Connect to your inner self and welcome the power of the Olympus OM-System. A true gamechanger when it released the Olympus OM system turned the professional market upside down when it was released in the 1970s showing the world that a professional camera system didn’t need to be bulky. Join Bill and John along with special guest co-host Lori Brooks in our season six premiere as they discuss the magical single digit OM cameras, along with 3D printed cameras, and homebrew ECN-2 chemistry. The OM Factor Olympus already had an established name within the camera industry in Japan but had not ventured into the SLRRead More →

Roxanne! You don’t have to put out a red light…but in the case of the darkroom, it might be a good idea. Yes, the gang spends an afternoon in the darkroom pumping out prints. Including for Bryan his first darkroom print ever! Darkroom Printing While we have talked about darkroom work in the past, we’ve never actually done an episode where we’ve printed then sat down around the table to talk about the successes, failures, papers, techniques. And more importantly, introducing Bryan to the wonderful albeit sometimes frustrating joy of seeing your print come up on paper for the first time. After this recording, BryanRead More →

We here at the CCR have discussed the iconic Hasselblad camera system before and were to be rather honest rather critical on the system. But we didn’t dig too deeply into the camera’s history from it’s beginnings to where it has gone to date. That system is the V-System (formerly 500-Series), and today to help us dig into the camera’s history is two guests from Photoklassic International, Marwan Mozayen and Charys Schuler. As a company, Hasselblad was not always in the photographic industry. Started in 1841 the F.W. Hasselblad & Co. began as a trading company importing household goods into Sweeden which included sewing materialRead More →

These days you can pick up a ‘pro’ film body pretty cheap, but that doesn’t make you a professional photographer. The gang sits down to discuss not only the pro cameras in their collections and the finer points of being a pro photographer. Professional Cameras While many pro cameras can still command a high price on the used market, some of the older systems are relatively inexpensive for those who want to go with something a little older. And just because it isn’t an SLR doesn’t make it a professional camera. Nikon F6 While certainly not aimed at the professional market, the Nikon F6, however,Read More →

They aren’t flashy, pretty, but they do a good job. Like a Reliant K, they get you from point A to B without trouble or style. But they at least do a good job in the field. Public Service Announcement – New Hand Luggage Scanners Before we get into the main body of the episode, we here at CCR would like to bring attention to new scanners being employed by the American TSA. These new scanners are designed to better see inside your carry on and use a CT Scanner rather than traditional X-Ray scanners. And while they will allow the security officials to betterRead More →

Fast films, it’s something we in Canada need to work with a lot because of our long dark cold winters. But what is a fast film? Well, that depends on your historical context. The first version of Ilford HP released in 1935 was only rated at ISO-160, by the second iteration in 1939 it was boosted to ASA-200. It wasn’t until 1960 with the release of HP3 that it reached the speed of ASA-400. And today the list of fast films is lengthy and we could spend hours talking on every film we’ve shot, so we’re going to drop it down to only eight stocks.Read More →

When it comes to cameras there are many that hold a place in photographic history and in the case of Twin Lens Cameras, there are many that stand out as a fixed point in development history. And in the case of the twin-lens reflex camera market than Franke & Heidecke. Paul Franke and Reinhold Heidecke established the company in 1920 as an optical instrument manufacture, but they moved quickly into cameras and began to develop what would become the industry standard for TLR cameras. Now the TLR is not a new concept the first one being produced in 1880, but the two Germans were aboutRead More →

We’ve discussed large format on several occasions on CCR in the past, however, we’ve never done a basics episode for those wanting to get into large format. Well never fear, that is exactly what Alex and James are going to discuss today, so grab your notebook and ready to go big! Camera Types You can put all large format cameras into a single category of ‘large format’ or simply ‘view camera’ because you are mostly using a piece of ground glass to look directly through the lens so it’s almost what you see is what you get. However, there are differences between these view camerasRead More →

John and Bill sit down to talk to Stephen Dowling, the man behind the website Kosmo Foto and the driving force behind bringing Kosmo Foto Mono 100 to the market. The three sit down around our interview table to discuss everything about the site, how it came to be, the man behind the site, and the reasons behind bringing Mono 100 to the market. Along with the inspiration behind the awesome Soviet Style graphics. If you haven’t visited Kosmo Foto, we certainly recommend visiting and following the awesome content. You can follow Kosmo Foto through the followings means Website – kosmofoto.com Twitter – @kosmofoto InstagramRead More →

Continuing with our love of chemistry in part two we dig into some of the older and stranger developers. While many of these are speciality they are rather common in our own chemistry cabinets and they include the likes of the alphabet soup that is HC-110, the oldest commercial developer Rodinal, and the rather toxic Pyrocat-HD. Kodak HC-110 Kodak’s HC-110 developer is a strange creature, released with little fanfare in 1962 with a small article in a photography magazine, the developer became an instant classic. It’s best known as the developer of choice for Ansel Adams. And while most Kodak Developers had the letter DRead More →