Tag: TFS

Toronto Film Shooters Meetup – Spring 2018

Toronto Film Shooters Meetup – Spring 2018

It’s been just under a year since the gang visited the Riverdale/Leslieville areas of Toronto. And again I found myself as a participant in the walk rather than the organiser. For that, I left it up to Bill Smith who knows the area like the back of his hand, though this time around we took a much different route. There’s something about getting started early as we gathered at the Rooster Coffee House for our start, after an Atomic Rooster Brew and some discussion. And of course, snapping photos with our cups of coffee and our cameras we started off.

Bill and the FLeicamanUp in SmokeJohn

The day had promised to be a scorcher, thankfully the humidity was not as bad as predicted, which made life easier especially lugging around camera gear. We didn’t even blink at the Old Don Jail that had a massive lineup outside it already for a Doors Open Tour, we were more interested in moving rather than jockeying for shots inside the old jail. Across the Don Valley and into a rather odd feature of the city, Riverdale Farm. A strange little pocket of history that Toronto makes Toronto rather unique, from there it was into the beautiful areas of Cabbage Town with grand old homes that still carried some of their historic charms.

Riverdale TunnelGoats?The Grand HouseCatholic

The group remained fairly elastic often trailing across maybe half a kilometre each person seeing something different in the area to capture or just sticking to the social aspects of the meetup. I went a bit bigger on gear than I usually do, bringing the Nikon F5 along with the standard lens trio, 35, 50, and 105. Giving me a bit more range to capture wide to close. The day was bright, and I really should have just stuck to the slower films I had packed and left the FP4+ for another day.

Row Upon RowHam!Didn't See AnythingYing & Yang

Despite the late departure, we made a good time, being able to poke our head into an area of the city that I haven’t always visited before ended at the Stout Irish Pub (great food, great beer). And while some decided to head back to the Rooster I needed to get to Saulter Street in a far quicker manner before heading into the Downtown for chemistry at Downtown Camera and be home in time to make up dinner! If you want to join the Toronto Film Shooters, our next photo walk takes place on the 21st of July at 3 pm, meeting at the Exchange Brewery (7 Queen Street, Niagara-On-The-Lake, Ontario) more details can be found on the Facebook Event.

Toronto Film Shooters – Winter 2018

Toronto Film Shooters – Winter 2018

When it comes to the Winter meetups, the weather is always a crapshoot. But unlike last year, we were blessed with beautiful blue skies, bright sun, and temperatures above zero. I think that helped bring out a dozen shooters to invade the historic downtown of Unionville, Ontario.

The Train Don't Stop HereBeauty in SimplicityThe Planing MillThe General Store

I had first discovered Unionville thanks to one of my co-workers who mentioned that he and this girlfriend enjoyed the historic downtown. So last summer I hit it up on what turned into a hot summer’s day and I saw why. And the group that showed up completely agreed. The small size of the downtown, about a five-minute walk from end to end, allowed the group to spread out and me, as host, bounce from group to group. Of course, the best part is the gathering afterwards, the Unionville Arms proved to be an awesome spot for lunch. We even attracted the notice of the pub’s owner who thought we were a hockey team instead of a group of photographers.

A late morning StrollCatching the FiddlerRobCatching Water

If you’re interested in joining us on a future walk, the Toronto Film Shooters hosts four main walks a year, with a smattering of specialized walks. You can join us on our facebook group, or search for our events, they’re always public! And you don’t even have to be someone who shoots traditional film, just shoot me a line on FB or post on the event page and I’ll be more than happy to bring a spare camera for you and a roll of film.

Technical Details:
Group 1: Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – JCH Streetpan 400 @ ASA-400
Kodak HC-110 Dil. F 12:30 @ 20C

Group 2: Nikon F5 – AF DC-Nikkor 105mm 1:2D – Ilford Delta 100 @ ASA-100
Kodak D-76 (1+1) 11:00 @ 20C

Large Format in the Park

Large Format in the Park

The trouble with photo walks is that you’re walking, this pretty much takes the idea of bringing large format cameras and tripods along. I mean, I love LF and have a press camera which allows me to shoot the Crown Graphic Handheld as I did back at the Summer Toronto Film Shooters Meetup. But again, when making a meet up especially for large format, you can’t call it a photo walk because it’s hard to walk with an LF camera and I know that many members don’t shoot press, technical, or field cameras they use monorails. You don’t walk around with a monorail, while you can, just not quickly. Thus was born, the Large Format Lugabout.

Remains of a Face

A Lovely Day

The Toronto Film Shooters have been to High Park many times before, so it made sense to use this urban park in Toronto as the base of operations for the walk, moving from the Southern Entrance at Colbourne Lodge to the northern terminus at Bloor Street. At about two kilometres it’s an easy enough walk even when you have an 8×10 on a monorail to lug with you.

The Howard Tomb

The Chimney

As I loaned out my Crown Graphic out to a good friend, I made a point to shoot the eight sheets of 4×5 while I wanted down through the park towards the meeting point before the main event. Even my lovely wife put up with the constant stopping. It proved to be a perfect day to shoot large format and there turned out to be a decent attendance. The highlight for me is finally seeing Colbourne Lodge. The lodge is another one of those hidden museums in Toronto, and one I certainly will be checking out again. But with the meeting starting, I turned over my Crown Graphic to Wu and switched to my Nikon F5 to take photos of the various people in attendance.

Nancy!

It's, it's...taller than me!

Another Big One

Trio of Tripods

A Common Sight

The trouble with such a meet is that everything spreads out in a long thin line, Heather and I along with Wu and Joe formed the front of the line while the long trail of photographers lugging every type of camera came up behind, even some folks carried medium format beasts. But since it was tripod friendly, it gave folks a chance to slow down.

The event turned out much better than I expected and I certainly plan on running with the idea again as people took to the idea of a limited area shoot and allowing us to bring out the big guns.

Techinal Details:
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210, Schneider-Kreuznach Xenar 1:4,7/135, Fuji Fujinon-W 1:5.6/125
Rollei RPX 25 @ ASA-25 – Blazinal (1+25) 6:00 @ 20C
Nikon F5 – AF DC-Nikkor 105mm 1:2D – Kodak Tri-X 400 @ ASA-200
Blazinal (1+25) 7:00 @ 20C

It’s a TMAX Party – Part II

It’s a TMAX Party – Part II

The April TMax party happened to fall right into the perfect schedule with the Spring 2017 Toronto Film Shooters Meetup falling right into the shoot week! After careful consideration and having moved many of my cameras over the condo where I’ll be living before the month is up (actually next week once Heather and I get back from the honeymoon). I settled on my trusty Hasselblad 500c; it has been seeing a little less use this year after getting a lot of love with the 52:500c project.

TFSM - Spring '17
Downtown Camera where the meet started and the best spot in downtown Toronto to pickup anything film releated!

TFSM - Spring '17
A slightly sad wall, needs something more than just grey and white paint.

All through downtown Toronto, we went, taking in the various sites and sounds of the city’s core with a solid group of photographers from the little group I gathered together. This meet was the brainchild of James McFarlane. A long-time friend and the man who is going to be the photographer at the wedding in a couple of days!

TFSM - Spring '17
The man himself!

TFSM - Spring '17
St. Lawrence Hall from the park. Back in 2016 I tried to get a night shot from this angle, but failed.

Despite being a day of mixed lighting conditions with the bright cloud cover, it was great to get out with a 400-speed film so that no matter what happened I could shoot handheld which is important on a photo walk. Tracing along Queen Street and into St. James Park there were plenty of things to shoot, and because I wasn’t leading the walk, I could settle back and enjoy just shooting. And for a TFS meetup, it’s an oddity.

TFSM - Spring '17
One of the side doors of the St. James Cathedral. I would have gone inside but I wasn’t equipped for indoor shooting on the day

TFSM - Spring '17
But there’s still lots of shoot on the outside of St. James

As always big thank you to Emulsive for organizing this little party (and I look forward to the next film party, maybe a Tri-X Shindig?) and to Downtown Camera for being a big supporter of the TFS group!

Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Kodak TMax 400 – Kodak HC-110 Dil. B 5:30 @ 20C

Toronto Film Shooters Meetup – Winter ’17

Toronto Film Shooters Meetup – Winter ’17

I never thought that this little idea of mine would catch on. I never believe that my little social ideas would go over. And yet they usually do in some form or another. For example, the Toronto Film Shooters Meetup, now starting on its the fourth year. TFSM, a quarterly gathering of photographers in the Southern Ontario region who loves to shoot traditional film based cameras is an idea I floated back in 2013. I was still an active member of the Analog Photography User Group (APUG), and in the Toronto Sub-Forum, someone was complaining that there was not enough photo walks in the Greater Toronto Region specifically for film photographers.

TFSM - Winter '17
Zeiss Ikon Contax IIIa – Zeiss Opton Sonnar 1:1,5 f=50mm – Ilford FP4+ @ ASA-100 – SPUR HRX (1+20) 9:30 @ 20C

TFSM - Winter '17
Zeiss Ikon Contax IIIa – Zeiss Opton Sonnar 1:1,5 f=50mm – Ilford FP4+ @ ASA-100 – SPUR HRX (1+20) 9:30 @ 20C

So I, a young, mid-twenty some-odd kid, piped up. I’ll organize a quarterly photo walk one for each season. So on a bright summer day in 2013, I launched the Toronto Film Shooters Meetup or TFSM. It’s had varied success over the four years; there was even an event where I was the only one in attendance. The winter ones are usually the least attended walks mostly because the weather can be rather terrible, or just plain cold. But the walk a couple of weeks back it was a bit gray, but the weather was okay.

TFSM - Winter '17
Zeiss Ikon Contax IIIa – Zeiss Opton Sonnar 1:1,5 f=50mm – Ilford FP4+ @ ASA-100 – SPUR HRX (1+20) 9:30 @ 20C

TFSM - Winter '17
Zeiss Ikon Contax IIIa – Zeiss Opton Sonnar 1:1,5 f=50mm – Ilford FP4+ @ ASA-100 – SPUR HRX (1+20) 9:30 @ 20C

The six brave souls who attended took in an icy view along Toronto’s lakeshore, which during the summer is fairly active, but not so much in the winter. And yet there was still lots to photograph along the way. Earlier in the day, I had taken my Contax IIIa through the downtown core to give the beauty of a camera a bit of a workout. A stop at Downtown Camera to stock up one some film, and even got my hands on a box of RPX400 in 4×5.

TFSM - Winter '17
Nikon F2 Photomic – AI-S Nikkor 35mm 1:2.8 – Bergger BRF400+ @ ASA-400 – Kodak HC-110 Dil. B 7:00 @ 20C

TFSM - Winter '17
Nikon F2 Photomic – AI-S Nikkor 35mm 1:2.8 – Bergger BRF400+ @ ASA-400 – Kodak HC-110 Dil. B 7:00 @ 20C

I’m surprised as for how well all my photos came out. Usually, I don’t post much in the way of volume from these meets. But making a choice to bring only two cameras and only actively shooting one at any given time probably helped. And I was using several new-to-me items this time around. The Nikon F2 was loaded up with Bergger BRF 400+ and an AI-S 35mm lens, while the Contax IIIa had an old favourite FP4+ but this time around I developed with SPUR HRX, a new developer that I got introduced to by Mike.

TFSM - Winter '17
Nikon F2 Photomic – AI-S Nikkor 35mm 1:2.8 – Bergger BRF400+ @ ASA-400 – Kodak HC-110 Dil. B 7:00 @ 20C

TFSM - Winter '17
Nikon F2 Photomic – AI-S Nikkor 35mm 1:2.8 – Bergger BRF400+ @ ASA-400 – Kodak HC-110 Dil. B 7:00 @ 20C

If you’re in the Toronto area or even beyond, we have regular attendees from Peterborough, feel free to join us on Facebook to hear about all the madness that is the Toronto Film Shooters group!

SPUR of the Moment

SPUR of the Moment

There are plenty of developers out there that I have yet to try, some because they just aren’t made anymore and others because I just cannot get them in Canada. Plus I can be a creature of habit and stick to what I know and can get the results I want. So when a fellow photographer and CCR co-host Mike Bitaxi, started talking about this new developer he was working with my interest oddly enough grabbed especially after seeing the results.

TFSM - Winter '17

TFSM - Winter '17

The developer in question is SPUR HRX. SPUR, or Speed Photography, Ultra Resolution, is a company out of Germany that I had never heard of before. HRX, despite the name, is the latest developer in the HRX line, the predecessor being HRX-3, and is designed to deliver fine grain and sharpness. To me, that sounds a lot like Pyro based developers like my favorite Pyrocat-HD.

TFSM - Winter '17

TFSM - Winter '17

There is one catch to this developer, it comes in two parts, but you don’t mix it like you would Pyrocat HD because unlike Pyro developers there is just a single dilution ratio for developing. That’s right; you have to do a lot more math with it. But let’s break it down using a natural dilution. For Ilford FP4+ at ASA/ISO-100, you use a 1:20 dilution, so when using 500mL of developer you need 24mL of developer and 476mL of water. Taking that 24mL of developer and divide in half so 12mL of Part A and 12mL of Part B. It’s when you start getting into prime numbers like 1:17 that you’re going to run into trouble. But a plastic syringe with .5mL markings will make your life easier.

TFSM - Winter '17

TFSM - Winter '17

What you get from the developer is a classic black and white image, good blacks and whites and beautiful wide mid-tones. While the pictures are sharp, the grain is nicely reduced making the film easily scannable. Now I used a film that already has a pleasing grain structure and is relatively fine-grained by its nature. Does the developer behave like Pyro? I’m not sure of that yet; I have several boxes of 4×5 film to pit head-to-head using HRX and Pyrocat-HD for a later post. But for now, I’m enjoying HRX. If you want to give the developer a try, you can pick it up from either Argentix.ca (not at the moment) or Freestyle Photographic!

All Photos Taken in Toronto, Ontario Canada
Zeiss Ikon Contax IIIa – Zeiss Opton Sonnar 1:1,5 f=50mm – Ilford FP4+ @ ASA-100 – Spur HRX (1+20) 9:30 @ 20C