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I’m a big fan of Eastman Double-X; it’s a beautiful mid-speed film that offers up amazing latitude and forgiveness along with a lovely grain structure. But for the longest time, it has only been available in 135 (35mm) format because, well, that is generally what cinematographers shoot motion pictures in. Still, it has great potential in medium format. There had been an attempt to have the film produced in 120 format but never went anywhere. At least until earlier this summer, when Cinestill put out the word, they had their BwXX in 120. BwXX is Cinestill’s Eastman Double-X branding and is the same stuff you’veRead More →

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When it comes to the community of Owen Sound, it is one of those places that, unless you live up in that area, you have to make a point actually to go and visit the city. And having to head up there as part of the capture plan for my Railroad Project gave me a perfect chance to revisit the beautiful downtown. Sadly I could not spend as much time as I wanted because the drive up took far longer than I expected, mainly due to traffic, but well worth the trip all the same! The earliest human settlement of the region was of theRead More →

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When it comes to lenses, some out there have become a key part of many photographers’ main kit. And for me, this lens marked my first major lens purchase and investment in the Nikon system. This lens marks the fifth iteration of the 70-200mm f/2.8 series of telephotos and the second Silent Wave Motor (AF-S) of this iconic lens. First released in 2003 alongside two other f/2.8 G-Type lenses, the 14-24mm and 24-70mm, which forms the Nikon Trinity. This lens quickly became a go-to lens for wedding, event, and reenactment photography originally paired with my Nikon D300 and later my F5 and D750. It’s heavy,Read More →

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It’s been a hot minute since I had a chance to hang out with following historical reenactors in any major way. But this week, it’s a little different from my usual War of 1812/Napoleonic event. We’ve skipped ahead one hundred years and into the Great War. I had a chance to head out to The Hex, a small farm in rural Milton, for an event with a World War 1 unit representing a Swiss Regiment that defended the country’s border and helped maintain their neutrality during the conflict. During my time at school, World War One fell into my Grade 10 history class in aRead More →

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I have known about Adox HR-50 for some time but have purposefully avoided including it in past years. Originally released in 2018, HR-50 was one of the new film emulsions to come out of Adox shortly after releasing CHS 100 II (reviewed last month). The reason being that HR-50 is a semi-closed imaging system and I never had good luck with those, as seen by my Adox CMS20 II review. I caught a lot of flack for that one. There is also the trouble with getting the stuff here in Canada. But when I saw that both the film and the dedicated developer, Adox HR-DEVRead More →

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Ontario is blessed with a tonne of amazing rural communities that have stood the test of time. They never undertook vast urban renewal plans through the 20th Century and have stayed close to their roots in the mid to late 19th Century. And one such community is Elora, not only with natural wonders of the Gorge and the Falls but also with architectural splendour. Back on the Canada Day long weekend, I went into Elora to shoot some video work and to meet up with two fellow hosts of the Classic Camera Revival for a quick jaunt around the village. I went simple going withRead More →

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Lindsay, the last bastion of civilization before the wild north of cottage country. If you could call Lindsay a “Bastion of Civilization.” I wrote that quote many many years ago now in a short story about a rather frightful drive up to a cottage. Honestly looking back, the story is terrible. But the quote, the quote has lived on and seemed to have gotten around a bit especially among friends from PYPS who are from and some still live in Lindsay, Ontario. Having spent the morning in Coboconk (which as an aside also features in that story) doing my first photo shoot in a longRead More →

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The Hasselblad V-System, one that has achieved legendary status within the photographic community. I’m surprised that I actually own the original 500c, and while I don’t use it as much as I used to, it remains a popular tool in my kit. But what about going with something a little newer? The original 500c saw its initial release in 1957 and certainly has flaws, but as a system camera, it started something. While the 503cx isn’t the newest horse in the stable, it adds a pile of features that makes up a greatly improved camera system but allows the use of the older accessories. AndRead More →

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There have always been certain locations that have appeared in all my projects; one of them is the city of Toronto. But that’s the weird part about running a project that relies on some freedom of movement when that freedom has been curtailed. You often have to find new locations to visit. But it took twenty-nine weeks to make it out into Toronto. But it was a weird way of going into the city. I didn’t take public transit, I went early, and I drove in, right into the core of Toronto. Something I don’t often do, because well, I don’t particularly appreciate driving inRead More →

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When a developer and a film stock are so intertwined or one was made for the other it makes you think of a closed image system. I have plenty of experience working with those, not surprisingly also from Adox, but also Kodak Techincal Pan comes to mind. While the film and the developer are specifically designed for each other, both can be used in other developers and on other films. However, don’t think of Adox HR-DEV as a one or two-trick pony as despite the name it is a wonderful developer that does more than just develop Adox HR-50. While the bottle only lists twoRead More →