Tag: large format

Large Format in the Park

Large Format in the Park

The trouble with photo walks is that you’re walking, this pretty much takes the idea of bringing large format cameras and tripods along. I mean, I love LF and have a press camera which allows me to shoot the Crown Graphic Handheld as I did back at the Summer Toronto Film Shooters Meetup. But again, when making a meet up especially for large format, you can’t call it a photo walk because it’s hard to walk with an LF camera and I know that many members don’t shoot press, technical, or field cameras they use monorails. You don’t walk around with a monorail, while you can, just not quickly. Thus was born, the Large Format Lugabout.

Remains of a Face

A Lovely Day

The Toronto Film Shooters have been to High Park many times before, so it made sense to use this urban park in Toronto as the base of operations for the walk, moving from the Southern Entrance at Colbourne Lodge to the northern terminus at Bloor Street. At about two kilometres it’s an easy enough walk even when you have an 8×10 on a monorail to lug with you.

The Howard Tomb

The Chimney

As I loaned out my Crown Graphic out to a good friend, I made a point to shoot the eight sheets of 4×5 while I wanted down through the park towards the meeting point before the main event. Even my lovely wife put up with the constant stopping. It proved to be a perfect day to shoot large format and there turned out to be a decent attendance. The highlight for me is finally seeing Colbourne Lodge. The lodge is another one of those hidden museums in Toronto, and one I certainly will be checking out again. But with the meeting starting, I turned over my Crown Graphic to Wu and switched to my Nikon F5 to take photos of the various people in attendance.

Nancy!

It's, it's...taller than me!

Another Big One

Trio of Tripods

A Common Sight

The trouble with such a meet is that everything spreads out in a long thin line, Heather and I along with Wu and Joe formed the front of the line while the long trail of photographers lugging every type of camera came up behind, even some folks carried medium format beasts. But since it was tripod friendly, it gave folks a chance to slow down.

The event turned out much better than I expected and I certainly plan on running with the idea again as people took to the idea of a limited area shoot and allowing us to bring out the big guns.

Techinal Details:
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210, Schneider-Kreuznach Xenar 1:4,7/135, Fuji Fujinon-W 1:5.6/125
Rollei RPX 25 @ ASA-25 – Blazinal (1+25) 6:00 @ 20C
Nikon F5 – AF DC-Nikkor 105mm 1:2D – Kodak Tri-X 400 @ ASA-200
Blazinal (1+25) 7:00 @ 20C

Summer Film Party – Part I (June)

Summer Film Party – Part I (June)

Not doing an overall film project over the course of the year has not stopped me from getting out and shooting and it’s freed me up to join in on the year’s film contests that the fine folks over at Emulsive have put on, well, for the most part, I joined in on their TMax Party for the two months, although I missed the Acros Party. But with the sun finally starting to shine I decided to make a point to get in on the Summer Film Party. Running the three summer months here in North America with June being the first up. Now the trouble is that the summer the light gets pretty harsh by the middle of the day, I made a conscious effort to get out earlier in the day before the sun got too high in the sky and the temperatures skyrocket. The first stop is the small village of Kleinburg located north of Toronto, Ontario and a part of the City of Vaughn. While the village downtown was rather busy I decided to head down into Bindertwine Park. Big Mistake. There was a 5K run happening along the trails, and the bugs were bad, four sheets into the eight I had brought along I was done. Between the bugs and the heat, I made my escape.

Sometimes I shoot Flowers
Some flowers along the path that a camera club was shooting.
Graflex Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 – Rollei RPX25
Pryocat-HD (1+1+100) 12:00 @ 20C

High Voltage
While the trails through the park show a great piece of nature, but I do enjoy catching man’s influence on the natural environment.
Graflex Pacemaker Crown Graphic – Schneider-Kreuznach Xenar 1:4,7/135 (Orange) – Rollei RPX25
Pryocat-HD (1+1+100) 12:00 @ 20C

Tree By the River
A more peaceful scene than what I was actually feeling, itchy and sneezing.
Graflex Pacemaker Crown Graphic – Kodak Ektar f:7.7 203mm (Orange) – Rollei RPX25
Pryocat-HD (1+1+100) 12:00 @ 20C

I wasn’t going to let this stop me so Sunday morning before heading to Church I decided to finish off the remaining four sheets in downtown Milton specifically Victoria Park which sits just off of Main Street and our historic town hall the former county jail which was restored between 1982 and 1985 after sitting abandoned. Again I had been blessed with some beautiful morning light.

7.7 cm Feldkanone 96 neuer Art
Milton’s Great War Trophy, a German 7.7 cm Feldkanone 96 neuer Art, captured 28 September 1918 on the Arras-Cambria Road.
Graflex Pacemaker Crown Graphic – Kodak Ektar f:7.7 203mm – Rollei RPX25
Pryocat-HD (1+1+100) 12:00 @ 20C

The Victoria Park Gazibo
At the center of Victoria Park is the Gazebo, a great place to hold an outdoor concert.
Graflex Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 (Orange) – Rollei RPX25
Pryocat-HD (1+1+100) 12:00 @ 20C

The Prison Yard
The former prison yard, now a garden, great for wedding photos or outdoor events.
Graflex Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 – Rollei RPX25
Pryocat-HD (1+1+100) 12:00 @ 20C

Last year I completed a 52-Roll project using only Rollei RPX films, one of my favourites was RPX 25, so when a local film supplier brought in a small number of boxes of RPX 25 in 4×5 I jumped on the chance and then let it sit. I’m glad I saved the box and now that it’s cracked I hope to bring it out more this summer for large format fun! Of course, the film is hard to handle, thin polyester base, and the notch code isn’t always stamped out. It makes for trouble figuring out how to load it up. Part II coming next month, with the Hasselblad 500c, Ilford Pan F+, and Niagara-On-The-Lake!

It’s a TMAX Party – Part I

It’s a TMAX Party – Part I

The fine folks behind the film photography promotion website Emulsive have done it again! In the footsteps of last year’s FP4Party, they have started to run a couple of different monthly participation events for film photographers around the globe through the use of Twitter. Sadly I didn’t participate much in the FP4Party mostly because of time conflicts; I decided to make a point to join in on this year’s film parties. Being free of most projects it freed my hand to keep up this time around. This year’s first party is a celebration of Kodak TMax. Tmax a modern film emulsion that was released in the late 20th-Century and use a tabular grain rather than a traditional grain like Tri-X or Plus-X.

While I figured the easiest way to jump into the TMaxParty was to dig into my box of 4×5 TMax 100. While TMax isn’t always my first choice, I’m more of a classic grain shooter. But hey sometimes it’s good to jump a little bit outside of your comfort zone. So into Hamilton, I went, and while I had planned to shoot all eight loaded sheets that day but the cold weather told me otherwise.

HMCS Haida
Pacemaker Crown Graphic – Fuji Fujinon-W 1:5.6/125 – Kodak TMax 100 @ ASA-100 – Blazinal (1+50) 12:00 @ 20C

Craft Beers
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 – Kodak TMax 100 @ ASA-100 – Blazinal (1+50) 12:00 @ 20C

Whitehern
Pacemaker Crown Graphic – Fuji Fujinon-W 1:5.6/125 – Kodak TMax 100 @ ASA-100 – Blazinal (1+50) 12:00 @ 20C

Well in Canada, March can be a bit of a hit and miss, and while the weather kept me from shooting outside, my shutters tend to get laggy in sub-zero weather I again had to dive outside of my comfort zone. Usually, when I’m shooting large format I stick to deep depth-of-field, we’re talking f/32 and up on my aperture. Sure it makes for longer shutter times, but it gives the images incredible sharpness. Well, the temperatures stuck below zero so open up the lens I did.

Retention
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 – Kodak TMax 100 @ ASA-100 – Kodak D-23 (Stock) 9:30 @ 20C

Take Flight
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 – Kodak TMax 100 @ ASA-100 – Kodak D-23 (Stock) 9:30 @ 20C

The Lights Above
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 – Kodak TMax 100 @ ASA-100 – Kodak D-23 (Stock) 9:30 @ 20C

While I’m pretty happy with my results for this month, I hope next month’s TMax Party I’ll have some more outdoor shots. Of course, the big question is what format will I shoot, and in what camera! Current runners are my Contax IIIa, Rolleiflex 2.8F, or Hasselblad 500c. So we’ll see next month!

CCR Review 58 – Graflex Pacemaker Crown Graphic

CCR Review 58 – Graflex Pacemaker Crown Graphic

At the very beginning of these review blogs I had laid out some rules, and now I’m going to break one of them and review a large format, sheet film camera. The Crown Graphic is my 4×5 camera of choice these days; it’s reliable camera that can take a hit and keep on taking photos. I mean that is what it’s designed to do, it’s a press camera. And when it comes to large format, I’m glad that my first experiences with the format were on a press camera rather than a field or monorail because I don’t think I would have taken to the format in the same way.

CCR Review 58 - Graflex Pacemaker Crown Graphic

The Dirt

  • Make: Graflex
  • Model: Pacemaker Crown Graphic
  • Type: Press Camera, View/Rangefinder
  • Format: Multiple, Graflok Back (Roll film, or Sheet Film)
  • Len: Interchangeable, Crown Graphic Lens Boards
  • Year of Manufacture: 1955-1973 (This Model, 1968)

CCR Review 58 - Graflex Pacemaker Crown Graphic

CCR Review 58 - Graflex Pacemaker Crown Graphic

The Good
The number one thing I love about the Crown Graphic is that it’s versatile with a single camera I have both a handheld rangefinder based camera that I can just point, focus and shoot, at least when I’m using the Xenar 135mm lens, as I’ve calibrated the rangefinder for the lens. I much prefer to shoot the camera like a field camera, on a tripod, composing and focusing using the ground glass on the back. Using the glass gives me full creative control and use of some fantastic lenses, like the Symmar-S 210mm (which is the lens I use the most). Plus that’s the power of large format, your Crown will be able to use most lenses out there, and all the film holders and the Graflok back means you can attach all sorts of accessories such as roll film magazines and Polaroid Type 100 film holders. And finally, this camera has a nice fast setup, pop the front cover, drop the bed pull out the bellows. And if you’re using ‘pancake’ style lenses, you can keep the lens on the camera when you close the door.

CCR Review 58 - Graflex Pacemaker Crown Graphic

CCR Review 58 - Graflex Pacemaker Crown Graphic

The Bad
Like any large format camera, the biggest detractor to them is the size and the amount of stuff you need to bring to use the camera well. Tripod, multiple film holders, meter, and the lenses all mounted on their boards. It adds up after a while. But for me, it’s worth the effort. Another issue that only large format shooters will note with a press camera is the lack of movements, while the Crown Graphic gives more than the Speed Graphic, you are still only limited to movements on your front standard, and even then you’re relatively limited. But again this was a camera not designed for shooting that requires much in the way of movements. And finally there is starting to be a lack of spare parts for these cameras, so getting bits and pieces replaced or repaired is starting to become a problem, either you can grab ones that are already broken for spare parts or pray that you know someone who can machine the appropriate piece. Thankfully their rugged build means they are designed to last.

CCR Review 58 - Graflex Pacemaker Crown Graphic

CCR Review 58 - Graflex Pacemaker Crown Graphic

The Lowdown
If you’re like me and shoot on a mobile basis, then the press camera is certainly the best option, and often a Crown Graphic kit can be had for an inexpensive out of pocket cost. Being highly adaptable to multiple shooting situations and with a quick setup and tear down it’s a great camera for learning on. Of course, if you’re a technical shooter who needs movements then I would avoid press cameras altogether and go for something a little more expensive. Intrepid, Shen-Hao, Takahara, Linhoff, and Sinar are all excellent options. But for me, I’m sticking to the Crown.

All Photos Taken in Georgetown, Ontario
Graflex Pacemaker Crown Graphic – Schneider-Kreuznach Xenar 1:4,7/135 – Kodak Tri-X Pan @ ASA-200
Pyrocat-HD (1+1+100) 10:00 @ 20C

Frozen Shutters – The Dangers of Winter Photo Walks

Frozen Shutters – The Dangers of Winter Photo Walks

Ah yes, the winter, cold, snow, and frozen shutters. Back in January, a small, brave group from the Toronto Film Shooters community decided to head out to Milton’s Hilton Falls Conservation area. I, deciding to ignore my own advice brought my Crown Graphic along for the trip.

TFSM - Phrozen Phingers

While we had a decent snowfall at the end of December, a warm spell through early January melted everything, and when the temperature dropped, everything was frozen over, and the trails were ice rinks. I was started to think I should have brought a simple 35mm camera to run with. Despite this, it was good to get out with the 4×5 again. Since the loss of my Intrepid I haven’t been shooting much, but this walk got me back into the game because I now have access to all my lenses.

TFSM - Phrozen Phingers

One of the more interesting gems I brought along is a lens I picked up a while back. A 1921 Kodak Anastigmat f:7.7 170mm. The Anastigmat design was first released in 1914 based on a four element Dialyt design, like the Goerz/Schneider Artars. I was, of course, hoping for some strange look about the image, but for an old lens, it was pretty sharp. And the shutter speeds seemed to still be on point.

TFSM - Phrozen Phingers

There was one good thing about the melt; the water was flowing nicely over the falls. Which made shooting at f/64 all the sweeter to catch that falling water.

TFSM - Phrozen Phingers

TFSM - Phrozen Phingers

Hopefully, I’ll make a trip when the weather gets warmer so that my shutters won’t complain as much.

Camera: Graflex Pacemaker Crown Graphic
Lenses: Fuji Fujinon-W 1:5.6/125, Kodak Anastigmat f:7.7 170mm, & Kodak Ektar f:7.7 203mm
Film: Kodak TMax 100 (100TMX) @ ASA-100
Developer: Kodak HC-110 Dil. B 5:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC (2015.5)

Classic Camera Revival – Episode 17 – Some like it Wet (Plate)

Classic Camera Revival – Episode 17 – Some like it Wet (Plate)

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Long before we had flexible film and even dry plate it was the wet plate process that brought photography to the masses. This is by no means an easy process involving lots of nasty chemicals and a very slow process that today seems rather strange with head braces, brass lenses, and rubber gloves. But for some it’s their passion and art form, so John Meadows speaks to Shane Balkowitsch about how he got into photography and went right for wet plate.

Here are some examples of Shane’s amazing work:

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We’d also like to thank everyone who made it out to our big meetup at the beginning of the month! You can check out some of our super-fan’s reactions to the day. You can find Angela and Kelvin’s video here on YouTube or how about some photos from Kevin Collins! And Co-Host Alex has posted his photos on Flickr!

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario, if you’re on the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Polaroid Week 2016

Polaroid Week 2016

This year it was a real shame that Polaroid Week just snuck up on me. It serves me right for not watching social media a little more closely. But I still managed to get out on the last day to get some Instant film shooting in. This year I was sort of limited. My wonderful Automatic Land Camera Model 250 has a dead battery and I didn’t have time to fix it up with the AAA battery fix. Also I didn’t get in any order from Impossible to run my Spectra (the only Integral Polaroid I have working), and didn’t get a couple packs of Instax Mini to run through my Lomo’Instant. But I did have a semi-shot box of Polaroid Type 72 film, a 545i back and my trust Intrepid camera. So I headed out into the campus on a beautiful spring day to get in some shooting! The Intrepid certainly garnered some looks as I went around shooting, and like most expired Polaroid (This stuff expired about ten years ago) there were some misses. One thing I did notice is that you really have to double check your alignment of the 545i holder so that it’s tight or you’ll get some light leaks, but overall it worked really well!

Polaroid Week 2016

Polaroid Week 2016

Polaroid Week 2016

Polaroid Week 2016

Intrepid Camera – Fuji Fujinon-W 1:5.6/125 – Polaroid Type 72
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC (2015)

Classical Camera Revival – Bonus Episode – Mike Robinson, Daguerreotype Master

Classical Camera Revival – Bonus Episode – Mike Robinson, Daguerreotype Master

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Toronto resident Mike Robinson is a master of the Daguerreotype process, producing images of unparalleled beauty and technical excellence. In this bonus episode, John talks with Mike about the challenges and rewards of this venerable photographic process

A video of Mike at work

Mike has been kind enough to supply us with some images of his recent work. All images are copyright Mike Robinson, all rights reserved.

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Classic Camera Revival – Special Bonus Episode – Donna’s 8×10

Classic Camera Revival – Special Bonus Episode – Donna’s 8×10

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Not to be outdone by the rest of the group Donna has a new camera, and she’s going big, like 8×10 big! She recently picked up a beautiful Cambo SC Monorail 8×10 camera and so far loves it!

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  • Make: Cambo
  • Model: Legend SC
  • Type: View Camera, Monorail
  • Format: 8×10 or 4×5
  • Lens: Interchangable, Cambo SC Board

Plus Donna has already taken it out and shot a few images on it with beautiful results!!

Pour Me A Drink
Cambo Legend SC – Agfa Gevaert AG Super Intergon 1:9/305mm – Agfa RC Paper – Kodak Dektol (Stock)

Juvenile Lemon And Key Lime Trees
Cambo Legend SC – Agfa Gevaert AG Super Intergon 1:9/305mm – Agfa RC Paper – Kodak Dektol (Stock)

Bananas
Cambo Legend SC – Agfa Gevaert AG Super Intergon 1:9/305mm – Agfa RC Paper – Kodak Dektol (Stock)

Just a short podcast today, but we’ll be back with our big monthly show in a couple weeks!

Classic Camera Revival – Bonus Episode – SP-445

Classic Camera Revival – Bonus Episode – SP-445

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In this special bonus episode, an interview with Tim Gilbert of the SP-445 Kickstarter project. In this project, Tim and his team have come up with a new kind of 4×5 development tank that can develop up to 4 sheets at once, with an economical use of chemistry.

This Kickstarter project closes on January 18th,  2016 so you still have time! Check it out!

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario, if you’re on the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival