It’s a rumble in the electric jungle! Last month I pitted Olympus and Nikon against each other with their small-format mechanical options, the Olympus OM-1n and the Nikon FM. This month I decided to test the automatic versions of these compact cameras, the Olympus OM-2n and Nikon FE. Like their mechanical cousins, both cameras were built during the rise in the use of electronics in cameras that came in the late 1970s. Now here we have a significant difference in metering as both use a different system, and in this case, both cameras have functioning meters. Again this isn’t to tell you which camera isRead More →

When it comes to Olympus cameras, especially the OM-System, I sadly lack in my experience. Thankfully I’ve had the chance to run with both the original OM-1 and the advanced OM-4. Meaning there are only a couple of these amazing cameras that I have yet to have any experience with. In a reoccurrence of GAS, I happened upon a trade where I swapped a Pentax for a beautiful OM-2n. And after hearing all the good things about these cameras from two friends, Bill and Leslie, I knew I had a winning SLR. And while the OM-2n isn’t a primary camera in my daily use, IRead More →

There were plenty of photographers out there who seemed happy that Kodak ColorPlus 200 came to the North American market. But the real question among many was what is the film stock exactly? If you look at the box lots of the standard text is not only in a foreign language but even in foreign characters. Once I opened up the box and popped out the canister, the mystery would be solved, the film canister clearly says Kodacolor 200! Kodacolor itself is an old film stock and was Kodak’s first colour negative film released and produced from 1940 to 1963. The next version, Kodacolor-X wasRead More →

Like the Nikon FA, the Olympus OM-4 when it was released was a game changer for Olympus. The OM-4 saw a radical shift in how the camera metered. Where Nikon used a ‘matrix’ meter, the OM-4 used a multi-spot system to determine the shutter speed. And yet it maintained a classic OM look and feel, with almost everything unchanged in the layout from the earlier OM-1 and OM-2 cameras. Certainly a worthwhile addition to any photographer who is a fan of the classic OM cameras. Thanks to Bill Smith for loaning this beauty out for review. The Dirt Make: Olympus Model: OM-4 Type: Single LensRead More →

I’m going to come out and say it right off the bat. I’m used to handling big and bulky SLRs. Yet as I feel smaller cameras like the Nikon FE, Nikon FA, and Pentax ME Super, I realised that there needed to be a single instigator of this shift in SLR size. That camera is the Olympus OM-1, released just under two decades from the first ‘system’ SLR, the Nikon F. But the OM-1 switched the game, changed the narrative on the system camera. It showed you didn’t need a bulky camera to get results. And those who use the OM-1 or any of theRead More →

Probably one of the best things to actually invest in with your camera kit is lenses, as the title says, marry your lenses, date your cameras. Once you’ve figured out what system you want to shoot with, invest in glass, so on this the first episode of our second season the gang talks about their favourite lenses! Glass Featured on Today’s Show… In 35mm… Canon FD Lens S.S.C. 50mm 1:1.4 – While on the surface this is just another 50mm FD Canon lens which are already a fantastic lens to shoot on all your FD mount cameras what sets this camera about is the SSCRead More →

Playing along the same lines of the fixed lens camera rangefinders of the 1960s and 70s the Olympus 35 SP is one of the top models that you can get from that era, I’d actually rank it equal with the Minolta Hi-Matic 7s. And the best part as many people go for the Cannonet line of cameras, the 35 SP again like the 7s is more of an underdog camera and like many Olympus cameras has gained somewhat of a cult following. But what made the camera stand out among it’s peers that a dual metering system that had both a center weighted and anRead More →