I’ll be the first to admit; I never was a fan of TMax Developer. It was, at least in my mind initially TMax developer was a one-trick pony. Suitable for only modern T-Grain films (TMax, Delta, Acros). But that quickly changed as I started to branch out and trying to see what the developer can do with both modern film grain and classic grain. I discovered that TMax developer is something a little more than a one-trick pony. Technical Details Manufacture: Kodak Name: TMax Developer Primary Developer: Hydroquinone Type: Reusable or One-Shot Mix From: Liquid Handling TMax developer is a liquid, it runs clear andRead More →

While today it’s been several years since its introduction, Xtol marks the last developer to come out of Kodak. And as developers go, it is the least toxic of all the ones available on the general market. The reason is that it uses Ascorbic Acid as one of the active ingredients. It not only allows for sharpness but also reducing visible grain in the process. But Xtol is also a developer with a flawed history; you need to mix up a lot to maintain its stability. And while I no longer keep Xtol in my toolkit, it remains a beautiful developer that is perfect ifRead More →

The North American film photography community can probably thank Mike Bitaxi for the introduction of Polypan F. And to make things more interesting, the film is not intended for pictorial work. Instead, Polypan F is a motion picture copy film. As such the film is a blue-sensitive orthochromatic film, but looking at it, you can hardly tell. But if there is one thing the film is known for it’s the GLOW, thanks to the lack of an anti-halation layer on the film. Sadly the film was discontinued, but there’s still plenty of bulk rolls floating around. Undoubtedly worthwhile trying if you come across it. IRead More →

Through 2016 I did a 52-Roll project where I shot the Rollei RPX films for each week, out of the three flavours available my personal favourite remained RPX 25, a spiritual successor to the iconic Agfa APX 25. These days in film photography there aren’t many offerings below ASA-100, Pan F+ is a solid choice, but sometimes you want something sharp, fine-grained, and slow. And for that, you have Rollei RPX 25. While the thin polyester base might make it hard to handle in the bag and widely thin in sheet formats, the results are worth the trouble. Film Specs Type: Panchromatic B&W Film Base:Read More →

The 12th of July is the birthday of the Late George Eastman, one of the many who has brought this wonderful medium of photography to the masses. So in the film community, we call it Kodak Day. So this month we discuss all things Kodak! And we also welcome Andrew Hiltz, a resident of Rochester, New York, as a special guest co-host! Kodak World Headquarters in Rochester, New York Intrepid – Schneider-Kreuznach Symmar-S 1:5.6/210 – Kodak TMax 100 @ ASA-32 – Kodak Xtol (1+1) 8:00 @ 20C Cameras Featured on Today’s Show… Kodak Signet 35 – The Signet 35 was the top dog in KodakRead More →

There is a reason that this camera is nicknamed the fridge it’s big, heavy, clunky, and near awkward to carry with you. But if you treat it right it will give you big beautiful images that will give you a cheaper alternative to 4×5 with near the same quality and more importantly the same aspect ratio in your negatives! Of course, for those unfamiliar with the system, there are two models of 6×7 Mamiya cameras the one being reviewed is the RB version. Special thanks to Alex Koroleski for loaning out this camera for this review! The Dirt Make: Mamiya Model: RB67 Type: Single LensRead More →

When Pentax developed their K-Mount, they decided that this, like the M42 they had used before would become the standard for bayonet mount SLRs. And while the K-Mount remains to this day pretty much untouched it did not become the standard with Nikon and Canon developing their own lens mounts. However this didn’t stop other companies from latching onto the K-Mount band wagon and several clones soon popped up. One such camera was the XR7 by Ricoh (oddly enough it was Ricoh that ended up buying up Pentax). And what a camera the XR7 is, this is a small light weight semi-automatic SLR that canRead More →

I figured because it was TLR Tuesday I’d share some photos I took last year in the abandoned Rochester Subway. The subway has always fascinated me since I first visited it back in 2007. But on this particular trip I was armed with my trusty Rolleiflex and a roll of Kodak Panatomic-X. The main draw for the subway is the viaduct over the Erie Canal. This area is covered with some of the best graffiti art I have come across in my explorations. And it’s not just the usual garbage, this work is just that, works of art! It’s also the area with the bestRead More →

This is what happens when you don’t double check things, you get awful flare that takes out a whole top section of your photo. But rather than groan about it, I posted it anyways, because that’s a rule I laid out for myself. But enough about mistakes (I really should’ve swung the camera around and shot High Falls instead…) this is probably my favourite spot to eat in all of Rochester (Dog Town is a close second), the Genesee Brew House, a brew pub attached to the Genesee Brewery with a full selection of their beers and some pretty amazing food. Genesee traces it’s legacyRead More →

Still in Rochester for Week 13 and continuing with the Kodak Love! Again we have the guest camera from Andrew being featured here in Week 13! The George Eastman House, now a museum dedicated to the preservation of the art of photography. Not only can you see the images, but you can also see the iconic cameras that created them. The famous photo of US Marine raising the Stars and Strips on Iwo Jima, you can see the original print at the GEH and the Speed Graphic used to create the image. Plus you can also tour the home of the man that brought PhotographyRead More →