One thing that is always satisfying is being able to come up with new processing details for rare films. I did some extensive testing with Eastman 5363 back when the Film Photography Project began to release it for general photographic use. But now I have a new challenge from the group, Derev. Of course, there has already been some testing of the film by the Alpha team over at FPP HQ in New Jersey which gave me a baseline, so I went and checked over my extensive list of films looking for similar film speeds, film feel, and developing times to see if other developmentRead More →

Well, it looks like Christmas came a little early for me with the arrival of the first round of Silberra films from their Indigogo campaign. And while I’m still waiting on the 120 film I got, I figured might as well give you my first impressions of the film before the full reviews drop in the Spring. For those who followed the crowdfunding campaign and subsequent rough ride following the end of the campaign, like our friends at Film Ferrania, Silberra faced several challenges in getting the new film mass produced and out to a broader market. But when I found the box waiting forRead More →

The idea of a monobath is not a new one. If you’ve followed my online work you’ll know I’ve made my own based on a formula first put forward by Donald Qualls back in 2004 based on the HC-110 developer (a favourite of mine). When Michael Raso (of the Film Photography Project) started talking about their own Monobath I didn’t give it a second look (to be honest). While I enjoyed the ease of a single step that will develop, stop, and fix a roll of film a welcome break from the amount of work that goes into developing a roll of film, it feltRead More →

Film can be expensive and learning how to shoot film isn’t exactly the easiest on the pocket book, there’s plenty of ways to mess up. And that six dollar roll of Kodak Tri-X can turn into a clear piece of acetate by messing up several different ways. But thanks to my good friends over at the Film Photography Podcast you can now test/learn/play with film and not have to spend too much money. As they’re now releasing their EDU line of film! There are three different flavours available, in 100, 200, and 400 speed films. I recently had a chance to test out all threeRead More →

Back in December I was approached by Michael Raso of the Film Photography Project if I wanted to help test a new (to the FPP) film stock. Just before Christmas the film arrived with a little note saying “ASA-6, we think” there was no real indication online how to develop this film in traditional B&W chemistry or it’s exact sensitivity. Google yielded a document by Eastman Kodak on this film stock, Eastman 5363 Positive Film II was a high contrast motion picture film designed for the creation of both positive and negative titles for films. And to develop using Kodak’s D-97 chemistry. Last time IRead More →

I’ve honestly smelled better in abandoned buildings than this dark brown almost black solution sitting on the counter in my film lab (read: laundry room), but will it actually develop film, everything I’ve read and seen online says it will, my brain and nose say otherwise and I pour it into the tank. So as I agitate the tank, I am hoping that this strange brew (with apologies to Bob & Doug McKenzie) does its job. So before I continue, let me answer the question that some of you may be asking, what exactly is caffenol? Caffenol is a film developer that you can makeRead More →

A couple weeks back I recieved a package from Michael Raso of the Film Photography Project, in addition to the flash bracket I had ordered for my Polaroid Auto 250 there were a couple rolls of film, 2 120 format Kodak Ektachrome E100G and E100GX, some E100G in 35mm and a roll of ProPhoto XL. The E100G series I was well aware of and now sadly Kodak has ended it’s entire line of E-6 films, but the ProPhoto XL was one I had not seen before. With good reason, some searches on the Internet revealed that the film was aimed at International markets and wasRead More →

I’m not often one who will get a new camera and throw it into a project that has been going very well, and hoping that I’ll get something decent. I usually test out the cameras first. But when I was given a Lomo Smena 8m from Michael Raso of The Film Photography Project it must be a good camera. And well the manual was all in Russian so I just launched right into using it. The results were…interesting. I carried it with me over the course of Sunday errands so there’s really no rhyme or reason to the images, they’re shot straight from the hipRead More →