Despite being far more niche these days, film photography still hangs on. And while there are plenty of options out there for getting your films lab developed and colour film developed, both C-41 and E-6 is fairly uniform no matter what chemical you buy. Except for E-6, Cinestill has a unique E-6 kit, but that’s a whole other thing. When it comes to Black & White, there is a tonne of options available to you for development. It can seem a bit overwhelming at times. But I have spent close to a decade developing my own Black & White at home and have tried aRead More →

When it comes to films that are not designed for normal pictorial use, I’m not one to shy away from them. That being especially after I went through three of the FilmWashi offerings, one of them being an Optical Audio Recording film. Even before I had loaded up Washi S into a camera, I had been approached by the Film Photography Project to beta test a new film they had acquired and were planned to release after collecting some developing times for the film. The name was FPP Super Sonic, and like Washi S, is an optical audio recording film. The idea of recording audioRead More →

I’ll have to admit, ever since I went to Europe in 2015 I’ve had the desire to add some sort of folding medium format camera to my collection. Something compact, shooting at least 6×4.5 or 6×6. And for a little while earlier this year I had my eye on a Mamiya Six (the original one, not the modern rangefinder). After a great deal of reading and searching, I realised that there were too many questions about the Mamiya Six and stopped looking. And then this beauty fell into my lap and I’m glad it did. The Ikonta 521 might not be the best folding cameraRead More →

Out of all communities formed along the Welland Canal, both large and small, the ones that are most important to the Canal are the ports. It’s easy to tell which communities along the Canal remain or are former terminuses or access points onto the Welland Canals as most of them carry the title Port in their name. Welland for example offered through the first two Canals access onto the feeder canal that exited at Port Maitland (which I will not be covering today, sorry). While once-thriving communities with some level of municipal independence all save Port Colborne are a part of a larger city today,Read More →

After last month’s debacle with FilmWashi D and the ultra-thin base, I made a point to check Z before even loading it up into the camera, thankfully, the base while thin, is a little closer to what I’m used to working with JCH Streetpan and Rollei RPX films. Like D, Z is designed for aerial surveillance specifically for the mapping of vegetation. To aid in this, the film has a near-infrared capability. While this might not have been used in spy satellites but you never know, it could have been used in spy planes? Knowing that the film has infrared capabilities, I decided to shootRead More →

Every so often a film stock will come up out of nowhere and surprise me, and today that film is FilmWashi “D”. Like all films that come out of FilmWashi, Washi D (as I’ll be calling it from now on) they take films out of their normal use and repurpose it for regular photographic duties. In the case of Washi D, it saw creation as a Russian surveillance film. The purpose of the film and what secrets it was designed to capture remains a mystery but because the film has the title ‘project: Sputnik’ on the label makes me think this film would be loadedRead More →

When it comes to Film Washi, I remained initially unsure of hopping onto the wagon of the world’s littlest film company. While some of their initial offerings were paper-based, they began to expand into traditionally based film stocks. Film Washi Type “S” or Washi S as I’ll be calling the film from now on, is not designed for pictorial use at all, even titles or special effects. Washi S is designed for optical recording of sound. Which as you may have already through will produce a high-contrast image. But I will say one thing I am impressed that I got good photos out of theRead More →

If you have been doing home film development, then the term stand-development might have crossed your eyes. And when it comes to the process, I’m still relatively new to using stand-developing in my black and white film processing toolkit. While I’ve had some successes when it comes to handling particularly rough or even unknown film stocks, it isn’t a method for all films. So for today’s post, I went out with three different films, Ilford FP4+, Rollei Superpan 200, and Kodak TMax 400. Each shot on a different day, in different conditions, and various cameras. Then I went and soaked all three rolls in aRead More →

Work has been a bit stressful of late and that restless feeling I had about a month into this whole mess we’re still sorting through came back. Either that or I never stopped feeling that way, and it just regressed enough to function. Thankfully I had my form of therapy still available with a lot more options than I did in April. I made a point to ensure I had three days of photography even if I only went out for a short amount of time with a camera and a roll of film. I ended up going out Monday, Tuesday, and Wednesday with WednesdayRead More →

While Ortho 80 Plus might appear to be a new film, it isn’t a new film. I’m surprised I missed reviewing the film earlier in this series. I skipped over a film I had shot in the past for a good two years. And thinking back that doesn’t surprise me; the film never made much of an impact. But also the film was, until recently, only available in 4×5. But I also only shot a single box of the stuff back in 2014. The results were excellent, and it was the first time shooting an ultra-low ISO film and one that had no set filmRead More →