilford Microphen (1+1) 6:00 @ 20C

Doors Open: Hamilton

Doors Open: Hamilton

One of my favourite photographic events to attend are the Doors Open tours we have in Ontario. Two cities pull out the stops the first being Hamilton the second being Toronto. While of late, Hamilton has been sort of disappointing, but it has also been the one that I have attended the most. But my attendance is a little bit of a Birthday tradition for me as it always falls on the weekend closest to my birthday. Sadly this year’s event was soured a little with rain, so I only managed to get to four locations, of which I’ll be sharing three here today as I shot them on film.

St. Lawrence the Martyr – While I have visited this parish at past Door’s Open events, I wanted to return as it is one of the more beautiful parishes in the city of Hamilton. From the outside, this Norman Romanesque church looks rather bland, until you walk into the sanctuary and come into full view of the sky blue walls, beautiful murals and at the center the Carrera marble altar. In an odd twist, this year’s door’s open marked the anniversary of the cornerstone laying of the building back in 1890.

DO:H - St. Lawrence the Martyr

DO:H - St. Lawrence the Martyr

DO:H - St. Lawrence the Martyr

Christ’s Church Cathedral – Christ’s Church is a unique church in Hamilton, holding the record as the second oldest Anglican parish in Canada and a unique construction history. The original structure, a pure wood, and stucco building opened in 1835, but over the next decade, the Robert Charles Wetherall building had a startling transformation under the watchful eye of William Thomas, going from Baroque to Gothic Styling. Despite its imposing presence on James Street, the church is active in the community hosting the local arts scene with its community gallery.

DO:H - Christ's Church Cathedral

DO:H - Christ's Church Cathedral

DO:H - Christ's Church Cathedral

New Vision United Church – One of the new locations this year, New Vision United Church is a new congregation in an old building. The church building itself dates back to 1866 known then as the McCallum Chapel. Sadly the history of this Albert Harvey Hills is scarce, at some point in the church’s history it became known as Centenary United Church, and that is the sanctuary that was open to me at Doors Open. It soon became apparent to me that many congregations would soon gather here as church’s shrank, and even today New Vision chooses to worship in the lower hall. Thankfully, there is the word that the building and sanctuary will see reuse as a theater and community space.

DO:H - New Vision United Church

DO:H - New Vision United Church

DO:H - New Vision United Church

For the first time around using film, I took steps to compensate for reciprocity failure. To put it simply the more a film stock is exposed to light, the less sensitive to light it becomes. The trouble is this reciprocity failure different for every film stock. One of the worst films out there for this is my much enjoyed Kodak Tri-X, one of the best is Fuji Neopan Acros 100. But I didn’t shoot either of these stocks, but rather Ilford Delta 100. Delta 100 is a film stock I don’t shoot that much, preferring either Kodak TMax 100 or Ilford FP4+. Thankfully, I used an application on my phone that has a built-in data for most film stocks out there. Oddly enough Delta 100 and Delta 400 share the same reciprocity failure.

Photo Data:
Hasselblad 500c – Carl Zeiss Disagon 50mm 1:4 – Ilford Delta 100 @ ASA-100
Blazinal (1+25) 9:00 @ 20C

52:500c – 52 Weeks, 52 Photos

52:500c – 52 Weeks, 52 Photos

Over the course of last year, I ran through another fifty-two roll project. While I didn’t post the images here to this blog, I did post them over on 52rolls.net. This year I made a point to stick to certain rules and methods that I have used in past projects of this type and settled on the following.

  1. I could only use a Hasselblad 500 series camera
  2. I could only use the Rollei RPX line of film (RPX 25, 100, and 400)
  3. I could use any lens in the Hasselblad V system

I also made a point each week I would pick my favourite photo from that week, in mind to but them together in a book (which is happening). But without further delay, here’s my picks for 52 photos from 52 weeks!

Week 01 – Welcome to the Hangover
52:500c - Week 01 - Welcome to the Hangover

Week 02 – Winter’s Fort
52:500c - Week 02 - Winter's Fort

Week 03 – In the Darkness Bind Them
52:500c - Week 03 - In the Darkness Bind Them

Week 04 – A Fort for a City
52:500c - Week 04 - A Fort for A City

Week 05 – Ghosts
52:500c - Week 05 - Ghosts

Week 06 – Organized Chaos
52:500c - Week 06 - Organized Chaos

Week 07 – A View to a Lake
52:500c - Week 07 - A View to a Lake

Week 08 – Fort Town
52:500c - Week 08 - Fort Town

Week 09 – Throwing Rocks
52:500c - Week 09 - Throwing Rocks

Week 10 – Capital National
52:500c - Week 10 - Capital National

Of course, this project I was euphoric with, I mean by the half-way point I had worked through some failures, accepted the losses and posted the photos anyways. Now I had toyed around with the idea of making a book with my first 52-Roll Project, not so much in the second, the third would have also made a good book. But this fourth one grabbed onto me, so I started collecting up my favourites from each week.

Week 11 – Jewel in the Crown
52:500c - Week 11 - Jewel in the Crown

Week 12 – A House Divided
52:500c - Week 12 - A House Divided

Week 13 – A Lovely Downtown
52:500c - Week 13 - Lovely Downtown

Week 14 – Just Won’t Quit
52:500c - Week 14 - Just Won't Quit

Week 15 – A Fort Named George
52:500c - Week 15 - A Fort Named George

The design of the book will be pure, middle gray for the background with white text in a sans-serif font and simply titled “52: A Year on Film” each image presented with a small write up on it. The write-ups will be new, not taken from any blog post or Flickr description, as the book is a reflection on the image, what it means now, not then.

Week 16 – In the Neighborhood
52:500c - Week 16 - In The Neighborhood

Week 17 – No Place I’d Rather Be
52:500c - Week 17 - No Place I'd Rather Be

Week 18 – Longwoods
52:500c - Week 18 - Longwoods

Week 19 – The Gully
52:500c - Week 19 - The Gully

Week 20 – Welcome to the Jungle
52:500c - Week 20 - Welcome to the Jungle

What goes into picking your favourite photos, thankfully some weeks I had only seven picks from the roll, others I had the full twelve. I usually trust my gut when it comes to this; I wait for a single photo just to jump out and grab me. Ones that I’m on point with exposure and composition, an image that speaks to my soul and shows the theme or subject I had photographed for the week.

Week 21 – Welcome to the Roc
52:500c - Week 21 - Welcome to the Roc

Week 22 – A Farmer’s Life
52:500c - Week 22 - A Farmer's Life

Week 23 – Battlefield House
52:500c - Week 23 - Battlefield House

Week 24 – The City that Works
52:500c - Week 24 - The City that Works

Week 25 – The Old Kirk
52:500c - Week 25 - The Old Kirk

Week 26 – Close to Home
52:500c - Week 26 - Close to Home

Week 27 – Ships of Summer
52:500c - Week 27 - The Ships of Summer

Week 28 – Cruisin’
52:500c - Week 28 - Cruisin'

Week 29 – Lovely Saturday Drive
52:500c - Week 29 - Lovely Saturday Drive

Week 30 – Contest of Fortification
52:500c - Week 30 - Contest of Fortification

The big task will be to go back through my negatives and to rescan each one, then going through and editing each image again in Photoshop but using the same technique and style for each. You might have noted the jarring sepia tone on “A House Divided” Yeah, that wouldn’t look good in a book that I’m aiming to keep a consistent look. It also will allow for some of the old negatives that had a nasty curl to be scanned better.

Week 31 – Vieux-Québec
52:500c - Week 31 - Vieux-Québec

Week 32 – Lakeshore Evenings
52:500c - Week 32 - Lakeshore Evenings

Week 33 – Transit
52:500c - Week 33 - Transit

Week 34 – Wednesday Night Blues
52:500c - Week 34 - Wednesday Night Blues

Week 35 – Muskoka
52:500c - Week 35 - Muskoka

Week 36 – Castle
52:500c - Week 36 - Castle

Week 37 – Shaken, Not Stirred
52:500c - Week 37 - Shaken, Not Stirred

Week 38 – Saturday Morning Coffee
52:500c - Week 38 - Saturday Morning Coffee

Week 39 – Black Creek
52:500c - Week 39 - Black Creek

Week 40 – Grand Old House
52:500c - Week 40 - Grand Old House

The project also gave me a deep appreciation for the Rollei RPX line of films, a fantastic stock that’s new in the film community. And I do plan on continuing to shoot the RPX 25 as my new choice for slow films, RPX 100 and RPX 400 are decent films, but I’ll stick with FP4+ and Tri-X.

Week 41 – Battle Ground
52:500c - Week 41 - Battle Ground

Week 42 – Royal City
52:500c - Week 42 - Royal City

Week 43 – Make No Little Plans
52:500c - Week 43 - Make No Little Plans

Week 44 – Disillusionment
52:500c - Week 44 - Disillusionment

Week 45 – High Flight
52:500c - Week 45 - High Flight

Week 46 – Distant Voices
52:500c - Week 46 - Distant Voices

Week 47 – Finding Nemo
52:500c - Week 47 - Finding Nemo

Week 48 – Steel City Blues
52:500c - Week 48 - Steel City Blues

Week 49 – Upon Avon
52:500c - Week 49 - Upon Avon

Week 50 – Burlington Races
52:500c - Week 50 - Burlington Races

Week 51 – Once More with Feeling
52:500c - Week 51 - Once More With Feeling

Week 52 – All’s Quiet
52:500c - Week 52 - All's Quiet

Classic Camera Revival – Episode 23 – The Good, The Blad, and the Ugly

Classic Camera Revival – Episode 23 – The Good, The Blad, and the Ugly

ccr-logo-leaf

So what makes a Hasselblad a Hasselblad! The whole crew sits down to talk about the magic that is the Hasselblad 500 series of cameras as three of the gang have them, but all four have shot with it. Don’t worry we’re not going fanatical over the camera but rather take a critical look at this iconic camera. Over the course of the show, we’ll be discussing mostly the 500 series of cameras, today known as the V-System as it was known after the introduction of the digital H-System in 2002.

CCR - Review 19 - Hasselblad 500c
Alex’s Hasselblad 500c.

The Dirt

  • Make: Hasselblad
  • Model: 500c and 500c/m
  • Type: Single Lens Reflex
  • Lens: Interchangeable, Hasselblad V-Mount
  • Format: Multiple (Back Dependent)
  • Year of Manufacture: 1957 – 2013

Château Frontenac
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Kodak Portra 400 @ ASA-400 – Processing By: Burlington Camera

Project:1812 - The Battle of Tippecanoe
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Ilford FP4+ @ ASA-100 – Kodak D-23 (Stock) 6:00 @ 20C

Logs in the forest
Hasselblad 500C/M – Carl Zeiss Distagon 50mm 1:4 – Rollei PRX 400 – Rodinal (1+100) 1:00:00 @ 20C

Water Treatment Plant, Toronto
Hasselblad 500C/M – Carl Zeiss Distagon 50mm 1:4 – Rollei Retro 80s @ ASA-80 – Rodinal (1+50) 14:00 @ 20C

Upl - HasselbladFoma100 - PRTSCN01
Hasselblad 500C/M – Carl Zeiss Planar 80mm 1:2.8 T* – Foma Fomapan 100 @ ASA-100

HasselbladTFSMFoma100-1-12
Hasselblad 500C/M – Carl Zeiss Planar 80mm 1:2.8 T* – Foma Fomapan 100 @ ASA-100

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Welcome to Wonderland

Welcome to Wonderland

There is something special about an Easter Sunday drive. Also when that drive follows a wonderful Sunday morning Worship with the amazing people at Trinity Presbyterian Church in Asheville, North Carolina. From there I began what would be the long drive home with the first stop being Elkmont in the Great Smokey Mountains National Park in Tennessee.

Club House

Hiding

Elkmont

Elkmont

The area saw it’s first residents come around the 1840s, while these early settlers sought gold the rich lumber soon brought more and more people. Initially settling around Jake’s Creek these early logging communities were usually no more than shanty towns often having the company offices, a hotel or two, maybe a general store and a post office as the anchors. Through the late 19th century and well into the early 20th century several logging towns sprung up. And while the logging continued, by the 1910s the face of Elkmont was changing as the wealthy elite of Knoxville began to venture into the area via the railroad to enjoy the natural world and enjoy hunting and fishing. Many of these joined together forming the Appalachian Club establishing a lodge. Soon cottages sprung up around the lodge, many being built out of the old Daisytown shanties. Of course like any club membership was exclusive and often elusive. Those who failed to make it in joined together and formed their own club, purchasing the Wonderland Hotel (Estd 1912) and formed the Wonderland Club, and soon cottages began to surround their lodge and annex.

Wonderland Steps

Isolation

Missing Something

Elkmont

By the 1920s the whole of Elkmont had transformed from logging town to resort town, with most operations ending by the end of the 20s. With the wealthy and elite of Knoxville enjoying their cottages and camaraderie of the two clubs in the area. It was one of those residents that stuck on the idea of establishing a national park in Tennessee in the area around Elkmont following a visit to Yellowstone National Park. Soon many joined in on his Parks Movement but others lead by some of the lumber executives wanted the area declared a National Forest rather than a National Park, so that it wouldn’t prevent future logging interests. The parks movement won out and the Great Smokey Mountains National Park was established, of course the anti-parkers got something, and the residents of Elkmont were allowed to keep their cottages and got a lifetime lease on them. But soon these leases began to expire as the owners expired. Most happened in the early 1990s with the final two running out in 2001.

Paved Way

In Ruin

Elkmont

Elkmont

Of course the question was raised what to do with these now empty buildings that were starting to fall apart? The Park Service wanted to demolish the lot as early as 1982 and allow nature to take it’s course. A few of the old logging community sites had been razed and camp grounds established. But the declaration of a National Historic District in the mid-90s prevented the Park Service from doing anything more. Sadly it took the collapse of the original Wonderland Hotel in 2005 before they moved on any restoration work. In 2009 the Park Service began work on several Daisytown cottages and the Lodge of the Appalachian Club. The goal was to restore the more historically significant buildings and then remove the rest. Thankfully today while several buildings have been lost, you can still go and see many of the old cottages and freely wander around the outside of them. There are trails and parking specifically around the Daisytown Cottages. I actually hope to one day go with Heather on a camping trip and really explore the area!

Sony a6000 – Sony E PZ 16-50mm 1:3.5-5.6 OSS
Hasselblad 500c – Carl Zeiss Distagon 50mm 1:4 – Rollei Retro 400s – Kodak TMax Developer (1+4) 9:30 @ 20C