When I first started with film development, my world consisted of Kodak products, D-76 and HC-110. The only other developer I used outside of Kodak was Rodinal and Ilfosol 3 (at least at first). Then in 2015, I started reviewing cameras and decided at the same time to explore Ilford more both in film stocks and developers. I stumbled upon two developers that soon became favourites, one of them is Perceptol (which I will review next month) the second is Microphen. While not a developer I use often, it offers fine grain, neutral contrast, and works for both push and pull processing. Technical Details Manufacturer:Read More →

I’ll be the first to admit; I never was a fan of TMax Developer. It was, at least in my mind initially TMax developer was a one-trick pony. Suitable for only modern T-Grain films (TMax, Delta, Acros). But that quickly changed as I started to branch out and trying to see what the developer can do with both modern film grain and classic grain. I discovered that TMax developer is something a little more than a one-trick pony. Technical Details Manufacture: Kodak Name: TMax Developer Primary Developer: Hydroquinone Type: Reusable or One-Shot Mix From: Liquid Handling TMax developer is a liquid, it runs clear andRead More →

When it comes to your photography, there is nothing more satisfying and frustrating as running a photography project. These projects can be big, small, span years or months. You can publish them in a book, hold a gallery show, or just stick them online. Thankfully you can easily run your photo project without having any formal project management training (although even a little bit of reading on the matter is helpful). Completing such a project will improve not only your photography skills but also your organisation skills. In this article, I will walk you through how I approach a photography project. Have an Idea AllRead More →

When it comes to reviewing film cameras when I first started back in 2015 I thought was among the first to be doing so, as it turns out I probably was based on the times that a few fellow alliance members have been around reviewing film cameras. Throughout the previous 120 camera reviews, I can count on one hand the number of times I’ve considered a hand-built camera, that number is one. Reviewing a homemade camera is difficult mostly because there’s a strong chance no one else has reviewed it or in the case of today’s camera even shot it outside the person who builtRead More →

Way make in the early days of my film photography journey and having a lot of influence from the Film Photography Podcast I dove deep into the wonderful world of Polaroid photography. Now it wasn’t that I didn’t know about Polaroid, I had shot the format before but only the Type-600 integral stock. But through the FPP I learned about pack film, which if you know the song is where the phrase ‘shake it like a polaroid picture’ has its origins. After making a donation to the FPP I ended up receiving a Polaroid ColorPack II camera right from Michael Raso’s personal collection. The ColorPackRead More →

Can lightning strike twice? Fujifilm thinks it can! In 2018 Fuji ceased production of Fuji Acros 100, just before I released a review on the film that turned into a bit of a eulogy. But then in 2019 Fuji announced that they would reintroduce Acros as a new version, Neopan Acros 100 II. Of course, there were already plenty of conspiracies over the source of Acros 100 which translated over to Acros II, ranging from giant master rolls kept in some deep freezer hidden somewhere in the world. And when the first details on Acros II hit the Internet and a box reading “made inRead More →

There are new developers, there are old developers, and then there is Rodinal. First released in 1891 by Agfa, Rodinal is the brainchild of the Doctor, not that Doctor, but Dr Momme Anderesen who disliked the reliance on hydroquinone in the traditional film developers of the day. Instead, he began work on using Aromatic Amines in 1880 before settling on p-aminophenol. The result is the developer we call today Rodinal. And for much of its life was a closely guarded secret by Agfa, at least until the patent expired. And while today Agfa exists, Rodinal has taken on many different forms, but the same formula.Read More →

I first saw this lens mounted on the front of a Nikon F3 with an MD-4 motor drive attached and I can honestly say it would be the first time I ever saw f/1.4 glass. Most of my past 50mm lenses were either f/1.7 or f/1.8. And while it’s not too much difference between the two apertures, there is plenty different between the two lenses. The AI-S Nikkor 50/1.4 carries forward the tradition of the fast Nikon 50 Nikon would be the first camera company to introduce such a lens back in 1950. And while optically, the formula has changed, the AI-S version is theRead More →

If the standard Svema Foto films are too grainy for you, how about stepping it down a notch and picking up a roll of Foto FN64, or FN64. Before this review, I had only shot a single roll of the stuff, and it did not turn out well. I eventually figured out that due to the thin PET base, the film is subject to light piping, and I ended up fogging the whole roll. Now if you’re a fan of the slower film that is having something different from what you get from other typical films, then FN64 is something for you to try. AndRead More →

While today it’s been several years since its introduction, Xtol marks the last developer to come out of Kodak. And as developers go, it is the least toxic of all the ones available on the general market. The reason is that it uses Ascorbic Acid as one of the active ingredients. It not only allows for sharpness but also reducing visible grain in the process. But Xtol is also a developer with a flawed history; you need to mix up a lot to maintain its stability. And while I no longer keep Xtol in my toolkit, it remains a beautiful developer that is perfect ifRead More →