So I’ve managed to shoot through my brick of JCH Streetpan 400 film and feel I’m good to begin writing an in-depth review of the film. I’m going to start off with saying that this is a fantastic film! Well worth the time and effort that Bellamy has put into researching, marketing, and tweaking to suit his amazing photography and now has taken the bold step in bringing it to the rest of us. You will have probably heard a lot of negative press related to this film, even recently someone put a comment on one of my Streetpan images to a video review ofRead More →

After the lack luster across the board performance of Ilford DD-X (Which I have since tried with Delta 3200 which DD-X was designed for, and my good friend Julie Douglas saying it works well with Kodak films) I decided to give another Ilford developer a try, Perceptol. According to the Ilford site the developer is a very fine grain developer with excellent image quality. While designed for the slower films in the Ilford line up it would produce noticeably finer grain with faster films. This is Ilford’s version of the classic Microdol-X from Kodak, a developer that actually grew on me the more I usedRead More →

While generally an underdog camera in the 6×4.5 market, the Pentax 645 is by far my favourite of all the cameras within the line. Probably because you don’t see many of them kicking around. I know of only three other photographers in my area that use the camera. But unlike its contemporaries this wasn’t a system camera. You got the body and that was it there was little you could do. But because of that you got a camera that had a built in light meter, motordrive, and grip. Plus the backing of some fantastic optics! While a bit bulky the Pentax 645 is aRead More →

You may think you’re looking at a Leica, and you would be partially correct. During the Second World War the Red Army carried back to the Soviet Block the contents of many factories that were in Germany, including photographic technology, equipment, and parts. Even colour film technology was removed from Agfa’s plant. So when you see not only Fed and Zorki cameras they are infact direct clones of Leica model cameras. Often being manufactured at less cost but suffered from one thing…quality control. It may look like a Leica, but it sure isn’t one. And in someways it’s a bit better! The Dirt Maker: FEDRead More →

Designed as the camera for Youth (Smena or ϹМЕНА roughly translated is Young Generation or Relay), the Smena 8m was a staple camera from the Leningrad Optical-Mechanical Union (LOMO) that really was the most basic of cameras out there. This simple viewfinder camera will either delight or frustrate you as it can be fairly complex to work with, which is rather odd since it was a Youth camera. The ϹМЕНА 8M the strangest chunk of plastic the ruble can buy The Dirt Maker: Lomo (ЛОМО) Model: Smena 8m (ϹМЕНА 8M) Type: 35mm Viewfinder Lens: Fixed, Lomo T-43 4/40 (T-43 4/40 ЛОМО) Year of Manufacture: 1970-1995Read More →

The Hi-Matic 7s, where to start on this sweet fixed lens rangefinder. It truely is the underdog when it comes to the rangefinder explosion of the 1960s and today is barely seen with everyone clamoring for Yashica Electros, Canonet QL17 GIIIs, and Olympus 35SP, and while these are all great cameras the Hi-Matic 7s is a true sleeper. The slightly upgraded version of the Hi-Matic 7 (the second camera in the Hi-Matic line) features the same meter as Minolta’s SrT line of single lens reflex cameras, a hotshoe, and the Safe Loading System (SLS). This also happens to be the very first camera that IRead More →

This is a beast of camera. I mean I thought that lugging around a 4×5 was crazy, the GX680iii is just nuts. This camera would feel more at home in a studio than in the field. But I often find studio work boring. But as a system camera it is incredible, a couple it with excellent Fuji glass on the front and you have a power camera that gives you the flexibility of large format with the convenience of roll film. Special Thanks to James Lee for loaning me the camera for this review. Despite being a studio camera it came out on a hike!Read More →