When it comes to Retro 80s, it’s a somewhat fickle film. At least for me, I find it hard to get good images out of the film stock. But when you do get images out of it, they are some of more unique in the world. For me, the film ranks among those speciality films such as Ferrania P30 and Eastman 5363, high contrast, slow, with a look closer to a black & white slide film than a negative film. Not to mention, the extended sensitivity into the Infrared spectrum makes it a good IR film in a pinch. Film Specs Type: Panchromatic B&W, ExtendedRead More →

If you want your images to have something that no other images have, then shoot Infrared film, it literally sees the world in a different light, infrared light to be exact. While these days there aren’t many options for black and white or even colour infrared films save for Rollei IR400 and the FPP Infrapan 200. There are however many in the near infrared range. I don’t often work with infrared film stocks as they need just the right set of circumstances to work well. Not to mention special filters, even cameras need to be done right as the film is highly sensitive. But whenRead More →

I’m a Nikon shooter and have shot a lot of Nikon Cameras, but that doesn’t mean I don’t appreciate a fine Canon. Of the modern Canon EOS cameras, I’ve shot the Elan 7ne is probably the best camera, I mean I’d take this over an EOS-1. But the Elan 7n/7ne are unique cameras in my view, one of a few the others being the Canon T90 and Nikon F90. These cameras have the specs and could very well be professional models but often are left aside. But if the three, the Elan 7ne would get the most publicity, but to be honest, if I hadRead More →

It’s been just under a year since the gang visited the Riverdale/Leslieville areas of Toronto. And again I found myself as a participant in the walk rather than the organiser. For that, I left it up to Bill Smith who knows the area like the back of his hand, though this time around we took a much different route. There’s something about getting started early as we gathered at the Rooster Coffee House for our start, after an Atomic Rooster Brew and some discussion. And of course, snapping photos with our cups of coffee and our cameras we started off. The day had promised toRead More →

For anyone who has been a long time reader of this blog, you’ll know that Montreal, Quebec holds a special place in my photographic story. So with my first wedding anniversary, last month and a great deal on hotel and the train my wife and I celebrated our anniversary in the city. Of course, this trip wasn’t solely for photography, I mean I had refreshingly packed light, sort of. You cannot really call the Nikon F5 light-weight, but I wanted to bring my best 35mm kit with me and have a level of automation. So with the F90 on loan, the F5 got to goRead More →

In the early days of Photography, most photographic stocks were Orthochromatic, which means they didn’t see a certain colour on the spectrum, mostly this meant the film stock could not see red light, other times it meant the film didn’t see blue light. And while today Panchromatic stocks are the norm, there is still a need for technical films. While shooting Ortho 25, I worked under the assumption that it didn’t see red light. However, I’m not sure of which colour the film is not sensitive to. But it doesn’t matter now; Ortho 25 is an amazing slow black & white film that is deadlyRead More →

When it comes to iconic films, Ilford HP5+ rates as one of the big ones, with a history as old as Ilford FP4+ and dates back to 1935. And while it only got its ASA-400 speed rating in 1960 is certainly is a film that can take amazing images. While many see HP5+ as a direct competitor to Kodak Tri-X, I do see two separate films each responding differently to the range of developers out there. And while I’ve had a rocky time with the 35mm version of the film, I’ve come to accept HP5+ is certainly an amazing film! Film Specs Type: Panchromatic B&WRead More →

The name Bergger has been until recently been relatively unknown here in North America (at least to me) until recently when I learned that they were planning on introducing a new film stock, Pancro 400. While, Pancro 400 is the only offering from the company, and while you might still find their older BRF400+ film stock, Pancro 400 is a beautiful classic film emulsion. When I heard about the film through the Film Photography Project when they were just releasing the stock, I made a point to pick it up. I found a surprisingly beautiful film, despite the increased amount of grain. I would wagerRead More →

Finally, we have snow here in Southern Ontario which for me is wonderful! The cold weather is only made bearable by the presence of the white stuff. It also makes it more fun to go out tromping in the snow! But I shot most of my FP4 back in December, and with a deep freeze settled into the area after Christmas I really didn’t want to take any chances. But the arrival of the Secret Santa gift from the Emulsive gift exchange included a roll of FP4+ in 120 and with five sheets of 4×5 I was ready to go, on a much-reduced scale. GroupRead More →

At your first glance, you see this Soviet Styled space-age packaging, and you know you’re in for a treat. Mono 100 is the new player on the block, a Panchromatic ASA-100 speed B&W Film. When I first learned that Kosmo Foto was working towards releasing a brand new film I jumped. While the Soviet-styled look will draw you in, the contents of the film itself will make you want to shoot more and more of the film stock. The Lowdown Type: B&W Panchromatic Film Base: Acetate Film Speed: ASA-100, Latitude: ASA-50 to ASA-400 Formats Avaliable: 135 (35mm) Roll 1 – Rodinal Before I start, I’llRead More →