While not many people would notice it, but when watching a film, and you come across this amazing sequence in black & white, the rich tones across the board, and just a classic cinematic look and wonder, how can I make my still images look that good! Well if you are watching a film shot on traditional film stock the answer is rather easy, Eastman Double-X 5222. Chances are you’ve seen a film shot on this stock, such as the opening sequence of Casino Royale or Shindler’s List. I first came across Double-X a few years back when I purchased some rolls through the FilmRead More →

Fomapan 200 is a film stock that like TMax 400 and Delta 400 I’ve struggled with. I find it far too grainy for 200-speed film stock, often rather soft on the edges and can be rather fickle about lighting conditions. But it’s not a bad film; I think it needs to be handled with little extra care. Fomapan 200, was the first of the Fomapan films that I tried, and while initially disappointed in it, I quickly learned to like the film, for certain applications. Film Specs Type: Panchromatic B&W Film Base: Polyester Film Speed: ASA-200, Latitude: 64-800 Formats Avaliable: 35mm, 120, Sheets Roll 01Read More →

So I’ve managed to shoot through my brick of JCH Streetpan 400 film and feel I’m good to begin writing an in-depth review of the film. I’m going to start off with saying that this is a fantastic film! Well worth the time and effort that Bellamy has put into researching, marketing, and tweaking to suit his amazing photography and now has taken the bold step in bringing it to the rest of us. You will have probably heard a lot of negative press related to this film, even recently someone put a comment on one of my Streetpan images to a video review ofRead More →

Before the infamous red-dot there were the Barnack Leica’s. These compact rangefinders were designed by Barnack to take motion picture (35mm) film so that he could carry them around without giving him trouble with his asthma. The Leica III was the companies World War 2 camera and was the direct competitor to the Zeiss Ikon Contax line (which is why the Contax IIIa was featured earlier this month). I do like this camera but it really is one I like to hate so I don’t want to get rid of it really, it’s an excellent camera mostly due to the lens and it is smallRead More →

The bakelite beast, the snap shot camera of the 1950s and a staple camera in most every antique camera store I’ve visited. The Brownie Hawkeye flash was one of many cheap Kodak snapshot cameras that was a staple of plenty of families and still stands up today as a solid starter 620 camera because you can actually use a 120 spool in the camera providing you have a 620 spool in the take up! But although it works, I really don’t recommend it, as you’ll often damage the film itself. The Dirt Make: Kodak Model: Brownie Hawkeye Flash Type: Point and Shoot Format: Medium FormatRead More →

If you ever wondered how the average consumer took photos 100 years ago look no further. This is the oldest camera in my collection with a manufacturing date of 1916 but despite the age it still works perfectly! Mostly because it takes a still available film size! And even more impressive is that it still works like a charm. Oddly enough for the longest time I thought that this camera was some weird Canadian version of a No. 2 Brownie and had continued to all it as such it was only recently that I learned the actual name for the camera, the No.2 Hawk-Eye ModelRead More →

Anyone who has been in photography for a long time will remember the legendary Kodak film, no, not Kodachrome, the other one…Panatomic-X. Panatomic-X was first released in 1933 and continued until 1987 this fine grain ASA-32 panchromatic black & white film produced a huge tonal range and allowed for even 35mm negatives to be printed extremely large without noticeable grain…and when there was grain is was very pleasing. These days you cannot find fresh film, or even another film on the market like it. Most of the film I’ve shot expired back in the 1970s but can still be shot at box speed (ASA-32). TheRead More →

A favoured camera of the street photography group, the rangefinder, is one of those niche cameras that is often associated with brands like Leica. However while none of us have a Leica to present this episode we have some fine (cheaper) alternatives to the Leica that are sure to get your attention. The main feature of the rangefinder is that the viewfinder is often off-set from the taking lens, and uses a super-imposed image that you ‘line up’ to get the focus. However, composing takes a bit of work. The first rangefinders were produced by Kodak back in 1916, but really got popular in 1925Read More →

I figured because it was TLR Tuesday I’d share some photos I took last year in the abandoned Rochester Subway. The subway has always fascinated me since I first visited it back in 2007. But on this particular trip I was armed with my trusty Rolleiflex and a roll of Kodak Panatomic-X. The main draw for the subway is the viaduct over the Erie Canal. This area is covered with some of the best graffiti art I have come across in my explorations. And it’s not just the usual garbage, this work is just that, works of art! It’s also the area with the bestRead More →

The malls have been playing Christmas carols since the end of November, heck today I heard a Boxing day commercial on the radio. Yep, it’s that time of year again, Christmas! I had originally planned to get an exterior shot of my home church, but after checking what the exposure should be (metered for 4 minutes), then compensated for reciprocity failure (the more a film is exposed to light, the less sensitive to light it becomes, and tri-x has a terrible reciprocity) and the app spat out 52 minutes. I love photography and tri-x, and all…but standing outside at 8:45pm on the main street inRead More →