When it comes to large format cameras, certain ones stand out as masters in their field. And while a camera is just a camera, and is only as good as the photographer who uses it. I’ll admit I had some trouble with the Technika; there is something to say about a fantastic tool. The Linhof Technika V is a beautiful precision piece of equipment. And while a Technical camera does not have the same freedom of movement as a monorail that is not physically possible, it comes pretty close. And while I certainly messed up in playing a bit too much with some movements, inRead More →

We’ve discussed large format on several occasions on CCR in the past, however, we’ve never done a basics episode for those wanting to get into large format. Well never fear, that is exactly what Alex and James are going to discuss today, so grab your notebook and ready to go big! Camera Types You can put all large format cameras into a single category of ‘large format’ or simply ‘view camera’ because you are mostly using a piece of ground glass to look directly through the lens so it’s almost what you see is what you get. However, there are differences between these view camerasRead More →

We’re back on a large format kick just in time for spring to arrive here in Southern Ontario! So today, Large Format Strikes Back! Linhof Master Technika V When it comes to precision in large format you don’t get any better than a monorail camera, but what if you could get that same level in a more compact form. Enter the Linhof Technika line of cameras. These are a hybrid of the power of movement you get with a monorail camera in a package similar to a Press Camera. You get every movement in both your front and rear standards and not just any movement,Read More →

As much as I would love to get my hands on enough APX 25 to run a classic film review of that legendary stock, sadly they are few and far between, and when they are sold, often it’s at a premium. In the meantime, how about its faster cousin, APX 100. But the two films are wildly different, APX 100 is a silver rich film that produces amazing sharpness, detail, and contrast. For this review, I got lucky and found 50-sheets of APX 100 in 4×5 which made shooting the film all the more enjoyable. Film Specs Type: Panchromatic B&W Film Base: Acetate Film Speed:Read More →

In the category of gone too soon is New55 and their amazing film stock, Atomic-X. Now, this isn’t the first time I’ve spoken on Atomic-X when they first started releasing just their negative material for their revival attempt at the iconic Polaroid Type 55, I grabbed a box of one-shot envelopes to try out. The Atomic-X negative was in reality based around their goal of a Postive/Negative material, however, when I tried the New55 PN I got no usable results, the envelopes fell apart on me or the chemicals failed to spread it just became a disaster. But when they offered up 25-sheet boxes ofRead More →

Well, looks who’s back! It’s the FP4Party! This time around I have no outstanding projects so unlike in the final FP4Party I can actually work hard on this one, unlike the last time I gave a rather lack-lustre performance. I sat down early and planned out my week, collecting five ideas of where to shoot and what I wanted to shoot with. The film, of course, a favourite of mine, Ilford FP4+. I came up with one roll of 35mm, three rolls of 120 and a box of 4×5. Now in the past, I’ve usually stuck to one day of shooting for these parties. ButRead More →

Some cameras are best left in the studio, yet we still give ourselves back problems by carrying them out into the field with us! The gang takes on the entire chiropractic industry by flaunting our massive cameras that are best left inside, yet we’ve authorised these beasts for field use. Cameras Featured on this Show Mamyia RZ67 -Have you ever wondered what sort of quality photos a cinderblock with a lens would take? Well, that is pretty much what the RZ67 is, a cinderblock that takes stunning images! Surprisingly there’s even strap mounting lugs on this beast! The electronic version of the all mechanical RB67Read More →

The trouble with photo walks is that you’re walking, this pretty much takes the idea of bringing large format cameras and tripods along. I mean, I love LF and have a press camera which allows me to shoot the Crown Graphic Handheld as I did back at the Summer Toronto Film Shooters Meetup. But again, when making a meet up especially for large format, you can’t call it a photo walk because it’s hard to walk with an LF camera and I know that many members don’t shoot press, technical, or field cameras they use monorails. You don’t walk around with a monorail, while youRead More →

Not doing an overall film project over the course of the year has not stopped me from getting out and shooting and it’s freed me up to join in on the year’s film contests that the fine folks over at Emulsive have put on, well, for the most part, I joined in on their TMax Party for the two months, although I missed the Acros Party. But with the sun finally starting to shine I decided to make a point to get in on the Summer Film Party. Running the three summer months here in North America with June being the first up. Now theRead More →

The fine folks behind the film photography promotion website Emulsive have done it again! In the footsteps of last year’s FP4Party, they have started to run a couple of different monthly participation events for film photographers around the globe through the use of Twitter. Sadly I didn’t participate much in the FP4Party mostly because of time conflicts; I decided to make a point to join in on this year’s film parties. Being free of most projects it freed my hand to keep up this time around. This year’s first party is a celebration of Kodak TMax. Tmax a modern film emulsion that was released inRead More →