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When it comes to the world of TLRs, I was hooked from the first time I picked one up; in my case, the LOMO Lubitel 2. But the Lubitel was primitive even for the age when it was produced as a simple camera aimed at budding photographers. And while there is a certain character to the images produced by that T-43 lens, I had hit the gear acquisition hard after listening to the Film Photograph Podcast. Thankfully in those days, the cost of cameras had not yet risen, and you could get excellent deals on almost anything. At a local camera show put on byRead More →

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Canada’s history with the treatment of mental health is long and sorted. And while we’ve made great leaps forward, often, many of the historical institutions have gotten lost and replaced along the way. Not that those who were patients in such facilities in the past would want a reminder standing out to them every day. While the Queen Street Asylum is long gone, replaced by the far more modern CAMH facilities, the asylum at Amherstburg has reverted to the historical configuration as a War-Era fort; even Mimicoe is now being used as a college campus. When I was deep into Urban Exploration, exploring mental asylumsRead More →

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When I was starting to shoot film seriously, I stuck mainly to negative colour stock but started experimenting with black & white, but slide film was something that I avoided. Slide film was for professional photographers or travel photographers who wanted to share their trips on a slide projector. My first experience with slide film was Fuji Sensia and I was hooked. So I decided to jump right into the iconic Fuji slide film, Velvia. The original Kodachrome killer, and yet I only started shooting the stock after it got discontinued, the first roll running through my camera in 2009. Film Specs Type: Colour ReversalRead More →

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When it comes to slide film, Fuji Sensia introduced me to the medium, but it was Astia that made me love slide film. Sitting neatly in the worlds of Velvia 100 and Provia 100, Astia is often an overlooked member of the Fujichrome family, with more people going towards Velvia for rich saturated colours or Provia for a more natural tonality. But Astia was a happy medium between the two; you get a stronger contrast than Provia and more natural colours than Velvia. Astia quickly became my go-to slide film for trips and events where I wanted the magic of slide film with a bitRead More →

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While Fuji Velvia was not my first experience with slide film, it is certainly is the one that made me like slide film. First released in 1990, the film became an immediate threat to Kodachrome, especially Kodachrome 25. And unlike Kodachrome, Velvia used the standard E-6 process that could be done in any lab that covered the process. No need to send it to speciality labs, and you could have your slides back the same day from the right lab. The name itself comes from combining Velvet and Media to describe the smooth images produced by the stock. While the original version was discontinued inRead More →

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I remember it clearly, having walked into Henry’s store to get film for an upcoming PYPS weekend, Winter Weekend 2006 in Oshawa, Ontario. I don’t remember exactly why I pulled the roll of Sensia 400 off the rack; my jam in those days was colour negative films. But that was also the weekend that I had a digital camera for the first time, so maybe I started to branch out in my shooting. Sensia was the right speed I usually shot (400), and the name was close to Superia (at a glance), and my journey into slide film had begun. Eventually, I branched out andRead More →

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The continuing rebellion shifted after Pelee Island, as the leadership changed and William Lyon MacKenzie separated himself while living in Rochester while out on bail from his arrest in Buffalo following the evacuation from Navy Island. The Rebel Cause fell under the leadership of the Council of Thirteen. A mixed group of Canadian and American sympathisers. However, their actions against Upper Canada and their behaviour in the American cities had forced them to seek shelter in the rural areas along the border. Charles Duncombe had been working in the east and was spreading a new secret society based on a French-Canadian society to spread theRead More →

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When it rains, the last place you’ll want to be is Fort Meigs, trust me on this one. The fort isn’t the nicest fort that got involved in the war, there is not a long drawn out or particularly memorable history about the depot fortification. It really is more of an afterthought, a post designed to be a stopping point for troops and supplies, and while it saw only two sieges over the course of the war it did stand out in one way. It was the largest wooden palisade wall fort in all of North America, at least when it was first built. UnlikeRead More →

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The Siege of Fort Meigs was a mess, a minor action at a depot fort that did little but injury the personal morale of a British officer and drive a wedge in the strained alliance between Tecumseh and the British. It was the opening move in the long game of William Henry Harrison and his designs for the invasion of Upper Canada. A muddy mess that did little to further the British plans but was exactly what Harrison had hoped in the end. A small, tactical victory. One of seven blockhouses that served as defensive strong points and secure artillery batteries for the palasade wallRead More →