In the early days of Photography, most photographic stocks were Orthochromatic, which means they didn’t see a certain colour on the spectrum, mostly this meant the film stock could not see red light, other times it meant the film didn’t see blue light. And while today Panchromatic stocks are the norm, there is still a need for technical films. While shooting Ortho 25, I worked under the assumption that it didn’t see red light. However, I’m not sure of which colour the film is not sensitive to. But it doesn’t matter now; Ortho 25 is an amazing slow black & white film that is deadlyRead More →

I first came across Retro 400s at Downtown Camera, I had just been on a Toronto Film Shooters meetup and had some time to kill before meeting up with a friend to catch a show at the Dakota Tavern and had the hankering for some street photography. So I picked up a roll and went out and I found a wonderfully sharp, contrasty film that just sings in the low hazy light. Retro 400s is a film that is designed for the hybrid era, with a polyester base that lays flat on a scanner, strong contrast and fine grain it will sign viewed on aRead More →

When it comes to T-Grained (modern films like TMax and Delta) I can be fairly picky, the 100-speed ones I tend to like while the faster 400-speed ones I can be overly critical about. That being said I’ve found that recently I’ve been warming up to these faster emulsions the more I experiment with them. As with Delta 400, I’ve warmed up a little to TMax 400. Oddly, TMax 400 was the first roll of film I processed on my own under the watchful eye of Julie Douglas back in 2010. Film Specs Type: Panchromatic B&W, T-Grain Film Base: Acetate Film Speed: ASA-400, Latitude: 50-3200Read More →

In the past, I have chosen to use just a single film stock to shoot these film challenges laid out by Emuslive. Not because I have to based on the rules of the challenge, just because I choose to. In part one I used Delta 100 in 35mm and part two Delta 400 in 120. But for part three I decided to go crazy and shoot not one, not two, but four rolls from all across the spectrum. Following no real pattern, shooting from the hip and living with the results! I plan to have seven solid shots from each of the four rolls toRead More →

When it comes to iconic cameras, Nikon does not have a shortage in their catalogue. From the highly valued rangefinders to the game-changing Nikon F. Plus all the professional camera bodies that followed in the footsteps of the original system camera. But among the cameras that are highly sought after by many photographers still, today are the compact SLRs of the 1970s and 1980s. Among those is the Nikon FM and the electronic cousin, the Nikon FE. For me, the FE fits into that little niche between my all-mechanical Nikon F2 Photomic and the fair more automatic Nikon FA. The FE fills the gap whenRead More →

When it comes to Doors Open events, there’s no bigger one in Ontario that Toronto’s. With 2017 being the 150th Anniversary of Canadian Confederation, Toronto made it a goal to have 150 buildings on their doors open event. And what a selection there was, with lots of old favourites and plenty of new ones especially to me. I’ve visited Doors Open Toronto on many occasions, but always seem to hit up the same locations over and over again. So this year I made a point to visit many of the places I’ve never visited, or haven’t been happy with my photographs in the past. IRead More →

When it comes to game-changing Nikon SLRs, the FA certainly is one of them, and one of a long line of game-changing cameras out of the company. For the FA the change came in the metering system. This was the first camera that featured full matrix metering out of AI and AI-S lenses and full program shooting. The camera accomplishes this by having a small built-in computer storage system that has a selection of scenes and compares the scene in front of the camera and picks the exposure based on one of the scenes in the memory. A smart trick, while not perfect, was theRead More →

The Nikon F is the great-grandfather of all the professional level Nikon SLRs, yes even modern digital professional digital SLRs can trace their ancestry back to the Nikon F. The Nikon F introduced the idea of a system SLR where everything could be swapped out to make the camera fit the task you wanted it to do and your own personal style as a photographer and saw production for just under two decades before being replaced by the Nikon F2. For this review, I’ll be running with a Nikon F Photomic FTn however the meter is no longer working. The Dirt Make: Nikon Model: FRead More →

The Nikon F5, at first glance you might mistake it for a digital SLR. I certainly have been asked ‘what sensor is in that camera’ and depending on my mood and my general view of the person asking I might reply with something a little more sarcastic, other times a simple response is “oh a 36x24mm or full-frame as it’s called in digital photography.” The F5 was my second grail camera after switching over to a Nikon system from Minolta, in fact, I picked up the battery grip for the F80 to make it look like an F5 because at the time the F5 wasRead More →

When my Nikon F80 started to flake out, I needed a replacement, but in those days the Nikon F5 (my grail camera) remained financially out of reach, so I went with the one step down from the F5, the F4. The camera quickly gained my trust as the go-to 35mm camera when I headed out into the field and lasted in my collection for several years before I switched to the Nikon F5 and even then there was overlap. Despite the flaws of the early autofocus, the LCD bleed, and limitations with manual focus and AF-G lenses, the F4 became a constant companion. I knewRead More →