Last month when I reviewed the classic 105mm f/2.5 Nikon lens I mentioned that I’m a big fan of the 105mm focal length. And while I could use the classic lens on my modern cameras, the smaller size looks funny on my larger autofocus cameras, namely the Nikon F4, F5, and D300. On my first trip to New York City and a visit to B&H Photo resulted in the purchase of this beauty. And immediately did a photoshoot in Central Park with a friend and her then partner. a new version of the classic lens that has more than a few tricks up its sleeve.Read More →

These days distance is the name of the game, but what lens can you slap on your camera, well we at CCR have come up with four options that will help you go long! Today we’re talking about telephoto lenses from the short to the long and even a couple of macro lenses thrown in for good measure! Nikon AI Nikkor 105mm 1:2.5 You can’t go wrong with a classic, and the iconic Nikkor 105/2.5 is a favourite for everyone around the table. But for Bill, his choice of for the version of the 105/2.5 is the AI variant. While the original version of theRead More →

If there is a single lens within the manual focus Nikon catalogue with iconic status, it is the 105mm f/2.5. National Geographic photographer Steve McCurry used one to capture the stunning portrait of Sharbat Gula that caught the world’s attention. You may know her better as “The Afgan Girl.” It is a highly sought after, near-perfect quality lens that has changed little since its introduction. I got my copy of the lens from a member of my home church who gave me her grandfather’s press photographer kit which included the Nikon F3, a 50/1.4, 28/2.8, 105/2.5, and 135/2.8. I still have almost all those lensesRead More →

One of the biggest mistakes I made was giving away my Nikon FM2n as a gift, thinking that I would be OK with the Nikon FA. And while these days to replace an FM2n is a costly endeavour, they have shot up in price since I bought mine. I have since come to terms that the only way to get an FM2n again is to have one returned as a gift. But what about an earlier model, the camera that you could say started it all? Released as a result of the OM-System, the Nikon FM ushered in a new age of Nikon built aroundRead More →

There’s something strangely satisfying about a Nikkormat. These are beefy, mechanical cameras, that screams 1960s camera technology. While these are older machines they are close to bulletproof and are among one of the more popular SLRs released by Nikon at the time, maybe even more popular than the Nikon F. These were Nikon’s answer to the growing hobbyist market that at the time was dominated by the likes of Canon, Minolta, and Pentax. The FTn is not my first experience with the Nikkormat, that would be my lacklustre experience with the FT3. But I didn’t let that sour my view of the Nikkormat line, andRead More →

The 35mm f/2.8 lens saw initial release in 1959 and consisted of 7 elements in 6 groups, this optical construction would continue into 1974. The AI version of the lens that saw release in 1974 changed the optical construction to 6 elements in 6 groups (a construction shared with the f/2 version). In 1979 a fourth version of the lens saw release that many see as ‘inferior’ with only 5 elements in 5 groups. The lens I’m reviewing today is the fourth version of the 35mm f/2.8, and honestly, I find it just as good as my 35mm f/2D. Not only does it still performRead More →

In our second part of our isolation podcasts, Alex discusses the Nikon FM and Nikon FE, two cameras that came out in the aftermath of the Olympus OM-System. The history behind these cameras, how they compare and their use in the field. Also, we welcome long time member of the Toronto Film Shooters Meetup and member of the Mississauga Leatherworkers Guild Mr Mark Rossi to discuss his own leatherworking business and the creation of Due North Leather. Due North, as you may know, is producing fine leather camera straps for a reasonable cost! If you are a regular of the Toronto Film Shooters Meetup youRead More →

These days cameras and photography, in general, are easy to start doing, and even can open up a whole new hobby to you and a way to capture better family events, trips, and even everyday life. But one thing that a lot of people are starting to do is taking their photography in a different direction by reshooting film. Yes, the film never went away, it just sort of made itself into a nice little niche. Shooting on film or shooting a digital camera is no different the same general principles apply it’s just how they capture images and what happens afterwards that is different.Read More →

If you’ve ever seen the TV show Madmen, you’ll probably have your 21st Century, post MeToo era sensibilities challenged with the sheer amount of sexism that was and is still rampant today. Now if you’re a little confused, let me introduce you to the Nikon EM. Designed to fill in the entry-level gap in the Nikon SLR line, the EM was primarily marketed towards women. The reason is that as a camera, it is basic, set for semi-automatic aperture priority, and that is the only mode available. It also is small, compact, and lightweight. But don’t let that stop you, the EM is an excellentRead More →

I first saw this lens mounted on the front of a Nikon F3 with an MD-4 motor drive attached and I can honestly say it would be the first time I ever saw f/1.4 glass. Most of my past 50mm lenses were either f/1.7 or f/1.8. And while it’s not too much difference between the two apertures, there is plenty different between the two lenses. The AI-S Nikkor 50/1.4 carries forward the tradition of the fast Nikon 50 Nikon would be the first camera company to introduce such a lens back in 1950. And while optically, the formula has changed, the AI-S version is theRead More →