If there is a single camera that you can point to in the history of photography that changed the way that professionals worked then the Nikon F would be that camera. While it did build on previous advancements (which we will get into), the Nikon F brought it all together like never before and began the idea of a camera system. That is a group of lenses and accessories that allowed a photographer to control and customise their camera to their tastes completely. On today’s episode, Bill and Alex Smith tackle this complex and revolutionary camera system. You have to understand one thing; the NikonRead More →

If there’s one camera that resonates with most of the folks on our recording team it is the Nikon F2. Nikon’s brilliant follow up to the original Nikon F, work began a decade after the release of the F to improve and resolve all the issues that were raised by users of the F. Beginning in 1968 engineers began to work on resolving all the mechanical and interface issues with the F, calling their prototype the A. Oddly enough many thought the new camera would be the Nikon G, but when it first was released it became the F2. Like the Nikon F, the F2Read More →

When it comes to Soviet cameras you can never be too sure, I’ve had some winners in the way of the Fed and Zenit E, but also some failures with the Zenit 122K. However, when Boris, a member of the Toronto Film Shooters group offered up his Kiev-19 I jumped at the chance, and the day I tested it on, was the perfect way to see if these Soviet Cameras could take a Soviet Winter. But the Kiev-19 is no ordinary Soviet Camera. While most use a universal mounting system like the M39 or M42 Screw Mount, this camera uses a Nikon F mount. NotRead More →

It is only fitting to round out the first 100 reviews with the final single digit film camera from Nikon, the mighty F6. The F6 is the last film camera to be produced by Nikon. And while the Nikon FM10 is still produced, it is in fact, made by Cosina rather than Nikon itself. It is also worth a note that this particular F6 is the final one to be sold by Nikon Canada. While the F6 was produced in the age when most professional photographers were shooting digital regularly, the F6 turned into a camera more aimed at the advanced amateur who wanted thatRead More →

If the early days of autofocus cameras brought us VCRs, by the 1990s, the design of cameras had become far more streamlined. The 3xi belongs to the third generation of Minolta autofocus cameras but don’t get too excited; this is the cheapest, lowest range camera in the series. And believe me, it shows. Designed to run for the most part in the full auto-exposure mode with little interference from the photographer itself. These xi series cameras could use powered zoom lenses to set the focal length automatically. But to be honest, while it may look and behave like an SLR, at its heart, it isRead More →

The unique, the desirable, and hard to come by Nikon FM3a was the final FM model SLR produced by Nikon and exclusively for the Japanese market. But this is an FM camera that isn’t 100% and FM camera, you may have noticed the A in the model, and there’s a good reason for it, the camera is more a best of both worlds. All you love about the FM series and all you like about the FE series in one beautiful camera that will have you wanting one of your own to replace your FMs and FEs. Big thanks to James Lee for loaning outRead More →

I don’t mean to knock a camera right off the bat, but honestly, Pentax could have done far better than the Pentax MG. Built as part of the compact M series of Pentax SLRs following the release of the Olympus OM-1. Designed as an entry level camera and it shows, bare-bones, simple, and so small it hurts. But you have to take the good with the bad in these reviews, and it’s been a while since I found a camera that I immediately disliked the moment I picked it up. Thanks to James Lee for loaning out the MG for review. The Dirt Make: PentaxRead More →

Today we talk about those great little cameras that may not hit the professional mark, but instead take on a more plastic approach. That’s right we’re talking consumer cameras this episode we also have a great new film stock to talk about, that’s right the first film out of Kosmo Foto, Mono 100! Cameras in Today’s Show… Nikon F90 Don’t let this camera fool you, the Nikon F90 is a solid piece of engineering often overshadowed by the Nikon F4, but for John and Alex, it is their camera of choice when they want an SLR, without having to carry around a massive camera. Make:Read More →

In the past, I’ve described the Bronica SQ-Am as the camera used by Darth Vader, I’d like to revise that statement, the Leicaflex SL2 is the camera of choice for the Dark Lord of the Sith. While my previous experience with Leica SLRs has been lacklustre, the SL2 makes up for that experience without question. The camera is a mechanical beast and shows off exactly what makes a Leica, a Leica. From amazing optics to precision mechanics. And yet of all the Leica cameras, I’ve used the SL2 is the first one I’ve picked up that felt instantly familiar I didn’t even have to checkRead More →

I’ll be the first to admit I have a soft spot for match needle mechanical SLRs. And the camera that created that soft spot is not the SR-T 101, but rather it’s cousin the SR-T 102, but it’s the 101 on the review block today, and with little between the two, it seems only fair to apply the same level of familiarity. The SR-T line is the cameras that made me love photography, simple in their design and operation the cameras are near perfect for students and those who are learning photography. And despite being decades separated from the camera, going back to them isRead More →