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The film that started the whole Svema craze with the Film Photography Project, Svema Foto 200. Свема is a film stock that is relatively unknown here in North America unless you are of course fans of the Film Photography Podcast. The name comes from the combination of two Russian words, Светочувствительные Материалы, translated means Photosensitive Materials. While Svema collapsed when the Soviet Union died in the 1990s, another Eastern European film manufacture, Astrum, continues the legacy of Svema using some of the old machinery in a new factory in Shostka, Ukraine. Now I did try a roll or two of Foto 200 when it firstRead More →

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Sometimes it’s good to keep things fresh and new, and having great success hosting a photo meetup in Niagara-On-The-Lake last year and having gotten a connection with a fantastic photographer in the region Bryan who is about a year into his journey into film photography with the offer to host the group I took the chance. Unlike past photo walks, this time, we had three lovely models along. Nat, Millie, and Carolyn, having worked with Bryan in the past came along to give the group a chance to trial their model photography work in a low-key situation. Now I’ve done some model work in theRead More →

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If there is a single piece of infrastructure that changed Canada in the early 1850s, the railroad is that single piece the spurred the Province towards a modern industrial location in the British Empire. While the Welland and Rideau Canals provided a fast link they both were tied to the waterways they were built out of. Rail, on the other hand, could cross areas where canals could not. Rail could run nearly the year-round, bridge water, and move faster. But railroads were not new in the province, having existed in some form or another since the early 1820s. Rail technology had been used in theRead More →

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No strangers on this bridge, Lomography Potsdam 100 is the second film released in their Kino series of films. Potsdam 100 is ORWO UN54 a film that I have shot a lot with for the past several years. Compared to N74, UN54 is super sharp, fine-grained and has a fantastic tonality and one I have only developed in a limited number of developers, so I’m looking forward to trying it out in different developers. Designed as Eastern Europe version of Kodak Plus-X and it certainly shows. What struck me is that the film is marked as Lomography Potsdam in the rebate area, which means thatRead More →

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Among those who have shot the Derev Pan line of films the favourite is Derev Pan 400, and I do agree with that. When I ran the beta tests for the film, it was Pan 400, that was my favourite. Being a 400-Speed film, I thought there would be more grain than I expected, images were super sharp, incredible tones and contrast. You can run this film through any situation and developer and get some incredible results! Film Specs Type: Panchromatic B&W Film Base: Polyester Film Speed: ASA-400, Latitude: Suspected +/- 2 Stops. Formats Avaliable: 135 (35mm) Roll 01 – Kodak D-76 I have toRead More →

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When I initially beta tested the Derev Pan films the one film that was missing from the test pack with the middle child, Derev Pan 200, so this is a brand new film for me. There aren’t many mid-range speed films on the market today, especially in black & white films. You have Rollei Superpan 200, Derev Pan 200, Svema Foto 200 plus Eastman Double-X. So I had no real understanding of what to expect. Grainery than most films in the Derev line, it presents a generally low to a mid-contrast classic look. The trade-off for the grain is that the film is sharp inRead More →

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Like Robert Baldwin, Louis Hypolite-La Fontaine is a figure in Canadian History that I have never learned about or even knew existed until I started researching this project. And even then, he nearly ended up playing a secondary role in my narrative. I quickly realised that if I had done that it would have done a great disservice to his role in Canadian History and his foundational efforts from the run-up to the Lower Canada Rebellions and into the establishment of Responsible Government and the unified reform movement in the Province of Canada. Born the 4th of October, 1807 the fourth son of a BouchervilleRead More →

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Originally designed for aerial surveillance in Eastern Europe, the Derev line of films is new to the North American market thanks to the Film Photography Project. I had the honour of beta testing the film for the FPP and found that Derev Pan 100 is an excellent film for outdoor shooting on bright sunny days. Sharp with a decent touch of grain and an amazing tonality you can clearly see why this film was selected for surveillance. And while on my initial test I only worked with HC-110, I looked forward to trying the film out in various developers! Film Specs Type: Panchromatic B&W FilmRead More →

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At the beginning of August, I had the chance to attend my first 1812 Grand Tactical, far from my first Grand Tactical having to attend a couple but for the Napoleonic Wars. But what made this one different is that I was back as a photographer which is how I first started in the hobby back in 2008. But now, ten years later, I had far more experience both as a photographer and as a reenactor. In honour of that, I’ll be presenting this post in a somewhat of a different way, as a newspaper report of a frictional engagement that was used as aRead More →

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Despite the setbacks of the rebellion, the reform movement was ready to move on. The radicals were out of reach, imprisoned, dead, or in exile (with the penalty of death if they should return), the moderates were now returning to the political arena many who had never run for public office before. And while Durham’s report had spoken favourable of Responsible Government and many reformers like Robert Baldwin, Louis La Fontaine, and Francis Hincks had spoken in detail to Durham. The trouble remained that even moderate reformers were still viewed through the lens of rebellion by the Colonial Office. And they aimed to use theRead More →