When it comes to slide film, it is not something that I like to shoot often, mostly because when it comes to processing, it’s time-consuming and costly; even purchasing the stock is costly. Plus, scanning some slide films stocks are difficult to nail down both exposure and colour balance. And then there’s Provia 100F; Provia is a solid performer and one that gives an excellent starting point in the world of shooting slide film. It reminds me of Sensia and Astia, both excellent slide films with a bit more forgiveness than the Velvia line and natural colour reproduction. It also scans easily without too muchRead More →

When it comes to colour films, I’m picky about which ones I shoot. I’m the first to admit I wouldn’t say I like working with colour film as I have a digital camera that gives me consistent colour images with little work on my part. The biggest problem is getting the colours right from my scans as I don’t use specialised software like Negative Lab Pro. When it comes to medium format, I am reliant on my Epson V700; the Nikon Coolscan V ED makes life easier. So it comes as no surprise that when I learned of the discontinuation of Fujicolor Pro 400H thatRead More →

When it comes to the name Velvia, most photographers will often latch onto the cult classic Fuji Velvia or its modern form, Velvia 50. But Fuji also released a one-stop faster version, Velvia 100 or 100F, which offers everything you like about Velvia 50 but in a slightly faster form. While I’ve shot plenty of slide films, Velvia 100 is one that I have far less experience with; again, I’m more likely to shoot Provia, Ektachrome, or Astia (RIP) when shooting a 100-Speed slide film. But Velvia 100 is an interesting animal and one that I’m not likely to shoot again. So I wasn’t tooRead More →

If you’ve been following my photography for some time now, you’ll know I have a strange enjoyment of photographing doors. I think it traces itself back to my first trip to Montreal. Either way, with it being the start of term at Sheridan, I needed a theme that I could do casually across the full seven days of the week. Usually, I do my best to get the entire roll shot in a day, but I decided to give myself seven days shooting five frames each day. So let’s break on through (to the other side). (See what I did there). I honestly don’t knowRead More →

While Fuji Velvia was not my first experience with slide film, it is certainly is the one that made me like slide film. First released in 1990, the film became an immediate threat to Kodachrome, especially Kodachrome 25. And unlike Kodachrome, Velvia used the standard E-6 process that could be done in any lab that covered the process. No need to send it to speciality labs, and you could have your slides back the same day from the right lab. The name itself comes from combining Velvet and Media to describe the smooth images produced by the stock. While the original version was discontinued inRead More →

When you read the datasheet for Adox Silvermax Developer, you almost can think that this is the secret cypher key to unlock the best possible results when using Adox Silvermax film as the developer is used to unlock a secret silver reserve in Silvermax films and use it to the best photographic potential. Now I’m no language expert, especially German, but I feel that something got lost in translation. (Checks translation), okay, dormant reserves. Either way, this developer is best used with Silvermax films, as it couples with the specialised sensitiser used in that film’s production. But don’t let that stop you as the developerRead More →

I have known about Adox HR-50 for some time but have purposefully avoided including it in past years. Originally released in 2018, HR-50 was one of the new film emulsions to come out of Adox shortly after releasing CHS 100 II (reviewed last month). The reason being that HR-50 is a semi-closed imaging system and I never had good luck with those, as seen by my Adox CMS20 II review. I caught a lot of flack for that one. There is also the trouble with getting the stuff here in Canada. But when I saw that both the film and the dedicated developer, Adox HR-DEVRead More →

The Hasselblad V-System, one that has achieved legendary status within the photographic community. I’m surprised that I actually own the original 500c, and while I don’t use it as much as I used to, it remains a popular tool in my kit. But what about going with something a little newer? The original 500c saw its initial release in 1957 and certainly has flaws, but as a system camera, it started something. While the 503cx isn’t the newest horse in the stable, it adds a pile of features that makes up a greatly improved camera system but allows the use of the older accessories. AndRead More →

The year was 2012; I had been shooting film in a far more serious way for three years at that point. I learned of a speciality film store called Freestyle Photographic from an episode of the Film Photography Project. They had all sorts of weird films from Europe that I had never heard of nor seen at my local camera store (which at that time was either Henry’s or Burlington Camera). With companies like Efke and Adox, strange, exotic for my North American sensibilities. I purchased a pile of Efke and Adox CHS Art films, both in 35mm and 120, 50 and 100-speed offerings. WhileRead More →

I’m surprised I’ve made it this far into the year without having a no theme week! Twenty-Five weeks, not bad. But the best part is that this is a no theme week not because I needed a break or something bad happened but rather one that I decided upon to help out the Embrace the Grain Podcast and their community engagement project for their Facebook group for Film of the Month. And June’s film of the month is Fomapan 100, so it saddled up nicely with the ongoing weekly project. And sure I could have used some medium format rolls I had kicking around butRead More →