If there is a single lens within the manual focus Nikon catalogue with iconic status, it is the 105mm f/2.5. National Geographic photographer Steve McCurry used one to capture the stunning portrait of Sharbat Gula that caught the world’s attention. You may know her better as “The Afgan Girl.” It is a highly sought after, near-perfect quality lens that has changed little since its introduction. I got my copy of the lens from a member of my home church who gave me her grandfather’s press photographer kit which included the Nikon F3, a 50/1.4, 28/2.8, 105/2.5, and 135/2.8. I still have almost all those lensesRead More →

If you have been doing home film development, then the term stand-development might have crossed your eyes. And when it comes to the process, I’m still relatively new to using stand-developing in my black and white film processing toolkit. While I’ve had some successes when it comes to handling particularly rough or even unknown film stocks, it isn’t a method for all films. So for today’s post, I went out with three different films, Ilford FP4+, Rollei Superpan 200, and Kodak TMax 400. Each shot on a different day, in different conditions, and various cameras. Then I went and soaked all three rolls in aRead More →

Work has been a bit stressful of late and that restless feeling I had about a month into this whole mess we’re still sorting through came back. Either that or I never stopped feeling that way, and it just regressed enough to function. Thankfully I had my form of therapy still available with a lot more options than I did in April. I made a point to ensure I had three days of photography even if I only went out for a short amount of time with a camera and a roll of film. I ended up going out Monday, Tuesday, and Wednesday with WednesdayRead More →

It’s a rumble in the electric jungle! Last month I pitted Olympus and Nikon against each other with their small-format mechanical options, the Olympus OM-1n and the Nikon FM. This month I decided to test the automatic versions of these compact cameras, the Olympus OM-2n and Nikon FE. Like their mechanical cousins, both cameras were built during the rise in the use of electronics in cameras that came in the late 1970s. Now here we have a significant difference in metering as both use a different system, and in this case, both cameras have functioning meters. Again this isn’t to tell you which camera isRead More →

I’ll be the first to admit; I never was a fan of TMax Developer. It was, at least in my mind initially TMax developer was a one-trick pony. Suitable for only modern T-Grain films (TMax, Delta, Acros). But that quickly changed as I started to branch out and trying to see what the developer can do with both modern film grain and classic grain. I discovered that TMax developer is something a little more than a one-trick pony. Technical Details Manufacture: Kodak Name: TMax Developer Primary Developer: Hydroquinone Type: Reusable or One-Shot Mix From: Liquid Handling TMax developer is a liquid, it runs clear andRead More →

The 35mm f/2.8 lens saw initial release in 1959 and consisted of 7 elements in 6 groups, this optical construction would continue into 1974. The AI version of the lens that saw release in 1974 changed the optical construction to 6 elements in 6 groups (a construction shared with the f/2 version). In 1979 a fourth version of the lens saw release that many see as ‘inferior’ with only 5 elements in 5 groups. The lens I’m reviewing today is the fourth version of the 35mm f/2.8, and honestly, I find it just as good as my 35mm f/2D. Not only does it still performRead More →

In our second part of our isolation podcasts, Alex discusses the Nikon FM and Nikon FE, two cameras that came out in the aftermath of the Olympus OM-System. The history behind these cameras, how they compare and their use in the field. Also, we welcome long time member of the Toronto Film Shooters Meetup and member of the Mississauga Leatherworkers Guild Mr Mark Rossi to discuss his own leatherworking business and the creation of Due North Leather. Due North, as you may know, is producing fine leather camera straps for a reasonable cost! If you are a regular of the Toronto Film Shooters Meetup youRead More →

As everyone knows things right now are weird. And while we can’t get out and shoot as a community it doesn’t mean we can’t get out and shoot. There’s a certain calming factor knowing that other photographers who are able can get out and participate in World Wide Pinhole Photography Day back on the 26th of April. Pinhole and I haven’t always gotten along but I enjoyed it enough last year and had a lovely experience with a custom made pinhole camera. It was enough to get me pumped for the 2020 version of WPPD. This year I decided to stick to 35mm and NikonRead More →

I first saw this lens mounted on the front of a Nikon F3 with an MD-4 motor drive attached and I can honestly say it would be the first time I ever saw f/1.4 glass. Most of my past 50mm lenses were either f/1.7 or f/1.8. And while it’s not too much difference between the two apertures, there is plenty different between the two lenses. The AI-S Nikkor 50/1.4 carries forward the tradition of the fast Nikon 50 Nikon would be the first camera company to introduce such a lens back in 1950. And while optically, the formula has changed, the AI-S version is theRead More →

If the standard Svema Foto films are too grainy for you, how about stepping it down a notch and picking up a roll of Foto FN64, or FN64. Before this review, I had only shot a single roll of the stuff, and it did not turn out well. I eventually figured out that due to the thin PET base, the film is subject to light piping, and I ended up fogging the whole roll. Now if you’re a fan of the slower film that is having something different from what you get from other typical films, then FN64 is something for you to try. AndRead More →