Tag Archives: F5

An Extra Special Gift

This was certainly a first for me. I’ve been doing the photography thing for many years, and while my favourite subjects are things that really can’t move around, I do find myself enjoying the few portrait and wedding gigs that I come across. But when it came to shooting maternity it was all new territory. And it can be a pretty creepy one also. You look at places like Pinterest, and you can get carried away by semi-nude women showing off their pregnant bodies. Now before you lay on the hate, I’m not saying that’s a bad thing or wrong. I just don’t like that style of shooting, and when my subjects are my soon-to-be brother & sister-in-law. That’s just not the direction I want to take.

Evan & Holly - Maternity Shoot
Sony a6000 + Konica Hexanon 1:2.8 f=35mm

Evan & Holly - Maternity Shoot
Sony a6000 + Konica Hexanon 1:2.8 f=35mm

The idea is Heather’s who came up with the idea to do a shoot with them once we found out they were expecting, and it became all the more special when the one baby was two. Yep, instant niece and nephew added in, and just before my wedding. It did take Holly a bit of time to warm up to the idea of having maternity photos done. And I can understand that she also does photography, and it’s difficult for a photographer to stand in front of the camera rather than behind.

Evan & Holly - Maternity Shoot
Sony a6000 + KMZ Helios 44-2 2/58

Evan & Holly - Maternity Shoot
Nikon F5 – AF Nikkor 50mm 1:1.4D – Kodak Tri-X 400 @ ASA-250 – SPUR HRX (1+17) 11:00 @ 20C

Thankfully we had just the right weather to be outside, well it was a little cold for Evan and Holly, I at least could keep my coat on. And for the backdrop, we took advantage of being in Hamilton the city of waterfalls and worked at Tiffany and Sherman Falls. What makes this whole thing extra special is that Evan and Holly had been waiting a long time to start a family, so it was an amazing idea from Heather to document it right from the beginning.

Evan & Holly - Maternity Shoot
Nikon F5 – AF Nikkor 50mm 1:1.4D – Kodak Tri-X 400 @ ASA-250 – SPUR HRX (1+17) 11:00 @ 20C

Evan & Holly - Maternity Shoot
Nikon F5 – AF Nikkor 50mm 1:1.4D – Kodak Tri-X 400 @ ASA-250 – SPUR HRX (1+17) 11:00 @ 20C

The great part was that once I got rolling with the photos it went really well, both Evan and Holly were great subjects, and the process moved along well. I found myself looking only once at a few saved images on Pinterest and then settled into my usual groove when shooting portraits. The only thing different was making sure to show off the baby bump! And no, I’m not getting into newborn photography, but I think I’d be okay doing another maternity shoot of the same style.

Classic Camera Revival – Episode 21 – The Great Nikon Show

ccr-logo-leaf

It’s the great Nikon show, specifically talking about the Nikon F line of cameras and to narrow it down even more, the highly prized single digit F line, or Nikon’s professional line of cameras! Since we’re all about pre-2000 we’re leaving out the F6 (which isn’t really marketed as a professional camera) and focusing on the F, F2, F3, F4, and F5 cameras! On air for this episode is John Meadows, Alex Luyckx, and guest co-host Bill Smith!

All in the (F)amily
All in the F(amily)!

Cameras Featured on Today’s Show…

Nikon F – The one that started it all! The Nikon F was the camera that introduced the world to the professional SLR system camera, where the user could customize the camera to any configuration that they need to get the shot. It also cut its professional teeth in the damp jungles of Vietnam.

The Dirt:

  • Make: Nikon
  • Model: F
  • Type: Single Lens Reflex
  • Format: 35mm, 35x24mm
  • Lens: Interchangable, F-Mount
  • Year of Manufacture: 1959-1974

CCR - Review 28 - Nikon F Photomic FTn

Vintage Jag
Nikon F – Nikkor-S Auto 1:1.4 f=50mm – Ilford Delta 100

Columns
Nikon F – AI-S Nikkor 105mm 1:2.5 – Kodak Tri-X 400 – Kodak Xtol (1+1)

CCR - Review 28 - Nikon F Photomic FTn
Nikon F – AI-S Nikkor 105mm 1:2.5 – Ilford FP4+ @ ASA-125 – Kodak DK-50 (1+1) 5:00 @ 20C

Nikon F2 – The beauty that really carried on the tradition of the Nikon F but did so with style. It will also take you through the end of days and get fantastic photos as a result. Even today this is still a great camera to get your hands on, especially the later model units that would even have working meters still.

The Dirt:

  • Make: Nikon
  • Model: F2
  • Type: Single Lens Reflex
  • Format: 35mm, 35x24mm
  • Lens: Interchangable, F-Mount
  • Year of Manufacture: 1971-1980

Classic Camera Revival - Episode 15 - Mechanical Madness

Scan-141003-0014
Nikon F2a – AI-S Nikkor 200mm 1:4 – Kodak Ektar 100

Smile :D
Nikon F2 Photomic – AI-S Nikkor 50mm 1:1.4 – Holga 400 @ ASA-400 – Kodak Xtol (1+1) 9:30 @ 20C

Urban Desolation
Nikon F2 – Nikkor-N Auto 1:2.8 f=28mm – Rollei Retro 80s – Kodak D-23 (1+1) 13:00

Nikon F3 – The F3 was a radical departure for Nikon moving to an electronic semi-automatic (aperture priority) camera. While many photographers resisted this move, as the camera would not operate at all shutter speeds if it didn’t have battery power, it soon because one of the longest produced Nikon camera reaching all the way to the year 2000, outlasting both it’s successors in the F4 and F5.

The Dirt:

  • Make: Nikon
  • Model: F3
  • Type: Single Lens Reflex
  • Format: 35mm, 35x24mm
  • Lens: Interchangable, F-Mount
  • Year of Manufacture: 1980-2000

CCR - Review 24 - Nikon F3

Base of the Bloor Street Viaduct
Nikon F3 – AI-S Nikkor 28mm 1:2.8 – Adox CMS 20 II @ ASA-20 – Diafine 3+3

CCR - Review 24 - Nikon F3
Nikon F3 – AI-S Nikkor 50mm 1:1.4 – Ilford FP4+ @ ASA-125 – Ilford Microphen (1+1) 10:00 @ 20C

Lindsay 1
Nikon F3 – AI-S Nikkor 105mm 1:2.5 – Ilford Delta 400 – Kodak TMax Developer (1+9)

Nikon F4 – When it comes to camera meters, you really cannot beat the F4. This beast of a camera was the first Nikon professional camera to sport an autofocus system and a matrix metering system. The metering system was based on the earlier Nikon FA and even today Nikon digital cameras meters are based on the F4’s.

The Dirt:

  • Make: Nikon
  • Model: F4
  • Type: Single Lens Reflex
  • Format: 35mm, 35x24mm
  • Lens: Interchangable, F-Mount
  • Year of Manufacture: 1988-1997

CCR - Review 1 - Nikon F4

Svema Micrat-Orto - Test Roll 2 - Fifty Point Conservation Area
Nikon F4 – PC Nikkor 35mm 1:2.8 – Svema Micrat-Orto (FPP Super Postive Slide Film) @ ASA-0.75 – Kodak Xtol (1+1) 14:00 @ 20C

Man by the Beach: Colour version
Nikon F4 – Nikon Series E 75-150mm 1:3.5- Svema Colour 125

Plattsburg, New York - Eastman 5363
Nikon F4 – AF Nikkor 35mm 1:2D – Eastman 5363 @ ASA-25 – PMK Pyro (1+2+100) 11:00 @ 20C

Nikon F5 – The penultimate Nikon Professional SLR. The F5 was the final 35mm professional SLR and became the base for the D1, the first professional Digital SLR released by Nikon. It’s Alex’s personal favourite when it comes to Autofocus SLRs and is his choice with the AF DC-Nikkor 105mm 1:2D for street photography.

The Dirt:

  • Make: Nikon
  • Model: F5
  • Type: Single Lens Reflex
  • Format: 35mm, 35x24mm
  • Lens: Interchangable, F-Mount
  • Year of Manufacture: 1996-2004

CCR - Review 22 - Nikon F5

Gettysburg - Spring 2016
Nikon F5 – AF Nikkor 50mm 1:1.4D – Kodak Vision3 250D @ ASA-250 – Unicolor Rapid C-41 Kit

TFSM Winter '16 - Muddy York
Nikon F5 – AF DC-Nikkor 105mm 1:2D – Kodak Tri-X 400 @ ASA-200 – Pyrocat-HD (1+1+100) 10:00 @ 20C

Astrolab
Nikon F5 – AF DC-Nikkor 105mm 1:2D – Ilford Delta 100 @ ASA-100 – FA-1027 (1+14) 9:00 @ 20C

If you’re wondering why we didn’t include the F6, well it’s because none of us own one so we really can’t speak to it also it was not really aimed at the professional market as by the time the F6 was released the pros had gone digital and the F6 was aimed at the advanced amateurs with deep pockets.

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

Real People are More Interesting

Paparazzi, Paparazzi…the taunts seemed almost to be sung as I grabbed a shot of two women walking across the street. They don’t bother me, besides I’m far from a paparazzi photographer, these two women are not famous nor am I going to be selling these photos. Besides I can barely hear the voices over the History Extra Podcast about Richard I and the Third Crusade.

TFSM Winter '16 - Real People are More Interesting

TFSM Winter '16 - Real People are More Interesting

Having just come from a beautiful photowalk in the High Park Area I had some time to kill before meeting up with my buddy James at Trinity-Bellwood Park to head up to the Dakota Tavern to catch the Silver Hearts playing live so I popped down to Downtown Camera and picked up another roll of film to load up and do some street photography as I walked along Queen Street.

TFSM Winter '16 - Real People are More Interesting

TFSM Winter '16 - Real People are More Interesting

I don’t practice Street Photography that often, I have to feel in the right mood, the camera I have has to sit right and the film has to suit the light. The film I ended up grabbing was Rollei Retro 400s a film I hadn’t ever used but my gut was telling me this would be a good film to use in the slowly dying light of downtown Toronto.

TFSM Winter '16 - Real People are More Interesting

TFSM Winter '16 - Real People are More Interesting

Some of the people whom I caught on film noticed me, well with the gear I was using there really wasn’t any surprise, there’s a reason many street photographers prefer the smaller silent cameras to the bulk of a professional SLR. I flashed a quick smile which was returned and then I was gone, carried on west by my quick pace the camera settled back into my arm waiting to be used again.

TFSM Winter '16 - Real People are More Interesting

TFSM Winter '16 - Real People are More Interesting

And it just goes to show…that in the long run, I’ll leave the stars to the paparazzi, for me, real people are more interesting.

Nikon F5 – AF DC-Nikkor 105mm 1:2D – Rollei Retro 400s
Kodak TMax Developer (1+4) 9:30 @ 20C
Epson V700
Adobe Photoshop CC (2015)

CCR Review 22 – Nikon F5

The beast, the heaviest, fastest, most advanced SLR from the Nikon Professional line of 35mm SLRs that was aimed at professionals and the last one to be aimed at professionals. At first glace you’ll think it’s a digital camera which you wouldn’t be mistaken, as the F5 was basically the template of what would become the Nikon digital SLRs for the professional market from the original D1 to the incredible D4.

CCR - Review 23 - Nikon F5

The Dirt
Make: Nikon
Model: F5
Type: Single Lens Reflex
Format: Miniature, 35mm (135)
Lens: Interchangeable, Nikon F Mount (Autofocus)
Year of Manufacture: 1996-2004

CCR - Review 22 - Nikon F5

CCR - Review 22 - Nikon F5

The Good
This was probably the best professional 35mm camera out of Nikon. Quick on the autofocus, and a super quiet shutter (that actually self-adjusts to fix speed problems). In the hand despite the bulk it has an amazing balance and sits well when slung across the body carbine style. Another excellent feature on this camera it that you can use pretty much all your Nikon lenses on it, even modern G-Type lenses because all the adjusts are done with controls on the camera. Of course you loose a few features with the older AI and AI-S lenses (Non-AI does not work), but over all my modern AF-S glass works perfectly!

CCR - Review 22 - Nikon F5

CCR - Review 22 - Nikon F5

The Bad
Okay there are two big points about this camera. The first being power, now the F4s takes six batteries, the F5 eight and on alkaline batteries you’re looking at 25 rolls per set but in this case it’s AA batteries which are pretty much available everywhere. The next issue is well weight, this isn’t a light camera it’s big, it’s bulky and it really does look like a digital camera.

CCR - Review 22 - Nikon F5

CCR - Review 22 - Nikon F5

The Lowdown
This is not a camera for the faint of heart, it’s a big camera aimed at the professionals, hell you could probably use it as a personal-defense weapon if you had to. And it does carry a good price tag even today, but the good news is that if you do get one, no matter how beat up the body may look (mine’s pretty good for only rating 8 on B&H) the camera will still work perfectly! Anyone who shoots high-end Nikon gear the F5 and F6 are both winners. Although I have no intention of getting an F6, I’m pretty happy with this investment.

All photos taken at McLean’s Auto Wreckers, Milton, Ontario, Canada
Nikon F5 – AF Nikkor 50mm 1:1.4D – Ilford Pan F+ @ ASA-50
Ilford Microphen (1+1) 6:00 @ 20C