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Fomapan 200 is a film stock that like TMax 400 and Delta 400 I’ve struggled with. I find it far too grainy for 200-speed film stock, often rather soft on the edges and can be rather fickle about lighting conditions. But it’s not a bad film; I think it needs to be handled with little extra care. Fomapan 200, was the first of the Fomapan films that I tried, and while initially disappointed in it, I quickly learned to like the film, for certain applications. Film Specs Type: Panchromatic B&W Film Base: Polyester Film Speed: ASA-200, Latitude: 64-800 Formats Avaliable: 35mm, 120, Sheets Roll 01Read More →

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When it comes to iconic films, Ilford HP5+ rates as one of the big ones, with a history as old as Ilford FP4+ and dates back to 1935. And while it only got its ASA-400 speed rating in 1960 is certainly is a film that can take amazing images. While many see HP5+ as a direct competitor to Kodak Tri-X, I do see two separate films each responding differently to the range of developers out there. And while I’ve had a rocky time with the 35mm version of the film, I’ve come to accept HP5+ is certainly an amazing film! Film Specs Type: Panchromatic B&WRead More →

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There is a certain class to folders; they have a sleek look that harkens back to the early days of photography. These cameras offer a slim, compact option to bring medium format when space is at a premium. I would have loved to have brought a folder to Europe in 2015 to have a medium format option. Especially in places like the Waterloo battlefield, Amsterdam, Antwerp, and Bruges, but I could not find the right one. The full name of this camera, the Zeiss Ikon Super-Ikonta C 531/2, would have been the perfect camera with a big 6×9 negative, rangefinder focus, and slim size. ForRead More →