Kodak Tri-X, the mention of the film stock is usually met with awe or aversion. But for me, Tri-X is my film of choice no matter what situation I’m going into. I know that with the film I can get consistent results no matter what situation I throw myself into from abandoned buildings to a wedding, and will get amazing results no matter what chemical I toss the film into. With a classic look and feel, you can torture this film to your heart’s content and will always get the results you need. Film Specs Type: Panchromatic B&W Film Base: Acetate Film Speed: ASA-400, Latitude:Read More →

In the early days of Photography, most photographic stocks were Orthochromatic, which means they didn’t see a certain colour on the spectrum, mostly this meant the film stock could not see red light, other times it meant the film didn’t see blue light. And while today Panchromatic stocks are the norm, there is still a need for technical films. While shooting Ortho 25, I worked under the assumption that it didn’t see red light. However, I’m not sure of which colour the film is not sensitive to. But it doesn’t matter now; Ortho 25 is an amazing slow black & white film that is deadlyRead More →

The name Bergger has been until recently been relatively unknown here in North America (at least to me) until recently when I learned that they were planning on introducing a new film stock, Pancro 400. While, Pancro 400 is the only offering from the company, and while you might still find their older BRF400+ film stock, Pancro 400 is a beautiful classic film emulsion. When I heard about the film through the Film Photography Project when they were just releasing the stock, I made a point to pick it up. I found a surprisingly beautiful film, despite the increased amount of grain. I would wagerRead More →

When it comes to T-Grained (modern films like TMax and Delta) I can be fairly picky, the 100-speed ones I tend to like while the faster 400-speed ones I can be overly critical about. That being said I’ve found that recently I’ve been warming up to these faster emulsions the more I experiment with them. As with Delta 400, I’ve warmed up a little to TMax 400. Oddly, TMax 400 was the first roll of film I processed on my own under the watchful eye of Julie Douglas back in 2010. Film Specs Type: Panchromatic B&W, T-Grain Film Base: Acetate Film Speed: ASA-400, Latitude: 50-3200Read More →

As happy accidents go, when you’re trying to come up with a new slide film, and you reinvent a classic film from the past, there’s nothing wrong with that now is there? P30 is, at its heart a motion picture film and probably make a great reversal film. While I would have loved to try a roll through Dr.5, the expense of the process and a possibility of it not working makes it hard to decide to send it to them. P30 is Rollei Retro 80s on steroids with a touch of Eastman 5363 thrown in for good measure. The images have a deep chromeRead More →

At your first glance, you see this Soviet Styled space-age packaging, and you know you’re in for a treat. Mono 100 is the new player on the block, a Panchromatic ASA-100 speed B&W Film. When I first learned that Kosmo Foto was working towards releasing a brand new film I jumped. While the Soviet-styled look will draw you in, the contents of the film itself will make you want to shoot more and more of the film stock. The Lowdown Type: B&W Panchromatic Film Base: Acetate Film Speed: ASA-100, Latitude: ASA-50 to ASA-400 Formats Avaliable: 135 (35mm) Roll 1 – Rodinal Before I start, I’llRead More →

The final film in the RPX line is their fast film, RPX 400. RPX 400 is not my favourite film of the trio; I’m not saying it’s a bad film, it’s just not my favourite. As the name says this is an ASA-400 film but has a substantial exposure latitude going down to 100 and up to 3200 but I would recommend that you stick to the 200 to 800 range for the best performance. Product Highlights Type: Panchromatic B&W Negative Film Base: Triacetate Film Speed: ASA-400, with a Latitude between ASA-100 and ASA-3200 Formats Available: 35mm/120 Hasselblad 500c – Carl Zeiss Distagon 50mm 1:4Read More →