Do you know that Kodak D-76 has a cousin? Although in the grand timeline of things, I can’t place exactly when the stuff was first released. But if I had to hazard a guess it was sometime in the 1920s. It proved to be a favourite of Ansel Adams along with HC-110. Today Kodak no longer produces D-23 in favourite of the far more shelf-stable D-76, but you can still mix it up from raw chemistry if you know the formula (I’ll be sharing that later) or you can purchase pre-made kits. Personally, I enjoy working with D-23 when I need some compensating capabilities andRead More →

There are new developers, there are old developers, and then there is Rodinal. First released in 1891 by Agfa, Rodinal is the brainchild of the Doctor, not that Doctor, but Dr Momme Anderesen who disliked the reliance on hydroquinone in the traditional film developers of the day. Instead, he began work on using Aromatic Amines in 1880 before settling on p-aminophenol. The result is the developer we call today Rodinal. And for much of its life was a closely guarded secret by Agfa, at least until the patent expired. And while today Agfa exists, Rodinal has taken on many different forms, but the same formula.Read More →

If the standard Svema Foto films are too grainy for you, how about stepping it down a notch and picking up a roll of Foto FN64, or FN64. Before this review, I had only shot a single roll of the stuff, and it did not turn out well. I eventually figured out that due to the thin PET base, the film is subject to light piping, and I ended up fogging the whole roll. Now if you’re a fan of the slower film that is having something different from what you get from other typical films, then FN64 is something for you to try. AndRead More →

Next to the Minolta HiMatic 7s which got me first into photography, the Nikon F80 is the one that brought me back into the wonderful world of film and introduced me to the magic of Nikon AF lenses and Nikkor glass in general. I received this camera as a gift and immediately found myself very much attached to the system. You might say that the F80 is the camera that caused me to invest in the Nikon SLR system and switch from Minolta. From the F80 I got the D70s, D300 and my current main SLR the Nikon F5. And while many of the lensesRead More →

While today it’s been several years since its introduction, Xtol marks the last developer to come out of Kodak. And as developers go, it is the least toxic of all the ones available on the general market. The reason is that it uses Ascorbic Acid as one of the active ingredients. It not only allows for sharpness but also reducing visible grain in the process. But Xtol is also a developer with a flawed history; you need to mix up a lot to maintain its stability. And while I no longer keep Xtol in my toolkit, it remains a beautiful developer that is perfect ifRead More →

Having a photo walk in the winter is not always the best idea. But we live in Canada, and I love getting out in the snow and taking pictures. But here in Southern Ontario Winter can be a trying time, with bitter cold, slate-grey skies, and generally not exactly lovely to be outside. Sometimes you have to roll the dice and see what you get. Last year we got treated to a snowstorm which produced some excellent images. This year, due to a busy January, I pushed the event up to February. It was worth the wait for a few reasons. We were treated toRead More →

If you follow the film photography community and there’s a chance you do if you follow this blog, then you will have some idea of the rocky road that is the modern version of Film Ferrania. When they burst on the scene, they had the grand dream of bringing a new colour slide film to market using one of the few remaining buildings from the OG Ferrania plant in northern Italy along with a tonne of equipment, materials, and notes. You probably also realise that this dream has not yet been achieved. That doesn’t mean they’ve been sitting around doing nothing all that time. AndRead More →

One of the first History courses I took in High School was Canada in the 20th Century. Most Canadian history texts that are used in schools start at this point. And there’s no surprise. As a nation, Canada came into its own in the 20th Century. Many point the crucible of World War One as the focal point. Others state the post World War Two era leading up to the 100th Anniversary of Confederation. But everything that happened in the 20th Century built on what happened before and the sins of the past were going to come back to haunt. As Canada emerged from theRead More →

The second colour motion picture film stock available from our friends at Cinestill. Like Cinestill 800T, Cinestill 50D is based on Kodak’s Vision3 50D, a slow colour film designed for outdoor work, hence the D in the name standing for daylight. The film has been pre-stripped of the remjet layer allowing for easier processing in labs and at home. Although like 800T the film is natively designed for Kodak’s ECN-2 process, that’s an expensive process, so I decided instead to go with the old standby Burlington Camera. Now I did shoot this film stock back in 2018 and had it processed C-41 and was blownRead More →

When it comes to film, one of the main reasons it hangs on is thanks to the motion picture industry. And many of the films we love today are based on these cine-films. But when it comes to using these films designed for motion pictures in our still cameras, there is a bit of extra work to be done. Sure you can just load up a roll of Eastman Double-X and develop in regular B&W developers. But the colour film, the Vision3 line, is a whole other kettle of fish. First and foremost in everyone’s mind is the remjet layer, a special carbon-based backing thatRead More →