We’re back on a large format kick just in time for spring to arrive here in Southern Ontario! So today, Large Format Strikes Back! Linhof Master Technika V When it comes to precision in large format you don’t get any better than a monorail camera, but what if you could get that same level in a more compact form. Enter the Linhof Technika line of cameras. These are a hybrid of the power of movement you get with a monorail camera in a package similar to a Press Camera. You get every movement in both your front and rear standards and not just any movement,Read More →

If there’s one camera that resonates with most of the folks on our recording team it is the Nikon F2. Nikon’s brilliant follow up to the original Nikon F, work began a decade after the release of the F to improve and resolve all the issues that were raised by users of the F. Beginning in 1968 engineers began to work on resolving all the mechanical and interface issues with the F, calling their prototype the A. Oddly enough many thought the new camera would be the Nikon G, but when it first was released it became the F2. Like the Nikon F, the F2Read More →

When it comes to the 35mm format in photography, one lens comes standard on almost every camera, the 50mm. We were inspired to cover our favourite 50mm lenses after reading through an article published by The Atlantic, which got passed around the gang and various Facebook Groups. The simple matter is that the 50mm is considered normal, what our human eyes see every day. So for our 50th show, we cover those beautiful 50mm lenses that we all know and love! Canon Lens FD 50mm 1:1.4 S.S.C When it comes to Canon 50mm lenses one of the most sought after is the 50mm f/1.4 S.S.C.Read More →

A mysterious force burst onto the film photography scene several years back in the form of a website named Emuslive. Today the site hosts articles, conducts online film parties, the original being the FP4Party which grew into the TMax Party, Summer Film Party, Delta Def Jam, and most recently the Portra Party. Several of the gang here at Classic Camera Revival has been featured on the Emulsive Website, so it was only fair we get in touch and interview the man himself, known only by a code name of EM. It was an early morning, but John and Bill sat down and chatted with theRead More →

We all know the Christmas season can be tough on the bank account and the credit card statement. And shooting film, processing film, and getting equipment can be hard and hard on the bank account and credit card statement. But we want to show off that you don’t need to get the expensive equipment to get good results from your photography. So to kick off season five, we’re going to show you some cameras and some film that give you the most bang, for your buck. Fujica ST605 A recent camera that came across Alex’s Desk, the ST605 is certainly a camera that matches theRead More →

We have a little bit of Saturday Night Fever here at the Classic Camera Revival and we just cannot get enough of those disco-era cameras from the 1970s. Turn up the Beegee’s, and get on your best bell bottoms, ’cause gimmie, gimmie, gimmie a cam before midnight! Camera’s featured on Today’s Show Minolta XE-7 – Back in the 1970s, Leica and Minolta joined forces and produced several ‘cousin’ cameras, the first being the Minolta CLE/Leica CL. But the second camera to come out of the Alliance was the Minolta XE-7, cousins with the Leica R3. And while at forty-yards the two may look alike, whenRead More →

Digital’s rise to fame in the early 2000s did not mean the end of the film camera, in fact, there are several film cameras that we love here at CCR that were produced during and beyond the year 2000! Cameras Featured in Today’s Show Cosina Voigtländer Bessa R2m – For John the smaller, the lighter, the better when it comes to cameras these days. And for him, his hands down favourite rangefinder in 35mm is the Bessa R2m, while officially Cosina built, the Bessa R2m offers up the Leica M-Mount without paying the price of a Leica camera. But don’t let that stop you, theRead More →

This won’t be the first time the gang has talked about lenses, but just like there’s a wide range of cameras out there, classic lenses seem to be having a resurgence especially with the adaptability of mirrorless cameras. But we prefer to use our classic lenses on our classic cameras! So what lenses will we be discussing today? Nikkor 105 f/2.5 – If there’s an iconic Nikon lens, it’s the short telephoto, almost perfect portrait lens, the Nikkor 105mm f/2.5. It has come in every variant of manual focus Nikon, from the original Nikkor-P through AI and AI-S. Legendary NatGeo photographer Steve McCurry used itRead More →

There’s no denying when you get a group of photographers together for a long period to time there’s bound to be some cross-person camera exchanges. Well that’s what we’re talking about because there’s been a fair amount of exchanges of gear between our hosts even in the short four years we’ve been operating. Nikon F5 – The Nikon F5 is no stranger to the CCR, we talked about it back when we did our brilliant Nikon F-Series where we first were joined by Bill Smith. But today, it’s John Meadows who recently acquired the F5 off of James Lee (who upgraded to the F6). AsRead More →

There’s no doubt about it, the 80s was a loud decade. Loud Hair, Loud Colours, Loud TV, and Louder Music. And then there are the cameras, the 1980s marked a radical shift in camera technology. You had the advent of consumer autofocus (which was noisy), the introduction of compact point-and-shoots, and the matrix metering systems. And we’re not saying the cameras we have today are loud, but they certainly speak volumes. Cameras featured on today’s show… Minolta XG-M The XG-M would become the more desirable of all the cameras in the XG-M series as it has full manual controls. It’s small, light-weight, and has aRead More →