Tag Archives: believeinfilm

In the Flavour of Maple

A sure sign that spring is just around the corner is the start of the maple season here in Ontario, where the sugar bushes come alive with the sound of sap dripping into buckets and the sweet smoke pouring out of the many sugar shacks across the province.

Mountsburg Maple Festival 2017

Mountsburg Maple Festival 2017

For Heather and I that thankfully does not mean long hours working out in the bush, but rather a drive out to Mountsburg Conservation Area for their Maple Town event. You get all the sweet rewards but without any of the hard work attached to it. Despite the cold weather, which worked a bit in our favour, we headed out all bundled up. While the weather was cold, the sun was out and high in the sky.

Mountsburg Maple Festival 2017

Mountsburg Maple Festival 2017

The Maple industry is closely tied to the history and growth of this part of Canada. The sap once reduced down could be turned into a sweet syrup or reduced down further to sugar that could be eaten as a treat or a replacement for the refined white and brown sugar that isn’t grown in the area. So when supply ships could not get through, the early settlers learned of maple sugar from the first nations that had been gathering the sweet stuff for many years.

Mountsburg Maple Festival 2017

Mountsburg Maple Festival 2017

Of course for Heather and I, we just had to join the queue and had pancakes the size of dinner plates served up to us with the syrup made right there in Maple Town which we then enjoyed in the brisk winter air. The event is great fun for the family and is open through all of March and into April when the season ends. You can find out more at: www.conservationhalton.ca/maple-town.

Contax G2 – Carl Zeiss Planar 2/45 T* – Kodak Tri-X 400 @ ASA-250 – SPUR HRX (1+17) 11:00 @ 20C

It’s a TMAX Party – Part I

The fine folks behind the film photography promotion website Emulsive have done it again! In the footsteps of last year’s FP4Party, they have started to run a couple of different monthly participation events for film photographers around the globe through the use of Twitter. Sadly I didn’t participate much in the FP4Party mostly because of time conflicts; I decided to make a point to join in on this year’s film parties. Being free of most projects it freed my hand to keep up this time around. This year’s first party is a celebration of Kodak TMax. Tmax a modern film emulsion that was released in the late 20th-Century and use a tabular grain rather than a traditional grain like Tri-X or Plus-X.

While I figured the easiest way to jump into the TMaxParty was to dig into my box of 4×5 TMax 100. While TMax isn’t always my first choice, I’m more of a classic grain shooter. But hey sometimes it’s good to jump a little bit outside of your comfort zone. So into Hamilton, I went, and while I had planned to shoot all eight loaded sheets that day but the cold weather told me otherwise.

HMCS Haida
Pacemaker Crown Graphic – Fuji Fujinon-W 1:5.6/125 – Kodak TMax 100 @ ASA-100 – Blazinal (1+50) 12:00 @ 20C

Craft Beers
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 – Kodak TMax 100 @ ASA-100 – Blazinal (1+50) 12:00 @ 20C

Whitehern
Pacemaker Crown Graphic – Fuji Fujinon-W 1:5.6/125 – Kodak TMax 100 @ ASA-100 – Blazinal (1+50) 12:00 @ 20C

Well in Canada, March can be a bit of a hit and miss, and while the weather kept me from shooting outside, my shutters tend to get laggy in sub-zero weather I again had to dive outside of my comfort zone. Usually, when I’m shooting large format I stick to deep depth-of-field, we’re talking f/32 and up on my aperture. Sure it makes for longer shutter times, but it gives the images incredible sharpness. Well, the temperatures stuck below zero so open up the lens I did.

Retention
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 – Kodak TMax 100 @ ASA-100 – Kodak D-23 (Stock) 9:30 @ 20C

Take Flight
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 – Kodak TMax 100 @ ASA-100 – Kodak D-23 (Stock) 9:30 @ 20C

The Lights Above
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 – Kodak TMax 100 @ ASA-100 – Kodak D-23 (Stock) 9:30 @ 20C

While I’m pretty happy with my results for this month, I hope next month’s TMax Party I’ll have some more outdoor shots. Of course, the big question is what format will I shoot, and in what camera! Current runners are my Contax IIIa, Rolleiflex 2.8F, or Hasselblad 500c. So we’ll see next month!

CCR Review 59 – Canon FTb

While I have shot only a handful of Canon products during my reviews, they’ve all given positive results in my books. The Canon FTb is not bucking this trend as a solid match needle, mechanical SLR it is certainly a top pick for me as a student camera. Simple in its operation, and yet provides a good solid introduction to 35mm film photography. Special thanks to Bill Smith for loaning out this black beauty!

CCR Review 59 - Canon FTb

The Dirt

  • Make: Canon
  • Model: FTb
  • Type: Single Lens Reflex
  • Format: 135 (35mm), 36×24
  • Len: Interchangeable, Canon FD Mount
  • Year of Manufacture: 1971

CCR Review 59 - Canon FTb

CCR Review 59 - Canon FTb

The Good
The number one thing I love about this camera is the Quick Load function. Often with older cameras it takes a bit of fiddling to get the film loaded up, some cameras are easier than others, and then there’s the Canon Quick Load. It seriously makes it easy like my Nikon F5, lay down the film, close the door, advance fire, advance, fire and you’re ready to rock and roll. Everything else is fairly well laid out and in a normal place. A power switch to save on battery power, a short throw on the film advance and a pleasing weight in hand. And finally, it’s a match needle metering system very similar to my first SLR, the Minolta SRT-102, put the hole over the needle, nice and easy!

CCR Review 59 - Canon FTb

CCR Review 59 - Canon FTb

The Bad
By this point, reader, you will probably realize that there are some cameras that I try hard to find a fault in, and I normally will go for something petty, well the FTb is one such camera. And that fault is, of course, the battery. The camera does need a mercury cell to work, a power source that isn’t exactly easy to find these days. Now there are some alternatives such as an adapter to step down the power out of a current battery or an air-zinc battery. Then again as the FTb is a mechanical camera all the battery powers is the internal meter, so it isn’t that big of a deal.

CCR Review 59 - Canon FTb

The Lowdown
If you don’t want to spend a fortune to get a solid learner camera, then the FTb is certainly for you. With or without a working meter you get the most bang for your buck, and both the camera bodies and lenses are plentiful online and in reputable used camera shops. If I didn’t already have an extensive selection of Nikon cameras and lenses, an FTb would certainly be a welcome addition to my camera bag. So if you don’t like the idea of grabbing a cliche K1000 or FM, then give the FTb another look, it won’t let you down.

All Photos Taken in Guelph, Ontario
Canon FTb – Canon Lens FD 50mm 1:1.8 – ORWO UN54 – Kodak HC-110 Dil. A 7:30 @ 20C

Expired Film Day – 2017

Two Stops Over and Straight On ‘Til Morning.

Expired Film Day 2017

Ah yes, the mantra of Expired Film Day. EFD is the brainchild of fellow film photographer Daniel J. Schneider. The day is a celebration of shooting and enjoying the wacky results you get from shooting expired film. I tend to shy away from colour films mostly because of having to send them away for processing. So this year I had a pile of the mid-1990s expired TMax 100 floating around to shoot. Most Kodak B&W films are fairly stable, and you could shoot them at box speed if you wanted and get good results. I know because I’ve been using the film to try out cameras for the Classic Camera Revival Review blogs.

Expired Film Day 2017

Expired Film Day 2017

To make matters a little more interesting, we recently got hit with a big winter storm which turned our near Spring area into a winter wonderland, and a cold snap forced me to make some different choices when it came to going out and shooting. Ditching the idea of taking out any camera or meter with a battery because I figured it would be at least an hour to walk and shoot in the awful weather I settled on an old war standby. The Contax IIIa and mounting a 1942 era Carl Zeiss Jena Tessar 50mm lens, as for a meter it was the Gossen Pilot.

Expired Film Day 2017

Expired Film Day 2017

There was a plus to all this, the overcast sky and bright sun behind the clouds made the light bright but even making metering fairly consistent no matter what I was shooting. As for the subject, I decided to take to my old stomping grounds, the campus of my former High School. This was where I started with serious photography, often taking time between classes to figure out my newest camera. I was pretty frozen by the time I made it back, but the camera had survived. The older lens gave everything a bit of a hazy look about it which only added to the strangeness of EFD. Maybe next year I’ll plan it out better to have a batch of colour negative waiting for developing and then shoot some expired slide film and Xpro it!

Expired Film Day 2017

Expired Film Day 2017

Contax IIIa – Carl Zeiss Jena Tessar 1:3,5 f=5cm – Kodak TMax 100 @ ASA-64 (TMX)
SPUR HRX (1+17) 11:30 @ 20C
Meter: Gossen Pilot
Scanner: Epson V700
Editor: Adobe Photoshop CC (2017)

A Cold Day on James Street

For the past several years I’ve been working on a series of photo projects that usually resulted in me going out to shoot on a regular basis but for project reasons. But this year, despite still going out and shooting film for camera reviews I’ve started just taking cameras out for the pure reason of going out to shoot for my enjoyment.

LUiNA Station

A Fountain

And while I had brought a camera to review with me, and my 4×5 along for this month’s TMAX Party I did get out and do some shooting for just me. Having shot the Hasselblad once a week every week last year I’ve been letting it sit for a bit on my shelves while I played with other cameras through the first couple months. But I thought it would survive a rather cold Saturday morning in Hamilton while Heather was at a baby shower for my future sister-in-law.

Pig in the Window

Rusted Out

So while Heather was up on the mountain, I took a wander along James Street. While there is always much to see in downtown Hamilton I, usually stick to the same box and area. So this time I wandered a bit further afield along James Street towards the waterfront. While there were many familiar sites once I got past the Christ Cathedral, they were no longer too familiar, and I finally got to see the beautiful LUiNA Station. A former train station turned event venue.

Little India

Opposing Doors

The weather it turned out was a little colder than I expected and by the time I got back to my car I was pretty uncomfortable, and so was my 4×5 that had been sitting inside the car so the other four sheets of film would have to wait for warmer weather. But I was happy with the results I got from the Hasselblad.


Hasselblad 500c – Carl Zeiss Distagon 50mm 1:4 – Fomapan 100 @ ASA-100
Blazinal (1+50) 9:00 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC (2017)

CCR Review 58 – Graflex Pacemaker Crown Graphic

At the very beginning of these review blogs I had laid out some rules, and now I’m going to break one of them and review a large format, sheet film camera. The Crown Graphic is my 4×5 camera of choice these days; it’s reliable camera that can take a hit and keep on taking photos. I mean that is what it’s designed to do, it’s a press camera. And when it comes to large format, I’m glad that my first experiences with the format were on a press camera rather than a field or monorail because I don’t think I would have taken to the format in the same way.

CCR Review 58 - Graflex Pacemaker Crown Graphic

The Dirt

  • Make: Graflex
  • Model: Pacemaker Crown Graphic
  • Type: Press Camera, View/Rangefinder
  • Format: Multiple, Graflok Back (Roll film, or Sheet Film)
  • Len: Interchangeable, Crown Graphic Lens Boards
  • Year of Manufacture: 1955-1973 (This Model, 1968)

CCR Review 58 - Graflex Pacemaker Crown Graphic

CCR Review 58 - Graflex Pacemaker Crown Graphic

The Good
The number one thing I love about the Crown Graphic is that it’s versatile with a single camera I have both a handheld rangefinder based camera that I can just point, focus and shoot, at least when I’m using the Xenar 135mm lens, as I’ve calibrated the rangefinder for the lens. I much prefer to shoot the camera like a field camera, on a tripod, composing and focusing using the ground glass on the back. Using the glass gives me full creative control and use of some fantastic lenses, like the Symmar-S 210mm (which is the lens I use the most). Plus that’s the power of large format, your Crown will be able to use most lenses out there, and all the film holders and the Graflok back means you can attach all sorts of accessories such as roll film magazines and Polaroid Type 100 film holders. And finally, this camera has a nice fast setup, pop the front cover, drop the bed pull out the bellows. And if you’re using ‘pancake’ style lenses, you can keep the lens on the camera when you close the door.

CCR Review 58 - Graflex Pacemaker Crown Graphic

CCR Review 58 - Graflex Pacemaker Crown Graphic

The Bad
Like any large format camera, the biggest detractor to them is the size and the amount of stuff you need to bring to use the camera well. Tripod, multiple film holders, meter, and the lenses all mounted on their boards. It adds up after a while. But for me, it’s worth the effort. Another issue that only large format shooters will note with a press camera is the lack of movements, while the Crown Graphic gives more than the Speed Graphic, you are still only limited to movements on your front standard, and even then you’re relatively limited. But again this was a camera not designed for shooting that requires much in the way of movements. And finally there is starting to be a lack of spare parts for these cameras, so getting bits and pieces replaced or repaired is starting to become a problem, either you can grab ones that are already broken for spare parts or pray that you know someone who can machine the appropriate piece. Thankfully their rugged build means they are designed to last.

CCR Review 58 - Graflex Pacemaker Crown Graphic

CCR Review 58 - Graflex Pacemaker Crown Graphic

The Lowdown
If you’re like me and shoot on a mobile basis, then the press camera is certainly the best option, and often a Crown Graphic kit can be had for an inexpensive out of pocket cost. Being highly adaptable to multiple shooting situations and with a quick setup and tear down it’s a great camera for learning on. Of course, if you’re a technical shooter who needs movements then I would avoid press cameras altogether and go for something a little more expensive. Intrepid, Shen-Hao, Takahara, Linhoff, and Sinar are all excellent options. But for me, I’m sticking to the Crown.

All Photos Taken in Georgetown, Ontario
Graflex Pacemaker Crown Graphic – Schneider-Kreuznach Xenar 1:4,7/135 – Kodak Tri-X Pan @ ASA-200
Pyrocat-HD (1+1+100) 10:00 @ 20C

Toronto Film Shooters Meetup – Winter ’17

I never thought that this little idea of mine would catch on. I never believe that my little social ideas would go over. And yet they usually do in some form or another. For example, the Toronto Film Shooters Meetup, now starting on its the fourth year. TFSM, a quarterly gathering of photographers in the Southern Ontario region who loves to shoot traditional film based cameras is an idea I floated back in 2013. I was still an active member of the Analog Photography User Group (APUG), and in the Toronto Sub-Forum, someone was complaining that there was not enough photo walks in the Greater Toronto Region specifically for film photographers.

TFSM - Winter '17
Zeiss Ikon Contax IIIa – Zeiss Opton Sonnar 1:1,5 f=50mm – Ilford FP4+ @ ASA-100 – SPUR HRX (1+20) 9:30 @ 20C

TFSM - Winter '17
Zeiss Ikon Contax IIIa – Zeiss Opton Sonnar 1:1,5 f=50mm – Ilford FP4+ @ ASA-100 – SPUR HRX (1+20) 9:30 @ 20C

So I, a young, mid-twenty some-odd kid, piped up. I’ll organize a quarterly photo walk one for each season. So on a bright summer day in 2013, I launched the Toronto Film Shooters Meetup or TFSM. It’s had varied success over the four years; there was even an event where I was the only one in attendance. The winter ones are usually the least attended walks mostly because the weather can be rather terrible, or just plain cold. But the walk a couple of weeks back it was a bit gray, but the weather was okay.

TFSM - Winter '17
Zeiss Ikon Contax IIIa – Zeiss Opton Sonnar 1:1,5 f=50mm – Ilford FP4+ @ ASA-100 – SPUR HRX (1+20) 9:30 @ 20C

TFSM - Winter '17
Zeiss Ikon Contax IIIa – Zeiss Opton Sonnar 1:1,5 f=50mm – Ilford FP4+ @ ASA-100 – SPUR HRX (1+20) 9:30 @ 20C

The six brave souls who attended took in an icy view along Toronto’s lakeshore, which during the summer is fairly active, but not so much in the winter. And yet there was still lots to photograph along the way. Earlier in the day, I had taken my Contax IIIa through the downtown core to give the beauty of a camera a bit of a workout. A stop at Downtown Camera to stock up one some film, and even got my hands on a box of RPX400 in 4×5.

TFSM - Winter '17
Nikon F2 Photomic – AI-S Nikkor 35mm 1:2.8 – Bergger BRF400+ @ ASA-400 – Kodak HC-110 Dil. B 7:00 @ 20C

TFSM - Winter '17
Nikon F2 Photomic – AI-S Nikkor 35mm 1:2.8 – Bergger BRF400+ @ ASA-400 – Kodak HC-110 Dil. B 7:00 @ 20C

I’m surprised as for how well all my photos came out. Usually, I don’t post much in the way of volume from these meets. But making a choice to bring only two cameras and only actively shooting one at any given time probably helped. And I was using several new-to-me items this time around. The Nikon F2 was loaded up with Bergger BRF 400+ and an AI-S 35mm lens, while the Contax IIIa had an old favourite FP4+ but this time around I developed with SPUR HRX, a new developer that I got introduced to by Mike.

TFSM - Winter '17
Nikon F2 Photomic – AI-S Nikkor 35mm 1:2.8 – Bergger BRF400+ @ ASA-400 – Kodak HC-110 Dil. B 7:00 @ 20C

TFSM - Winter '17
Nikon F2 Photomic – AI-S Nikkor 35mm 1:2.8 – Bergger BRF400+ @ ASA-400 – Kodak HC-110 Dil. B 7:00 @ 20C

If you’re in the Toronto area or even beyond, we have regular attendees from Peterborough, feel free to join us on Facebook to hear about all the madness that is the Toronto Film Shooters group!

CCR Review 57 – Zeiss Ikon Contaflex Super (Old)

If you think that you’ve seen this camera reviewed before, you’re right, in a certain way. I have written about the newer version of this camera, the Contaflex Super B before. Despite this, I figured it would be good to compare it to the battery-less version of the Contaflex. Despite the troubles I mentioned in the Super B review, the Super remains a strong camera and one I would take over the Super B any day. Special thanks to James Lee for loaning out this beauty for review.

CCR Review 57 - Zeiss Ikon Contaflex Super (Old)

The Dirt

  • Make: Zeiss Ikon
  • Model: Contaflex Super
  • Type: Single Lens Reflex
  • Format: 135 (35mm), 36x24mm
  • Len: Interchangeable, Breach lock
  • Year of Manufacture: 1958/li>

CCR Review 57 - Zeiss Ikon Contaflex Super (Old)

CCR Review 57 - Zeiss Ikon Contaflex Super (Old)

The Good
The Contaflex Super is a strong camera right out of the box. Like the Super B, the camera body is bulky and has a trapezoidal shape which makes it easy to hold for extended periods of time, as you’re not just carrying a box. Then there’s the meter, selenium based so if you have one in good shape you don’t need a battery to get a good exposure. And you have a wonderful easy to read match needle right in your viewfinder. But one thing that I feel sets the Super apart from its battery-powered counterpart is the aperture dial on the camera body. This dial made shooting the camera easy because you just have to spin the dial to make sure the needle is in the notch! Add this that all the controls from the aperture dial to the focusing and shutter speed are well laid out making it a very comfortable camera to use.

CCR Review 57 - Zeiss Ikon Contaflex Super (Old)

CCR Review 57 - Zeiss Ikon Contaflex Super (Old)

The Bad
Like the Super B, my biggest issue with this camera is that it lacks automatic mirror return. The result is a heavier than normal film advance as it both cocks the shutter, advances the film, and returns the mirror. The second issue is setting the film speed, you need to know DIN, thankfully most film boxes do have that number on it so that it won’t be much of an issue, but you still have to think a little different. And finally there’s the loading of the film, I never got the hang of loading up the film by removing the entire back, it does slow down the use of this camera. I have to remember that the Super came into being in the days when photography was still a luxury, so one-handed loading was not something manufacturers thought would be an issue.

CCR Review 57 - Zeiss Ikon Contaflex Super (Old)

CCR Review 57 - Zeiss Ikon Contaflex Super (Old)

The Lowdown
The Contaflex Super is certainly a better option than the Super B. Not needing a battery, full mechanical operations, and that wonderful aperture dial just makes it that much better. Of course being a selenium powered meter, you can run across the Super with a non-functioning meter, but you shouldn’t let that stop you as there’s plenty of options for checking your exposure.

CCR Review 57 - Zeiss Ikon Contaflex Super (Old)

A little side notes about the film. I’ve used Kentmere 100 on a couple of occasions before this and have never liked the results. However, this time I enjoyed my results, I guess the developer of choice for Kentmere 100 is now HC-110 Dilution B, but following a different agitation pattern than I normally do, first 30 seconds of constant agitation then 5 seconds every 30 seconds following.

All Photos Taken in Bellfountain, Ontario
Zeiss Ikon Contaflex Super – Carl Zeiss Tessar 50/2,8 – Kentmere @ ASA-100 – Kodak HC-110 Dil. B 5:45 @ 20C

Inspiring Interpretation and Imitation

Recently in one of the many film photography groups, I’m a member of on Facebook a group admin, Reg Pritchard, put forward a challenge to interpret and imitate a famous photographer. Thankfully the photographer was not one that I knew, Robert Doisneau. Robert roamed the streets of Paris with his Leica during the 1930s, and if credited as being a pioneer, like many contemporaries, in the field of humanist photography and photojournalism. Thankfully Reg posted several examples of Robert’s work from which we could draw inspiration.


Paris Boulevard Brune Whole Family on AJS Motorcycle – Robert Doisneau, 1953

Doisneau’s photograph of a large family on a single motorbike caught my attention because that one person was looking right at the camera, there was a little touch of interaction between the subject and the photographer. It certainly is an aspect of street photography that I tend to look for, a silent confirmation that I was taking their photo. I jumped and started looking through my rather extensive collection of photographs I have online. Settling on these six.

Toronto - Dec 30th, 2015
Contax G2 – Carl Zeiss Planar 2/45 T* – Eastman Double-X 5222 @ ASA-200 – Kodak DK-50 (1+1) 6:00 @ 20C

TFSM - Fall '16
Nikon F5 – AF DC-Nikkor 105mm 1:2D – JCH Streetpan 400 @ ASA-400 – Ilford Perceptol (1+1) 10:00 @ 20C

Toronto - July 2015
Nikon FG – AI Nikkor 135mm 1:2.8 – Eastman Double-X 5222 @ ASA-250 – PMK Pyro (1+1+100) 15:00 @ 20C

Toronto - July 2015
Nikon FG – AI Nikkor 135mm 1:2.8 – Eastman Double-X 5222 @ ASA-250 – PMK Pyro (1+1+100) 15:00 @ 20C

The Streets of Brussels
Contax G2 – Carl Zeiss Planar 2/45 T* – Kodak Plus-X 125 @ ASA-125 – Kodak Xtol (1+1) 7:30 @ 20C

Toronto - July 1st
Leica IIIc – Leitz Summitar f=5cm 1:2 – Kodak Plus-X 125 @ ASA-125 – HC-110 (Dil. B) 5:00 @ 20C

While it’s important to develop your own eye and style, sometimes it’s good to look at the styles of other photographers and see if you draw your inspiration from them and even sometimes duplicate them.

SPUR of the Moment

There are plenty of developers out there that I have yet to try, some because they just aren’t made anymore and others because I just cannot get them in Canada. Plus I can be a creature of habit and stick to what I know and can get the results I want. So when a fellow photographer and CCR co-host Mike Bitaxi, started talking about this new developer he was working with my interest oddly enough grabbed especially after seeing the results.

TFSM - Winter '17

TFSM - Winter '17

The developer in question is SPUR HRX. SPUR, or Speed Photography, Ultra Resolution, is a company out of Germany that I had never heard of before. HRX, despite the name, is the latest developer in the HRX line, the predecessor being HRX-3, and is designed to deliver fine grain and sharpness. To me, that sounds a lot like Pyro based developers like my favorite Pyrocat-HD.

TFSM - Winter '17

TFSM - Winter '17

There is one catch to this developer, it comes in two parts, but you don’t mix it like you would Pyrocat HD because unlike Pyro developers there is just a single dilution ratio for developing. That’s right; you have to do a lot more math with it. But let’s break it down using a natural dilution. For Ilford FP4+ at ASA/ISO-100, you use a 1:20 dilution, so when using 500mL of developer you need 24mL of developer and 476mL of water. Taking that 24mL of developer and divide in half so 12mL of Part A and 12mL of Part B. It’s when you start getting into prime numbers like 1:17 that you’re going to run into trouble. But a plastic syringe with .5mL markings will make your life easier.

TFSM - Winter '17

TFSM - Winter '17

What you get from the developer is a classic black and white image, good blacks and whites and beautiful wide mid-tones. While the pictures are sharp, the grain is nicely reduced making the film easily scannable. Now I used a film that already has a pleasing grain structure and is relatively fine-grained by its nature. Does the developer behave like Pyro? I’m not sure of that yet; I have several boxes of 4×5 film to pit head-to-head using HRX and Pyrocat-HD for a later post. But for now, I’m enjoying HRX. If you want to give the developer a try, you can pick it up from either Argentix.ca (not at the moment) or Freestyle Photographic!

All Photos Taken in Toronto, Ontario Canada
Zeiss Ikon Contax IIIa – Zeiss Opton Sonnar 1:1,5 f=50mm – Ilford FP4+ @ ASA-100 – Spur HRX (1+20) 9:30 @ 20C