You don’t have to break a leg to get a kick out of using the Exakta VX IIa, but if you’re not careful if you drop it on your leg, it just may break the bone. I was a little wary of this camera at first. All the controls are on the left side. Thankfully it didn’t take much to get used to the odd layout, and luckily it didn’t take me 39 steps to get used to the machine. And I found it fairly intuitive after a while; there was no throwing this camera out the rear window, I’d by a psycho for doingRead More →

Two Stops Over and Straight On ‘Til Morning. Ah yes, the mantra of Expired Film Day. EFD is the brainchild of fellow film photographer Daniel J. Schneider. The day is a celebration of shooting and enjoying the wacky results you get from shooting expired film. I tend to shy away from colour films mostly because of having to send them away for processing. So this year I had a pile of the mid-1990s expired TMax 100 floating around to shoot. Most Kodak B&W films are fairly stable, and you could shoot them at box speed if you wanted and get good results. I know becauseRead More →

I have a love/hate relationship with Bronica cameras. If you listen to the Classic Camera Revival Podcast, I railed against the Bronica SQ-Am in episode 22, and I gave away my SQ-Ai because of ergonomic issues I had with the camera. But putting all that aside I went into shooting the ETRS with an open mind and discovered a rather fun camera. When it comes to 645 cameras, the ETRS is the real underdog while the Mamiya m645 and to a lesser extent the Pentax 645 get most of the glory. Which to people looking to crack into medium format the ETR line of camerasRead More →

When you use Leica, Nikon, Carl Zeiss optics the idea of plastic lenses and “toy” cameras will often scare a photographer, you really don’t know what you’re going to be getting out of your image. It certainly won’t be the sharpest image on the block, vignetting is going to be there, soft focus, light leaks, all very possible. Add Expired film into the mix and things just start getting dicy. Something that many photographers won’t even touch, and I used to be like that…until I picked up, on a whim, a Holga from The Film Photography Project. And instantly was dragged into the wonderful worldRead More →