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Back at the end of 2017, the film photography groups across Social Media began to talk about a photographic media producer in St. Petersburg in Russia called Silberra. While Silberra is not a new company they launched their Crowd Funding Campaign to expand their film manufacturing, introduce new film stocks, and expand their markets outside Russia and Eastern Europe. And while they encountered a pile of setbacks, but after waiting for nearly a year, we finally started to see some of the film starting to hit the market. Silberra Pan100 is the one film that I liked right off the mark, having done a first-lookRead More →

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There’s always a certain amount of excitement when a new film hits the market, and I couldn’t hold it in and wait to discuss CatLABS X Film 80 in its full review. So having not picked up a camera the whole Easter Weekend, I was, that Monday getting the shakes and needed my chemical fix. Having obtained the brick of film the week before and having ten rolls available to me, I figured why not check out a single roll. So I loaded it up into my trusty Rolleiflex 2.8F with a Green-1 filter just for kicks. As soon as the film came out ofRead More →

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Taking a look at one of the most sought after films from Lomography, their Purple line of Colour film brings back a similar look to the colour infrared films like Kodak Areochrome. But despite the Chrome in the Name, Lomochrome Purple XR is a colour negative film. Well, enter Purple XR, which can be shot at three different speeds to produce different results. Sadly I only had one roll thanks to the Emulsive Secret Santa, so why not shoot 12 frames for each speed have the roll processed as usual and see what happens! If you also note, I’ve had to come up with differentRead More →

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Ever since I started doing the scanning of my film my workflow has remained static, an Epson flatbed film scanner, the V500 first and the V700 currently. It worked, I got decent quality enough to get lab prints of my film scans up to 11×14 and be able to share around Flickr, 500px, Facebook, and Instagram. Now a dedicated film scanner is a different animal from a flatbed like the Epson. Names like Imacon, Plustek and Nikon I knew about, but they always were outside of my price tag. And as a photographer who shoots multiple formats and doesn’t have a lot of desk space,Read More →

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Like the speed test, I ran on TMax P3200 I decided it was only fair to give Delta 3200 a fair shake as well, but to make things more interesting, I decided to run it through in Medium Format instead of 35mm. After my review last year of Delta 3200, I decided that the film responded best in Ilford Microphen. Microphen has become one of my favourite developers to push or pull processing fast films. Like the TMax speed test, I’ll shoot the film at 1600, 3200, and 6400 and develop each in Ilford Microphen. Note that while I firmly believe that Delta 3200 isRead More →

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Found in a dusty warehouse, based on where the film came from, Sweeden, Lomography promoted their Berlin 400 as an iconic cinematic film. 400-Speed, Black & White, and from East Germany. Well, that certainly narrowed it down to only one film, thankfully it is one that I did have planned to review at a later date, so why not discuss it under the Lomography Brand! The film, if you haven’t already guessed is ORWO N74, which made collecting developing formulas easy. Shooting cinematic film in still cameras is nothing new, at least for me, I still love shooting Double-X for urban work, so getting intoRead More →

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Thinking back to what could have been, I remember when I first got into film photography, photography in general and happened across Minolta. The SR-T 102, Hi-Matic 7s, even the X-7a, but I wanted to make the jump to autofocus. I was in a local bargain shop and happened across an open box, the Maxxum 7. It didn’t come with a lens and was well outside my price range. And now that I know more about that shop, it was probably hot also. I ended up switching to Nikon. But here it is now, the Minolta Maxxum 7, what many online sites describe as theRead More →

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If you remember back to my review of the new release of Kodak TMax P3200 I mentioned that I wanted to give the film stock a better chance at impressing me, the review is a chance to see how the film behaves in different developers. I’d give it a chance to show me what it can do at 1600, 3200, and 6400 but all developed in Kodak’s TMax developer. The 3200 images are from the original review, so I made a point to get another two rolls and shoot them accordingly and then develop them both in TMax Developer. Please note, I use the termRead More →

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Like Ultrafine Extreme 100, the 400-speed flavour is another mystery as of where the film stock comes from. But when it comes to a budget-friendly film, it might be best not to ask too many questions. Extreme 400 is a stock that I have little experience with before I started this review, I had shot a single roll several years back for a camera review. And while, like Kentmere 400 I expected Extreme 400 to be of similar style and class, with heavy grain and low contrast in general. However, the film stock quickly proved me wrong as being inexpensive but far from cheap. FilmRead More →

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As much as I would love to get my hands on enough APX 25 to run a classic film review of that legendary stock, sadly they are few and far between, and when they are sold, often it’s at a premium. In the meantime, how about its faster cousin, APX 100. But the two films are wildly different, APX 100 is a silver rich film that produces amazing sharpness, detail, and contrast. For this review, I got lucky and found 50-sheets of APX 100 in 4×5 which made shooting the film all the more enjoyable. Film Specs Type: Panchromatic B&W Film Base: Acetate Film Speed:Read More →