When it comes to T-Grained (modern films like TMax and Delta) I can be fairly picky, the 100-speed ones I tend to like while the faster 400-speed ones I can be overly critical about. That being said I’ve found that recently I’ve been warming up to these faster emulsions the more I experiment with them. As with Delta 400, I’ve warmed up a little to TMax 400. Oddly, TMax 400 was the first roll of film I processed on my own under the watchful eye of Julie Douglas back in 2010. Film Specs Type: Panchromatic B&W, T-Grain Film Base: Acetate Film Speed: ASA-400, Latitude: 50-3200Read More →

The April TMax party happened to fall right into the perfect schedule with the Spring 2017 Toronto Film Shooters Meetup falling right into the shoot week! After careful consideration and having moved many of my cameras over the condo where I’ll be living before the month is up (actually next week once Heather and I get back from the honeymoon). I settled on my trusty Hasselblad 500c; it has been seeing a little less use this year after getting a lot of love with the 52:500c project. Downtown Camera where the meet started and the best spot in downtown Toronto to pickup anything film releated!Read More →

There’s something to be said about a solid camera in your hands. It gives you a sense of being in the zone, a healthy weight, the feel of the mirror slamming up to expose the frame. Meet the Spotmatic, and this is one beast of an SLR. It’s clunky; it’s heavy, and yet feels so right to shoot. The Pentax Spotmatic was one of the first SLRs on the market to feature full open aperture TTL metering. And then there are the lenses, which focus smoothly and are super sharp. The Dirt Make: Asahi Optical Co. Model: Pentax Spotmatic SPII Type: Single Lens Reflex Format:Read More →