Despite everything, the past couple of years have been wonderful for film photography. Both with films being reintroduced like Kodak E100 and a new version of Fuji Acros (Fuji Acros 100 II). Plus you have folks like Lomography re-rolling iconic motion picture films ORWO UN54 (Potsdam) and N74 (Berlin) and there’s the new production level run of FilmFerrania P30. You have Ilford introducing Ortho Copy as Ortho Plus in 120 and 35mm formats, it’s been a good year! We are joined again today by the awesome Jess Hobbs! Ilford Ortho Plus While certainly not a new film in Ilford’s lineup, Ortho Plus is only recentlyRead More →

Let’s face it, winter is coming. And I don’t know about you but I love to get out and photograph in the winter, there’s something magical about having snow choaked woods or urban streets in the middle of a snowstorm that calls out to me. But shooting in the snow and cold is not something for the faint of heart, it’s cold, windy, snowy. And your average battery hates the cold weather and often their life is curtailed by the bitterly cold winters we have been having of late. But never fear, I’m going to walk you through my approach to cold weather photography fromRead More →

One thing that I enjoyed about the Sheet film version of this film (When it was called Ilford Ortho Copy Plus) is that some developer/time combinations had no film speed listed so in some cases I shot the stuff as low as ASA-6. So here I decided to test the roll film in the same way. And you know what? It worked! I selected five scenes and shot every scene three times, at ASA-25 (left), ASA-12 (middle), and ASA-6 (right) and processed them all D-76 (1+1). How did I go about making these frames? I used my Pentax Spotmeter V, in a couple of theRead More →

While Ortho 80 Plus might appear to be a new film, it isn’t a new film. I’m surprised I missed reviewing the film earlier in this series. I skipped over a film I had shot in the past for a good two years. And thinking back that doesn’t surprise me; the film never made much of an impact. But also the film was, until recently, only available in 4×5. But I also only shot a single box of the stuff back in 2014. The results were excellent, and it was the first time shooting an ultra-low ISO film and one that had no set filmRead More →

The idea of a small light meter is nothing new, ever since the concept of an exposure meter that clip onto the camera through an accessory shoe (or hot shoe). When I was shooting a Barnack Leica, I used one such meter, the Voigtlander VCII. A fantastic meter, easy to use, a little restrictive at times, but never missed a beat. I don’t recall what happened to mine. It either stopped working or got lost on an adventure on in my one move. When my good friend and regular of the Toronto Film Shooters Meetup, Matt Bechberger, let me know he aimed to release hisRead More →

Before we get into all this, let me start by staying Ortho Plus is not a new film, it’s just now available in different formats. Originally I shot a box of the stuff in 4×5 when it was only available in sheet format, and it was the first film that I shot that had no real rating set. In fact, most entries for developing times on the massive dev chart simply had a question mark for the ISO rating. I found that this gave me a lot more latitude when working with the film. I could rate it higher or lower depending on the situationRead More →

Ever since I sold off my Pentax 645, I honestly thought that I would not want another 645 camera, I mean I had my Hasselblad. But there is some draw to the 645 format sometimes you don’t want a square, but that nice rectangle. And with my Hasselblad acting up, I wanted something similar but in 645. In other words, I wanted a system camera that could be customisable. One day I was sitting in the Higher Grounds coffee shop in Belfountain, having shot some 4×5 and an older man came over. We started talking as he recognised the Crown Graphic. He promptly offered upRead More →