While we mostly focus on cameras on our podcast, with the weather reports speaking to a classic Canadian winter it might be time for the whole gang to settle into some solid printing time in the darkroom. So to get us and you ready the gang speaks on everything darkroom that’ll have you seeing red (under your safelight). Enlargers, chemicals, papers and more. Sorry, no detailed episode notes for this show. But here are some of the items discussed. Durst M601 – A solid enlarger that has a built-in film carrier with adjustable masks that work great for 35mm up to 6×6. Leitz V35AF –Read More →

Well it’s been nearly a year before writing this Blog entry about a fantastic meet run by John Powers out of his backyard, I probably eluded to it in my 52 roll project last year. But with the meet coming up in a few months and my life starting to get busy again I decided to take a morning and set myself to printing some of my favourites from last year’s meet to show off this year. I don’t often scan my darkroom prints, my old V500 scanner really didn’t do them justice. But after posting a simple iPhone photo on the APUG thread aboutRead More →

While we’re already one month into 2014 we’ve been working hard here at alexluyckx|photography to put together a whole new website. Our old site was designed and built all the way back in 2012, and while it served its purpose, the big thing on the web is change, always change, fresh new content. So here’s a break down of what’s new! So what’s new at alexluyckx.com?? Simplified Navigation Services, Portfolios, Projects, Prints (get to that later), the Journal (Blog) are now all at the top next to the logo, the five main reasons I have my site, making it easier to move between these sections.Read More →

This is what it’s all been leading up to. A print, there’s something unique about holding a print in your hand, looking down at the patterns of light and shadow being brought out in blacks, whites, and grays, it’s magic. Well actually its science, the perfect blend of art and science. Creating the print is a rather neat process from start to end and when you sit down and think about the sheer amount of control you have over the whole process is fantastic. You get to pick the camera (and in some cases the lens), film stock. Then you can meter it the wayRead More →