Well, it looks like Christmas came a little early for me with the arrival of the first round of Silberra films from their Indigogo campaign. And while I’m still waiting on the 120 film I got, I figured might as well give you my first impressions of the film before the full reviews drop in the Spring. For those who followed the crowdfunding campaign and subsequent rough ride following the end of the campaign, like our friends at Film Ferrania, Silberra faced several challenges in getting the new film mass produced and out to a broader market. But when I found the box waiting forRead More →

When it comes to bare-bones Mechanical SLRs, the Zenit 122K is as bare-bones as they come. This mostly plastic camera comes from the rather odd times right near the end of the Cold War and Soviet rule in Russia. I mean it’s pretty basic even for someone who just wants to learn how to use an all manual camera. But oddly enough the camera still looks cool, in fact at forty yards you might think it a Contax RTS III or similar camera with a squat prism and all black with white lettering, but don’t be fooled this camera is no Contax…not by a longRead More →

It’s been a long time coming, but I’ve finally had a chance to work through some backlogged film testing for the Film Photography Project. For the most part, this has been testing the Russian/Ukrainian film stocks from the Svema company. This is actually a really good film! First off a little background, Svema, or Свема, combines the first letters of two words: Светочувствительные Материалы, which translated means “Photosensitive Materials”. Svema was the Kodak of the USSR, founded in 1931 the company produced paper and black & white films, after World War Two, Svema gained Agfa’s colour technology when the Russians overran Germany and took theRead More →