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The idea of a monobath is not a new one. If you’ve followed my online work you’ll know I’ve made my own based on a formula first put forward by Donald Qualls back in 2004 based on the HC-110 developer (a favourite of mine). When Michael Raso (of the Film Photography Project) started talking about their own Monobath I didn’t give it a second look (to be honest). While I enjoyed the ease of a single step that will develop, stop, and fix a roll of film a welcome break from the amount of work that goes into developing a roll of film, it feltRead More →

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When it comes to slow films there are only two that matter in my book; the first is Rollei RPX 25 the second is Ilford Pan F+. Pan F+ was the first real slow film I ever used and fell for it right off the bat. Great when you’re shooting in bright light and want that fine grain, smooth tone look for your summer images. In fact, I don’t think there’s a developer that the film doesn’t like. But for me, it’s always the film of choice for the summer months of the year when I’m out shooting landscapes and urbanscape both on and offRead More →

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Like the Nikon FA, the Olympus OM-4 when it was released was a game changer for Olympus. The OM-4 saw a radical shift in how the camera metered. Where Nikon used a ‘matrix’ meter, the OM-4 used a multi-spot system to determine the shutter speed. And yet it maintained a classic OM look and feel, with almost everything unchanged in the layout from the earlier OM-1 and OM-2 cameras. Certainly a worthwhile addition to any photographer who is a fan of the classic OM cameras. Thanks to Bill Smith for loaning this beauty out for review. Disclaimer: This is an old review, and is scheduledRead More →

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When it comes to exciting cameras, there are plenty out there that I have never heard of before starting to review them. And I’ve come across some that are awesome and others that it came as no surprise why I had never come across them before. The Wirgin name is one that isn’t well known in North America; yet have produced a wide range of cameras that sold in the German Market. I first heard the name on an episode of the Film Photography Project where Leslie reviewed the older Edinex. So when I had a chance to try out the Edixa II, I figuredRead More →

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Polaroid, the name itself implies instant photography, and in this case, you would be 100% correct, the Polaroid One is probably the best Type-600 camera I have used. It’s also the most modern being the last one built before the company went bankrupt in the early 21st-century, and while Polaroid Originals does produce brand new modern instant cameras in the form of the stunning OneStep2 and the I-1. But if you have a desire for a classic Polaroid then look no further than the Polaroid One. The Dirt Make: Polaroid Model: One Type: Point-And-Shoot Format: Type-600 Instant Lens: Fixed, Polaroid 100mm f/11.5 Year of Manufacture:Read More →

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When it comes to iconic films, Ilford HP5+ rates as one of the big ones, with a history as old as Ilford FP4+ and dates back to 1935. And while it only got its ASA-400 speed rating in 1960 is certainly is a film that can take amazing images. While many see HP5+ as a direct competitor to Kodak Tri-X, I do see two separate films each responding differently to the range of developers out there. And while I’ve had a rocky time with the 35mm version of the film, I’ve come to accept HP5+ is certainly an amazing film! Film Specs Type: Panchromatic B&WRead More →

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Before Apple picked up the name Retina, it attached itself to a line of folding German Kodak cameras. Wait, isn’t Kodak an American camera brand you may be asking. And yes, you’re right but their German branch, Kodak AG, had a rather strong reputation in bringing inexpensive but solid performance cameras to market, and their iconic line, Retina. And while the camera is classified as a folder, it lacks the distinctive bellows that prove to be a weak spot in these cameras. Armed with German rather than American optics the cameras are solid performers if a bit fickle in their operation. A note to theRead More →

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When I’ve shot 6×7 cameras in the past, I’ve found them clunky and unwieldy. Think back to the Mamiya Universal and RB67. Even the Bronica GS-1 which is better than most. None of these cameras had the style and handling of the Pentax 67II. Now the 67II fixes what I would see as problems with the 6×7 and 67. This camera is a traditional 35mm SLR on steroids and is worthy of the description. There are some cameras that I enjoy instantly, and this camera certainly ranks among those. Thanks to James Lee for loaning out this beauty. Camera Specifications Make: Pentax Model: 67II Type:Read More →

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September 2017 marked a milestone for Sheridan College. As a College Sheridan began its life as a collection of Satellite campuses, those campuses closed, the college moved to centralised campuses. One remained the Skills Training Centre. This September that campus would close its doors as the last satellite campus for Sheridan. STC, as it was better known, holds a special spot for me. I worked at the campus for several years, establishing a permanent IT presence at the small campus. So when I learned that the campus was doomed to closure I made a point to return one last time and document it. And documentRead More →

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If you’ve ever listened to me talk about film, you’ll know there are some films I have a strong view. I love my Kodak Tri-X and JCH Streetpan 400; then there are the ones I’m not too happy with, that is Ilford HP5+ in 35mm and Delta 400 in general. But what if I could change my mind on just one? Would it give me another tool in the kit to use to get a specific look? Could I shoot four rolls of a film stock and come to like it, even go as far as recommending it? Challenge Accepted. That film isn’t Delta 400,Read More →